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Headset & Earset Microphones

Manual

d p a

m i c r o p h o n e s . c o m / d f i n e

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Summary of Contents for d:fine

Page 1: ...Headset Earset Microphones Manual d p a m i c r o p h o n e s c o m d f i n e ...

Page 2: ...t Choose a distance that yields the desired amount of bass Care should be taken to protect against wind and pop noise e g by using a windsceen Introduction All d fineTM Headset Microphones provide a uniquely natural and open sound Ultra lightweight and adjustable these mics ensure a secure and comfortable fit in live performance environments To ensure optimal performance of your d fine Headset Mic...

Page 3: ... the difference between d fineTM Headset Microphone capsules See the mark on the capsule See the mark on the capsule d fineTM CORE 4166 d fineTM CORE 4188 d fineTM CORE 4066 CORE 4266 d fineTM CORE 4088 CORE 4288 ...

Page 4: ... be adjusted Change the standard bend by carefully expand ing the distance between the earhooks To change sides simply click the boom out of the clips and switch it over to the other side The remaining two clips are not used The soft cable must not be attached into the clips ...

Page 5: ...et mount by pulling or pushing the wires until it fits tightly Pic 3 A directional headset should be mounted 2 3 cm 1 in from the corner of the mouth to ensure optimal sound quality 3 The relief is pre mounted with dual ear headsets and supplied with single ear earsets 2 Slide the cable into the relief cut Correct placement behind the earlobe Pic 1 Pic 2 Pic 3 See instruction video at dpamicrophon...

Page 6: ...ly bending the soft steel on the cable hanger Adjust the angle of the cable run also by gently bending the soft steel see arrows Position the cable as shown on the picture for securing the position of the microphone The cable relief on the dual ear version should be fixed in the clip that also holds the two wires on the mount Always leave the protection grid on the d fineTM 4166 Omnidirectional 41...

Page 7: ... hanger Windscreens The enclosed windscreens offer additional protection against wind and pop noise Gently draw the windscreen over the microphone head For even better protection bigger windscreens are available Sweat stop The microphone is equipped with a transparent sweat stop around the microphone boom to prevent sweat running along the microphone boom to the microphone head Accessories see mor...

Page 8: ...eup e g Clothing clip for d fineTM 4266 4288 Head set types The supplied clothing clip allows you to at tach the cable to your clothes thus relieving the cable draw to the headset mic This is essential on especially the single ear headset mic Color codes cable steer d fineTM 4166 Omnidirectional 4188 Direc tional Microphone types come with a number of cable steer clips in different colors Mounted ...

Page 9: ...t be taken to keep the mic away from exposure to water and cleaning fluids and to keep the mic head dry at all times Do not use spray or use fluid containing chemicals that could remove static electricity on or close to the microphone This could cause permanent damage MicroDot connectors and adapters To provide users with safe and compact mounting of connec tors all headsets from DPA are fitted wi...

Page 10: ...kHz 2 5 10 20 40 1 kHz 2 kHz 20 kHz 16 kHz 8 kHz 4 kHz 5 dB dB 10 0 10 20 30 20 Hz 50 100 200 500 1 kHz 2 5 10 20 40 Black line is near field 2 3 cm 0 8 1 2 in Green line is far field more than 30 cm 12 in 250 Hz 500 Hz 8 kHz 16 kHz 4 kHz 2 kHz 1 kHz 5 dB Polar Pattern of d fineTM 4166 Omnidirectional types Polar Pattern d fineTM 4188 Directional types ...

Page 11: ...adset types Frequency Response d fineTM 4088 4088 Directional Headset types 5 4 kHz 250 Hz 125 Hz 20 kHz 16 kHz 8 kHz 2 kHz 1 kHz 500 Hz 80 Hz Polar Pattern d fineTM 4066 4266 Omni Headset types Polar Pattern d fineTM 4088 4088 Omni Headset types ...

Page 12: ...st 100 Hz 20 kHz with 4 6 dB soft boost at 15 kHz Sensitivity nominal 3 dB at 1 kHz 6 mV Pa 44 dB re 1 V Pa Equivalent noise level A weighted Typ 28 dB A re 20 µPa max 30 dB A S N ratio A weighted re 1 kHz at 1 Pa 94 dB SPL Typ 66 dB A Total harmonic distortion THD 1 up to 137 dB SPL peak Dynamic range Typ 111 dB Max SPL peak before clipping 144 dB Power supply for full performance Min 5 V max 50 ...

Page 13: ...d p a m i c r o p h o n e s c o m d f i n e ...

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