5
24. Effects PFL switch. Allows to pre-listen the generated effect without the effect being activated by
(23).
25. FX send control.
26. FX return control
27. Main level control. Determines the main output level present at outputs (5) and (6).
28. Main level meter. Displays the output level at outputs (5) and (6).
29. SUB level control. Control the output level of SUB out (3).
30. Zone A level control. Determines the booth output level present at output (7).
31. Zone B level control. Determines the booth output level present at output (8).
32. Balance control for main output. Determines the ration of left/right output levels at outputs (5) and
(6).
33. Mono/Stereo switch for main output. Allows the main output to be switched to mono operation. A
LED indicates the pressed position.
34. PFL Mix control. If the PFL mode (37) is set to “BLEND”, the headphone signal can be a mix of the
main output and the input(s) assigned to the PFL bus by means of switches (21). This control
determines the mix ration between the main and the PFL signal.
35. PFL level. Determines the signal volume at the headphone output (36). Always set this control to
minimum before putting on headphones, as sudden high-volume impact may damage your ears.
36. Headphones output. Provided, ¼” (6.35mm) TRS jack for headphones connection. Turn the PFL
level (35) down before plugging in any headphones.
37. PFL Mode switch. This control offers two pre-listening modes: (A) Split. In this mode, the main
signal appears on one earcup of the headphones, the PFL signal on the other earcup. (B) Blend.
In this mode, main and PFL signal are mixed with adjustable ration by means of control (34). A
LED indicates the pressed position.
38. Crossfader. A high-grade dual rail 45mm fader determines the mix ratio between the stereo
signals assigned to its left and right sides by means of the selector switches (22).
39. Crossfader curve control. Adjust the transition curve characteristic of the crossfader (38) between
smooth transition and almost switch-like behaviour for scratch mixing.
40. Channel fader for stereo channels. A high-grade dual rail 60mm fader determines the volume of
the respective channel.
41. Microphone level control. Allows setting the level of the respective microphone to the desired
level.
42. Channel curve control. Adjust the transition curve characteristic of the channel fader (40) between
smooth transition and almost switch-like behaviour for scratch mixing.
43. Talkover level control. Adjust the amount of reduction on the master music when talkover is
activated.
44. On/ Off switch for the microphone
45. Talkover on/off switch. This switch reduces the master music signal level so that when speaking
into the microphone, a better intelligibility is achieved.
46. Microphone equalizer. Allows the adjustment of the tonal balance for each of the microphone
inputs in three voice-specific frequency bands with an adjustment range of ±12dB.
47. Microphone input. This is a balanced Combo connector without phantom power provision, hence
only suitable for dynamic microphones.
QUICK SETUP DIAGRAM
Study this setup diagram. Make sure all faders are at "zero" and all devices are off. First, connect all input
sources and processors. Next, connect your microphone and monitor headphones. Finally, connect the
stereo outputs to the power amplifier(s) and/or audio receivers such as tape decks. Plug your mixer into AC
power. Now you are ready to switch everything on.
IMPORTANT: Always switch on your audio input sources such as turntables or CD players first, then your
mixer, and finally any amplifiers. When turning off, always reverse this operation by turning off amplifiers,
then your mixer, and then input devices.
PART NAME AND FUNCTIONS
(Top Panel)
