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Chapter 24: Beat Detective
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To use Edit Smoothing on conformed regions:
1
In the Beat Detective window, select Edit
Smoothing mode.
2
Select a Smoothing options:
Fill Gaps
Select this option to trim region end
points so that the gaps between regions are
filled.
Fill And Crossfade
Select this option to trim re-
gion end points and automatically add a pre-
fade (in ms) directly before each region start
point.
3
In the Edit window, if not already selected, se-
lect the range of conformed audio regions you
want to smooth. Make sure the selection’s start
and end points fall cleanly on the beat.
4
Click the Smooth button to smooth the edits
for the selected regions.
5
Audition the results by clicking Play in the
Transport window.
6
If necessary, select Edit > Undo, and repeat
steps 2–5 trying a different Crossfade Length.
Edit Smoothing Creates Sync Points
After smoothing edits with Beat Detective, sync
points (corresponding to the material’s start
point) are automatically created for the con-
formed regions. This allows you to later con-
form the regions to a different tempo map or
groove template, or use different Conform set-
tings. However, sync points are only created as
they are needed: If gaps between regions are cre-
ated during Region Conform, Fill Gaps in Edit
Smoothing mode will trim regions to fill the gap
and a sync point will be created at each region’s
original start point. If there is no gap between
regions, no sync point will be created by Edit
Smoothing.
Consolidating Regions after Edit
Smoothing
The process of separating, conforming, and
smoothing with Beat Detective can leave tracks
with many regions and many crossfades. If you
are working with multiple tracks, the density of
these edits may lead to system performance
problems.
Regions before and after Edit Smoothing
For more information on region sync points,
see “Sync Points” on page 434.
If performance is not an issue, use the Re-
gion Group command for easier editing and
manipulation of regions. This can be useful
for arranging beats that were sliced with
Beat Detective, especially if you plan on
changing tempos with tick-based audio
tracks. For more information on region
groups, see “Region Groups” on page 452.
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
Page 772: ...758 ...
Page 792: ...Pro Tools Reference Guide 778 ...
Page 806: ...Pro Tools Reference Guide 792 ...
Page 856: ...Pro Tools Reference Guide 842 ...