Pro Tools Reference Guide
342
Draw Waveforms Rectified Preference
When the Display preference for Draw Wave-
forms Rectified is selected (in the Display Prefer-
ences page), audio waveforms are displayed so
that their positive and negative waveform ex-
cursions are summed together and viewed as a
single positive-value signal. However, even
when this preference is enabled, zooming in be-
yond a certain point will cause the waveforms to
be displayed normally.
Rectified mode displays more detailed wave-
forms when using track heights of Medium or
Small, and can be particularly useful when edit-
ing volume automation data, since it depicts
waveform “levels” as starting at the bottom of
the track.
Guidelines for Editing Waveforms
With the Selector tool in the Edit window, you
can select portions of audio waveforms and di-
vide them into segments called
regions
, so that
you can rearrange and manipulate them in
tracks.
While editing, try to create regions that let you
maintain a consistent beat. If you always define
regions so that they contain a whole number of
beats, you will be able to string the regions to-
gether and maintain a smooth, steady rhythm.
It is sometimes useful to have a steady, well-de-
fined waveform (such as a drum track) as a guide
when selecting and defining other regions. If
you have played in time with the beat, it should
be easier to create rhythmically accurate regions
by referring to the drum waveform.
Some important rules to keep in mind when de-
fining regions:
◆
Whenever possible, begin a region precisely
before a volume peak, and end it immediately
before another volume peak.
◆
Whenever possible, make sure a region starts
and ends on exactly the same part of a beat.
◆
Use the following Pro Tools features to help
you edit rhythmic material or audio with clear
transients into precise regions:
• Tab to Transients (see “Tabbing to Tran-
)
• Editing to a Grid (see “Grid” on page 365)
• Beat Detective (see Chapter 24, “Beat De-
Audio displayed in Rectified mode
Audio displayed in Normal mode
Summary of Contents for Pro Tools
Page 1: ...Pro Tools Reference Guide Version 7 3 ...
Page 15: ...1 Part I Introduction ...
Page 16: ...2 ...
Page 33: ...19 Part II System Configuration ...
Page 34: ...20 ...
Page 44: ...Pro Tools Reference Guide 30 ...
Page 94: ...Pro Tools Reference Guide 80 ...
Page 95: ...81 Part III Sessions Tracks ...
Page 96: ...82 ...
Page 108: ...Pro Tools Reference Guide 94 ...
Page 130: ...Pro Tools Reference Guide 116 ...
Page 269: ...255 Part IV Recording ...
Page 270: ...256 ...
Page 310: ...Pro Tools Reference Guide 296 ...
Page 345: ...331 Part V Editing ...
Page 346: ...332 ...
Page 402: ...Pro Tools Reference Guide 388 ...
Page 496: ...Pro Tools Reference Guide 482 ...
Page 548: ...Pro Tools Reference Guide 534 ...
Page 571: ...557 Part VI MIDI Editing ...
Page 572: ...558 ...
Page 596: ...Pro Tools Reference Guide 582 ...
Page 637: ...623 Part VII Mixing ...
Page 638: ...624 ...
Page 702: ...Pro Tools Reference Guide 688 ...
Page 771: ...757 Part VIII Video Sync Surround ...
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