background image

SD5 - Getting Started

1-16

Note: The outputs for the channel being routed are locked out of the signal list

Note also that the console views all routes as a single list. Therefore, if the left signal is connected to the last
signal in a port, the right signal, will be automatically connected to the first signal of the next port, regard-
less of port type.

For output and insert send routing, the INTERNAL port provides access to the inputs of the SD5’s Graphic EQ’s, and the inputs to
any effects that have been created.
The 0:Local I/O port contains a list of the inputs or outputs found directly on the SD5’s back panel.
The Rack ports contain all of the inputs or outputs available within the remote I/O racks, as defined in the Audio I/O display
Once a route has been selected, its name will appear below the routing button in the Setup or Outputs display.

Whenever a route is created, metering and additional controls are made available below the routing button. These controls are
dependent on the type of route created.

Line input routed to an input or insert return:

an analogue gain control.

Mic pre-amp routed to a mono input:

an analogue gain control and a  48V button for remote control of rack functions.

Mic pre-amp routed to a stereo input:

an analogue gain control and a 48V button for remote control of rack functions.

Mic pre-amp routed to an insert return:

an analogue gain control, a 48V button and a phase reverse button.

Output routed to a console output:

-10db  pad (rack out only), on button for switching the send on and off, gain trim
and send point selector which toggles the place within the channel from which
the direct output is fed:

pre-F Pre-fader,
post

Post-fader

pre-M Pre-mute (and pre-fader)

Insert send routed to a console output:

-10db pad (rack out only), on button for switching the send on and off, and trim.

Insert send routed to a graphic EQ:

an on button for switching the send on and off

Output routed to a graphic EQ:

no additional control.

Buttons become ringed in either red or green to indicate that they are on.

1.8.2 Ripple Channels ...................................................................

The  ripple channels function, located at the top of the route display, allows consecutive channel routes to follow the routing of
the current display incrementally. For example, Channels 1 to 8 direct outputs can be routed to Rack 1 > Line outs 1 to 8 respec-
tively by routing Channel 1’s direct out to Rack 1 > Line out 1 and allowing the ripple channels function to route Channels 2-8
automatically.

The number of channels to be rippled is defined either by selecting the appropriate grey numbered button, or by selecting the
keyboard button to the right of the numbered buttons, typing the required number of channels (8 in the example above) into the
numeric keypad which appears, and pressing OK. Once you have configured the ripple channels function, any routing action
will also effect the appropriate number of channels above the channel being routed.

The  ripple channels function treats stereo channels as two channels. In other words, if Channel 2 in the above example is
stereo, the ripple channels function will route Channel 1 to Line out 1, Channel 2 Left and Right to Line outs 2 and 3, Channel 3
to Line out 4 etc.

1.8.3 Channel Names .....................................................................

The black and white text box in the Setup display is used for naming the channel. Channel names are displayed in the scribble
strip at the bottom of the screen. By default, the channel is given the same name as the selected input signal.
Note that if no input signal is selected, the scribble strip simply displays the channel number, prefixed by ch for Input channels,
and prefixed by Aux, Grp or Matrix in the case of output channels.
The following notes are specific to naming channels:
The Next button moves the entire Setup display to the next channel.
At the very top of the channel, the channel number and input signal name are displayed for Input channels, and the channel type
and number are displayed for output channels. These labels remain unchanged, regardless of any channel naming.

For Input channels, note that if the channel input signal is changed once a channel has been manually
named, the channel name will no longer follow the input signal name. To reactivate the automatic channel
naming function, clear the name and re-select the channel input.
Note also that the channel 
Output display also provides access to this channel naming facility.

Channels can also be named directly in the Channel List display (in the Layout menu). Open the display, activate the Edit
function below the list, and expand the required channel type list by touching its row. Touching the channel name column for
any channel in the list will cause a keyboard pop-up to appear, where a name can be typed in the usual way.

Summary of Contents for SD5

Page 1: ...SD5 Operation Manual 0 1 User Manual Getting Started To be read in conjunction with the SD Series Software Reference User Manual Version C for Software Versions 2 0 680 ...

Page 2: ...o UK Ltd Registering the Product is deemed an acceptance of the terms and conditions in this agreement 3 The Product and its licence are not transferable and the Customer is not permitted to onward license to any third party The Cus tomer indemnifies Digico UK Ltd against any and all claims and actions arising from third party use of copies of the Product made by theCustomer 4 The Customer agrees ...

Page 3: ...on Structure Overview 1 8 1 5 3 Audio I O Overview 1 9 1 5 4 Opto V220 DiGiRacks and Opto V221 SD Racks 1 10 1 5 5 Single SD Console System 1 10 1 5 6 Automatic Conforming 1 10 1 5 7 Manual Conforming of Racks 1 11 1 5 8 Rack Sharing 1 12 1 5 9 Assigning Faders to the Worksurface 1 12 1 6 Saving and Loading Sessions 1 13 1 7 Audio Sync 1 14 1 8 Routing Basics 1 15 1 8 1 Selecting Inputs Outputs 1 ...

Page 4: ...SD5 Operation Manual 0 4 1 12 Multi channel formats 1 22 1 13 Solo Setup 1 23 ...

Page 5: ...le s buss architecture is dynamic and can support mono stereo LCR LCRS and 5 1 configurations Multiple console setups can provide Front of House and Monitoring with shared stage racks and gain tracking Remote control of one console from another console or from a laptop computer 1 2 Manual Overview This manual provides an overview of the desk and describes some of the basic operating principles whi...

Page 6: ...amics FX Controls Mute and Interactive LCD Function Button Channels Faders ALT Input Switch Meter View Switch Channel Inserts A B On Off Direct Out On Off 4 Band Dynamic Parametric EQ High and Low Pass Filters Multiband Dynamics Thresholds On Off Joystick Hard Mute Full Safe Channel Scroll Undo Redo Layer Switch Channel Fader Banks Centre Section Rotary Resolution Channel Faders Mutes LCD Function...

Page 7: ...e two main ways in which all of the functions of the SD5 are accessed 1 The touchscreen display which can be controlled directly using a finger or by using the keyboard and mouse 2 The physical encoders switches and faders Note that when touching the screen directly you may find it easier to use a finer point than your finger However in order to prevent damage to the screen it is important that yo...

Page 8: ...signed Channel One of the channels in the Channel Strip panel is displayed in gold indicating that it is currently the Assigned Channel This means that it has been assigned to the worksurface controls and can be configured in detail as described below To Assign a channel touch anywhere in the channel on the screen except the Aux Send area Alternatively use the ch left and right buttons at the bott...

Page 9: ... have been created in the session the scroll button outside the bottom left hand corner of the screen can be used to scroll the display through the remaining auxiliaries The controls to the right of the Channel Strip panel allow the Assigned channel to be adjusted The top half of the channel worksurface controls down as far as the insert a insert b and direct buttons as shown above control the sig...

Page 10: ...s outputs using the buttons in the Master screen Solo panel 1 3 6 Channel Types The SD5 has 4 different channel types which are laid out in banks of 12 on the console worksurface and can be identified by their colour By default the Input Channels will be assigned to Layer 1 on the left and right sections of the console The output channels Groups Auxes and Matrices will be assigned to Layer 2 and a...

Page 11: ...tem Shut Down button and wait until you receive a message saying that it is safe to switch the power off The SD5 worksurface has 8 analogue I O and 8 AES I O on its rear panel referred to as Local I O and additional I O is supplied in the form of remote Racks which can each accommodate up to 56 inputs and 56 outputs in different formats These racks are connected to the worksurface by either 100M h...

Page 12: ...at the top of the Files menu Now touch the template you wish to load from the list shown and press OK 1 5 2 Session Structure Overview When starting a new session from scratch it is important to decide how many of each type of channel is required While changes to session structure can be made once a session has been started it is best to try and set these parameters before configuring the session ...

Page 13: ...pread across the top layer of both sides of the console using as many banks as required with output channels being assigned to Layer 2 Rebuilding vertically will result in input channels being assigned to Layer 1 on the left side of the console and output channels to Layer 1 on the right 1 5 3 Audio I O Overview The Audio I O window is used to configure the physical I O connected to the SD5 includ...

Page 14: ...at the confirmation stage and the console will create ports for all connected racks allocate all output cards to your console and create the Optocore map The system is now ready to use Audio I O Panel Optocore Setup Single Console 1 5 6 Automatic Conforming Once all hardware is connected go to System Diagnostics Optocore This will list all connected Optocore devices either SDeng console engines to...

Page 15: ...s Red then there is a mismatch and the error should be corrected by selecting the correct card type Copying Audio and Listening to Copied Audio MADI Recorder Setup Audio from a Rack can be copied to the MADI Port Output by selecting the incoming Port in the Ports list and using the Copy Audio To drop down menu For example if you want to copy the Rack Audio Inputs to a recorder connected over MADI ...

Page 16: ...ace If after a Session Restructure you find that newly created channels do not appear on the worksurface open the Layout Channel List panel on the Master screen and you will see a full list of all input and output channels that are present in the session To assign channels to the worksurface select a bank and press the LCD Function button Then press the LCD button labelled Assign Faders to enter t...

Page 17: ...in D Projects Note that column widths can be adjusted by dragging their borders within the title row To return all col umns to their default widths press RESET WIDTHS in the top left hand corner of the window 1 6 2 Save Session This button which is found above the Save As New File button will save the existing session in the same location and under the same file name as it was previously saved or ...

Page 18: ... any console s are connected to racks with optical fibre then all console engines should be set to Optocore as their sync source Example Clocking from Optocore 96kHz There are also times when the SD5 needs to be clocked externally The Audio Sync panel allows you to control external synchro nisation The SD5 will clock from the following sources Word Clock AES EBU Video Reference MADI Optocore In th...

Page 19: ...ntly selected If there is already a routing assigned within the display the port and signal group columns containing the current assignment will be half lit Each output can only have one channel routed to it The outputs that are currently in use by another channel display in blue text If you attempt to route a different channel to an output which is already in use a confirmation box appears indica...

Page 20: ...8 direct outputs can be routed to Rack 1 Line outs 1 to 8 respec tively by routing Channel 1 s direct out to Rack 1 Line out 1 and allowing the ripple channels function to route Channels 2 8 automatically The number of channels to be rippled is defined either by selecting the appropriate grey numbered button or by selecting the keyboard button to the right of the numbered buttons typing the requir...

Page 21: ... appear when a control is adjusted open the Options panel and set the Auto Expand EQ option to Yes Each band s response can have one of two characters precision and classic These can be switched for all bands using the precision and classic buttons or on individual bands using the 2nd function of the bell hishelf buttons To access the Dynamic control touch the left arrow symbol on any EQ band Touc...

Page 22: ...Compression is available for up to 24 channel dynamics modules Click on the dynamics mode select button on the left of the display to access the 3 dynamics bands Each band includes all of the parameters as those found in the single band compressor The link function remains available for the whole compressor and is not assigned to any band The bands can be switched on individually using the on butt...

Page 23: ...nction ON Assigned Control LCD Hold touch screen to Assign Assignable Aux Send Controls Touch screen to select It is also possible to show all of the aux sends for a channel in a single display and assign them to the 24 rotaries beneath the screen This is done by touching the currently assigned aux row on the screen for the channel that you want to display The layout of the display indicates which...

Page 24: ...e above has the Master Stereo Buss routed to the inputs of Matrix 1 and Matrix 2 Labelled as PA Left PA Right By adjusting the crosspoint levels you can change how much of each side of the Master buss is fed to these Matrix Channels There are three modes of level adjustment multi single and all Multi active when no other mode is selected Touch one or more level knob on screen then adjust using the...

Page 25: ...lease the JOIN LEAVE button List of members Press Join Leave button on required CG channel Press Channel LCD buttons to assign members A list of all the connected channels and their names is displayed above each Control Group display You can also clear all the channels from a Control Group by pressing Clear When a channel is a member of a Control Group its own controls can still be adjusted indepe...

Page 26: ...l appear against each component Each channel can then be left on the worksurface or removed using the buttons towards the base of the display Finally touch OK to close the display to link the channels together Note that you can also create Multis on a blank layer by selecting the Create Multi LCD function on the Layer you wish to use then pressing the LCD button for the required channel strip The ...

Page 27: ...ti single solo mode pfl afl solo mode Floating Meter activation The following functions are available independently for each solo buss Mono Stereo Surround Switch No Solo source routing The source for solo buss when no channel is in solo mode Note that the No Solo source does not show on Solo meters Insert Point with both internal and external routing capability Direct Out routing eg for feeding a...

Reviews: