Chapter
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4.1.2 Cha
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r Four: Th
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ows the arti
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or sharp eq
ttle adjustm
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annel One
an Tone is
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n distorted
es. D-Moll w
guitars and
annel Two
s channel’s
hree Pre
s and thei
Moll comes
st to play e
s or her am
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delivers 3 st
qualization
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tart explori
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e (Clean
a very sens
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sounds. Fr
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pickups wi
o (Crunch
main objec
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ir Function
equipped w
every conce
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ean, 2-Crun
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possibilities
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ng the chan
tly cracked
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sitive subje
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rom hard an
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ll have a la
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ctive is to c
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ns
with 3 differ
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preamps a
nch/Heavy 3
r sounds wi
s. The tone
As with so
nnels with a
open. (To
ect, because
an tonal tex
nd percussi
as many o
rge part in
cover soft a
rent and to
sical style w
are voiced t
3- Lead. C
ith excellen
controls w
o many othe
all controls
avoid heari
e there are
xtures requi
ive sounds
f the clean
this equati
and heavy o
tally indepe
without hav
to deliver th
Channel 2 a
nt playability
ork in an u
er things -
set to 12:0
ing damage
so many d
ire much hi
too soft an
variety as
ion.
overdrive an
endent prea
ing to make
he 3 most w
and 3 share
y, warm dy
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less is often
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e)
ifferent ide
gher dynam
d warm blo
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nd distortio
amps. This
e major
wanted
their EQ.
ynamics and
ide range, s
n more. We
and the
as on how
mic range
ossoming
our choice
on sounds.
d
so
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