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Page 1: ...for t Use the D Am er Ma Diez mplif anua zel D fier al Mol ll ...
Page 2: ...re 2 1 5 Power Tube Information Chapter Three Peripheral Connections 3 1 Front Panel Connections 3 1 1 Signal In 3 1 2 Connection Information 3 1 3 Cable Selection 3 2 Rear Panel Connections 3 2 1 Send Return Loop 3 2 2 Parallel and Serial Return 3 2 3 Compensated Out 3 2 4 Speaker Connections 3 3 MIDI Connections 3 3 1 MIDI In 3 3 2 MIDI Thru Chapter Four The Three Pre Amplifiers 4 1 Pre Amplifie...
Page 3: ...D Moll 6 2 Manual Channel Selection 6 3 Mid Cut on off 6 4 Loop on off 6 5 Mute on off 6 6 Master 2 6 7 Store Chapter Seven Midi 7 1 MIDI 7 2 MIDI In 7 3 MIDI Thru 7 4 MIDI Communication 7 4 1 Omni Mode 7 4 2 Single Channel Mode automatic Channel Recognition 7 4 3 Single Channel Mode manual Channel selection 7 5 Program Information 7 6 Phantom Power Chapter Eight Remote Switch Chapter Nine Mainten...
Page 4: ...he following points when transporting your D Moll D Moll is a Tube Powered Amplifier therefore it is sensitive to shock especially after playing the amplifier for a while Please store and transport your amplifier gently and try and avoid temperature extremes in storage which might cause condensation resulting in moisture on internal components Usually a 60 Minute acclimatization period is sufficie...
Page 5: ...ll ensure the original owner and us at Diezel Amplification that the work is done correctly and that there is knowledge of what is going on out there with each amp To any second owners or more there is no warranty coverage nor is a warranty transferable Of course we at Diezel are happy to serve people who purchase their amplifier on the used market should your amp ever need servicing Parts and lab...
Page 6: ...e A e reached t he operatin he tubes an e amp it s m Standby utlet s Power an fy line volta s being conn off acing up T onds the tu y for operat ctivation of on of the po at only func has one or node of the their operat ng tempera nd their rela much neede nd Standby age before nected to th The indicato ubes have s ion and the the standb ower tube s ction with v more heati e tube If yo ting temper ...
Page 7: ...er are subject to a certain aging process Once one of the tubes shows signs of aging unreliability or unusual noise then we suggest that you replace all power tubes Matched tube sets wear relatively even or so our experience suggests This means if one goes the others are not far from meeting the same fate The aging process manifests itself by a depletion of a thin layer of Wolfram on the Anodes Th...
Page 8: ...s until i oretically be d attenuati ances which d quality wi ections c Guitar sig rt of your si of your rig us if you ha comment c neutral oth apacitance ed in electr pacitance in onger of a o match a g ties of a cor ferent cord e recording it is used in e tamed dow on The loo h makes th ring for all nal by mea ignal chain Try and bu ave doubts comes in G hers color t inside the w ronic crosso n a...
Page 9: ...ow But Loops It all idual chann ge is to then conn evel of the e evel contro turn jacks be mixed to signals If y gnal is sent rial return i then conve necessary f digital code need an old analog befo s this cause oticeable as effects uni junkies and as always lows creatio nel volume c o 10dB Th nect the Se effects unit l devices T parallel sw o the origin you use the t to the proc into the pow rt ...
Page 10: ...ks 1 for a or 1 4 Ohm s each cab cabs each c trol on the which now s en the send ontrol on the e nasty pha ffected by t me due to th ave this jack r send an au either a lou 16 Ohm loa m load b goes into cab goes in back deter still flows th d and return e effects un asing proble he mix con he cabling k if you con uxiliary sign udspeaker o ad 2 for 2 the 4 Ohm nto the 8 Oh rmines how hrough the n j...
Page 11: ...idi ed through for MIDI p m change o ble to supp unclutter y Pin 3 and 7 or DC whic l cannot ex DI pedal signal to o this jack rogrammin orders from ly phantom your stage s 7 is hot ch is accept xceed 800m other midi p g instructio commonly m power to y system and table for 98 mA 0 8A Pl partners MI ons y available m your midi p d rids the ar 8 of all m lease obser IDI data no midi pedals pedal vi...
Page 12: ...je d like Clea rom hard an ed to offer ll have a la h ctive is to c iers ns with 3 differ eivable mus preamps a nch Heavy 3 r sounds wi s The tone As with so nnels with a open To ect because an tonal tex nd percussi as many o rge part in cover soft a rent and to sical style w are voiced t 3 Lead C ith excellen controls w o many othe all controls avoid heari e there are xtures requi ive sounds f th...
Page 13: ...thority ntrols for In les the Int te for the i evel back u nable and ca o use the Mi ontrol with t AX7 tubes y as pre am amplifier t importance cts like crac Like all oth de variety o of tones w of pre amp d manifest i suspect to t e first tube bad noises gle note line nt and very rule any sta ntensity an tensity cont nevitable v p with the an therefor id Cut funct the Intensit in all positi mplif...
Page 14: ...nd p remote con ance effects encies over so be sure ts ctive bass c around 120 Co is not re Amplifier the overal rogrammab ntrol while y s unit can b 3KHz Treb to position control con 0Hz without esponsible f l global vo ble master you are play be used and ble is produ yourself in ntrary to co t influencing for disintegr lume of the volume con ying Both c d amplified uced and dis the projec nventi...
Page 15: ...should be mp section Preamp sign s acceptabl ps which d s tried and and best so e that tube D Moll by h that the am l bias possi ferent types nding on ca once a mon are over 10 ough for th tube dealer the amp is as its own t many cases s in this cas done by an is the part nals are sen e for louds differ in out true perfor ounding tub brand and having diffe mp is biased ibility This s are volume nt...
Page 16: ...w sele e twice an nue on until the amp ca alize a MIDI the amp ches zel D Moll a low each ch ill blink Cli patches p e selected m he midi con for exampl h 01 on yo o the amplif d to respon ct channel o ect program nd suddenly l you run ou an be progr I program p and also e hange in th ck on the s program ch manually by ntrol system e 01 the our MIDI pe fier The am d When pr one of the D m change 0...
Page 17: ...annels much like the Mid Cut function 6 7 Store As discussed earlier this is the universal programming button Activating this button twice will verify an intended program procedure In case you have pushed this button once by accident or if you have started to program and don t want to anymore for whatever reason then you can push any other switch any switch but the Store switch to cancel the progr...
Page 18: ...t to the midi in of other units to continue the MIDI chain 7 4 MIDI Communication 7 4 1 Omni Mode The Omni mode will allow reading of MIDI information on all 7 channels It is an easy way to get into the MIDI system but it is not advisable if more MIDI partners on different channels are in the same system Then a certain MIDI channel should be assigned to the D Moll and its program changes should be...
Page 19: ...ld Mute and then turn on the preamp channels in the order that corresponds to your midi channel preference For example if you want to have your D Moll to respond only to MIDI information that is being sent on channel 7 then you must hold the Mute button down and turn the Preamp channel one selector off channel two selector on channel 3 selector on If you let go of Mute now then your D Moll is set ...
Page 20: ...re can substantially shorten tube life in some cases even amplifier life Do not block the air circulation grilles in the front and in the back of the amp Do not push the amp right up against objects that would interfere with its normal airflow The top of the amplifier might get warm after prolonged use this is normal but will melt your ice cream and definitely ruin your beer Never put beverages on...
