11.
Channel fader.
The slider for each channel, also described as channel fader, is a volume
controller for the specific channel. When positioned all the way down, no sound will be let
through to the main mix. When positioned on the 0-point, all sound will be let through. The
channel fader is able to reach a level of ‘10’, but this is not recommended as this amplifies the
sound with a certain factor and may cause distortion and/or reduction of audio quality.
12.
Peak LED.
The Peak LED is a clip indicator and will light up about 5dB before the pre-amplifier
system of each channel will cause clipping because of an overload signal.
13.
Tape Out.
The Tape Out is a separate output, designed for recording while monitor-speakers (or
live PA-speakers) are connected to the main output. Therefore it is possible to increase or
decrease the main volume, without altering the volume of the Tape Out signal. This provides a
steady signal, which can be used for recordings of live performances, church services, band
rehearsals, and so on. The Tape Out uses unbalanced RCA stereo connectors.
14.
AUX.
The AUX output uses the individual AUX settings on each channel plus the main AUX
volume control. This signal can be transported to headphone amplifiers, stage monitors or in-ear
systems, so that any artist is able to hear a certain mix of all input signals, completely unrelated
to the main mix.
15.
FX Send.
The FX Send output is used to send the FX values of each channel collectively to an
external effects processor. When the mixer senses that you connect an external effects device, it
will automatically disable the internal effects processor.
The return-signal can be connected to the stereo channel (when using stereo effects) or one of
the mono channels, on the line inputs. Please note that you are not able to use the USB MP3-
player or the stereo channel inputs when you choose to route the FX return on the stereo
channel.
16.
Input 3 (3/4) stereo.
This input uses a 6.35mm jackplug (TS) and accepts line level signals.
17.
Input 4 (3/4) stereo.
This input uses a 6.35mm jackplug (TS) and accepts line level signals.
When using a mono signal, use this input and position the ‘Pan’ control in the most right position.
18.
Headphones output.
Use the 6.35mm jackplug (TRS) headphone output for main mix
monitoring purposes.
19.
Main mix output.
Use the 6.35mm stereo jackplug (TRS) connectors to hook up the mixer to
your PA-speakers or reference monitors.
20.
USB MP3 player.
The built-in USB MP3-player is very basic and gives solo-entertainers and/or
artists the possibility to play backing tracks, sound effects or specific music. The USB MP3-
player accepts most USB-drives and begins playing at the first track. This way, you are able to
number each track on your USB-drive, so they will be played in the right order.
Use the |<< and >>| buttons to skip tracks, use the play/pause button to play or pause a track
and use the stop-button to stop playback at once.
The playback of the USB MP3-player is sent to channel 3 / 4. It is not recommended to use the
stereo line input and the MP3-player at the same time, as they share the channel fader, EQ, gain
and balance.
21.
Phantom Power switch.
Use the Phantom Power switch to p48V voltage for your
microphone inputs. Phantom Power is used for condenser (studio) microphones and sometimes
for active DI-boxes which run on +48V, provided from a PA-mixer. Please note that Phantom
Power is only available for the mono channels and activates for all microphone preamps at the
Any information and illustrations shown in this user manual are subject to change without further notice.
User manual version: 1.0
Creation date + author initials: 27-08-2013 RV Revision date + author initials: 20-02-2014 RV