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Applications

14

Section 3

ProVocal

• Turn off all equipment before making any connections.

• Install the ProVocal in your rack with the provided rack screws. It is essential that when the

ProVocal is being mounted in a rack mounting enclosure, the unit should be positioned with
enough room (at least 1U of space above the unit and 1U of space below the unit) to allow
proper ventilation.  The ProVocal should not be mounted above or below anything that gener-
ates excessive heat.  Ambient temperatures should not exceed 113

0

F (45

0

C) when equipment is

in use.  Although the unit is shielded against radio frequency and electromagnetic interference,
extremely high fields of RF and EMI should be avoided where possible.

• Make audio connections via XLR, 1/4” TRS, or 1/4” TS plugs. With the flexibility of the  

ProVocal, various connection options are available.  For input connection, use the XLR
Microphone, 1/4” line or 1/4” instrument (front panel) inputs.  For analog output connections,
use either XLR or 1/4” Line output.  The use of more than one connector at a time for the out-
put section could unbalance balanced lines, cause phase cancellations, short a conductor to
ground, or cause damage to other equipment connected to the ProVocal.

• Apply power to the ProVocal.  Connect the AC power cord to the AC power receptacle on the

back of the unit. Route the AC power cord to a convenient power outlet away from audio lines.
The unit may be turned on and off from the front panel power switch or from a master equip-
ment power switch.

1).

Connect your mic cable to the Mic input of the ProVocal™.  

NOTE: If you are using a mic with a separate power supply, such as a tube microphone, make sure

that you are not sending two sources of +48V phantom power to the mic. Use the +48V from
the mic’s power supply.  Use the +48V Phantom Power switch on the ProVocal for all other
microphones which require phantom power.

2).

Set the front panel of the ProVocal to the desired settings, including Phantom Power, 20dB pad,
etc.  Connect the line output of the ProVocal to the console’s LINE INPUT, and ensure that the
console’s input selection switch is set to 

LINE

, and the console’s gain control is set appropri-

ately low.  

3).

Turn the ProVocal’s 

GAIN

control to the minimum position and apply power to the ProVocal.

Make sure your console’s gain fader is at the nominal level and begin to slowly increase the
gain of the ProVocal using the 

GAIN

control.  You should increase the gain until the mix-

ing/recording device is operating at nominal signal input level.  

3.2 Connection to a Mixing Console

3.1 Basic Analog Connection of the ProVocal

ProVocal™  User Manual

Summary of Contents for ProVocal

Page 1: ...ProVocal User Manual Digital Vocal Processor...

Page 2: ...panel To reduce the risk of fire or electric shock refer servicing to qualified service personnel or equiv alent This Equipment is intended for rack mount use only SAFETY INSTRUCTIONS NOTICE FOR CUST...

Page 3: ...sfara vid felaktigt batteribyte Anv nd samma batteri typ eller en ekvivalent typ som rekommenderas av apparattil lverkaren Kassera anv nt batteri enligt fabrikantens instruk tion IMPORTANT SAFETY INST...

Page 4: ...ions 3 Section 2 Detailed Parameters Basic Operation and Utility Functions 2 1 Detailed Parameters 6 2 2 Basic Operation 9 2 3 Utility Functions 11 2 4 Program List 12 Section 3 Application Guide Basi...

Page 5: ...INTRO CUSTOMER SERVICE INFO ProVocal DEFINED WARRANTY INFO INTRODUCTION ProVocal...

Page 6: ...ble 44 1 or 48kHz sample rate and MIDI control This manual will be your guide to understanding the full functionality of the powerful ProVocal After you have become familiar with the unit we encourage...

Page 7: ...paid not collect Do not ship parcel post This warranty is valid only for the original purchaser and only in the United States 1 The warranty registration card that accompanies this product must be mai...

Page 8: ...1U above and 1U below the unit to allow proper ventilation The ProVocal should not be mounted above or below anything that generates excessive heat Ambient temperatures should not exceed 1130 F 450 C...

Page 9: ...Getting Started Getting Started Section 1 ProVocal...

Page 10: ...offers both front panel XLR Microphone and 1 4 TS instrument rear panel 1 4 TRS Line electronically balanced connections The 1 4 con nector may be used in a balanced or unbalanced configuration Using...

Page 11: ...e sure to always lower levels prior to using the the 48 Volt Switch 20dB Pad Switch This switch attenuates the microphone input signal by 20dB Note The 48 Volt and 20dB Pad functions are only availabl...

Page 12: ...hted in performance mode when the effect mod ule is on or used in the current program Store Button This button is used to store any program changes that have been made Parameter Edit knobs These five...

Page 13: ...DETAILED PARAMETERS BASIC OPERATION AND UTILITY Operation Section 2 ProVocal...

Page 14: ...ica AT4033 C2 Large Diaphragm Condenser Mic measured 13 Shure KSM32 C3 Large Diaphragm Condenser Mic 14 AKG 414 C4 AKG 414 Large Diaphragm Condenser Mic 15 AKG C12 C5 AKG C12 Tube Condenser Mic 16 RCA...

Page 15: ...z 60 7610 38kHz 61 8000kHz EQ Mid Q 0 to 10 25 16 This parameter is used to select the mid Q curve of the EQ Selections are from 0 to 10 giv ing Qs of 25 5 75 1 0 1 25 2 0 4 0 8 0 and 16 0 EQ Mid Gain...

Page 16: ...he frequency that the De Esser module will process De Esser Gate De Ess Amount 1 to 99 This parameter is used to set the overall sensitivity amount of the De Esser module De Esser Gate Gate Threshold...

Page 17: ...Mix Decay 0 99 1 The Mix 1 parameter is used to set the amount of Reverb effect that is mixed into the dry signal The Decay 2 parameter is used to select the length of the reverb decay The following...

Page 18: ...ed 1 40 and Factory Programs are numbered 41 80 Program Editing Once a program has been selected you can fine tune the program to your requirements and then save it as a User program by using the foll...

Page 19: ...y menu MIDI Channel Selection Turn the power button on while holding Program UP button The display will read Ut Now press the Store button and the display will read CH use Mic Type Parameter knob to c...

Page 20: ...Live 4 Dynamic modeled as a condenser Chorus Delay Reverb 20 Male Live 5 Dynamic modeled as a condenser Chorus Delay Reverb 21 Female Studio 1 Dynamic modeled as a condenser pre amp modeling 22 Femal...

Page 21: ...APPLICATION GUIDE DIGITAL APPLICATIONS Section 3 ProVocal...

Page 22: ...the ProVocal Apply power to the ProVocal Connect the AC power cord to the AC power receptacle on the back of the unit Route the AC power cord to a convenient power outlet away from audio lines The uni...

Page 23: ...nds to the track to which the ProVocal is connected As you increase the setting of the GAIN control you should begin to hear the input of the ProVocal running through the recorder and returning to you...

Page 24: ...a DAW or digi tal recorder and route the analog signal to a monitoring device such as a mixer or headphone amplifier simultaneously Connections Connect the source to the desired 1 4 TRS or XLR input C...

Page 25: ...APPENDIX BlockDiagram dbxTypeIV WhitePaper Specifications APPENDIX Appendix ProVocal...

Page 26: ...Block Diagram 18 Appendix ProVocal Block Diagram ProVocal User Manual...

Page 27: ...vorable characteristic of analog recording which those who abandoned analog and jumped on the dig ital bandwagon were either never aware of or simply took for granted Anyone who has ever used analog t...

Page 28: ...ch wider dynamic range than the A D converter could by itself preserving the maximum amount of informa tion from the analog signal This information is then encoded within the available bits of whichev...

Page 29: ...tilize the increased signal resolution afforded by this density of digital codes to represent more input dynamic range in this region Another advantage of the logarithmic mapping of our dbx Type IV Co...

Page 30: ...Type IV White Paper 22 Appendix ProVocal ProVocal User Manual...

Page 31: ...dbx would bring you this technology All microphones were measured in a semi anechoic environment using an Audio Precision System Two Cascade Plus The microphones were measured at several different SPL...

Page 32: ...A Impedance 75 A D System Performance A D Conversion 24 bit dbx Type IV Conversion System Convertor Dynamic Range 105dB typical A weighted 22kHz bandwidth 102dB typical unweighted 22kHz bandwidth Type...

Page 33: ...0 South Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com A Harman Internat...

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