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dbx 160A  COMPRESSOR / LIMITER

 

CONNECTING THE 160A TO YOUR SYSTEM

Basic Connection

The 160A has balanced inputs and outputs, and can be used with any line-level device. Some common examples include: 
mixing consoles, musical instruments, patch bays and other signal processors. For more specific cabling information, refer 
to Installation Considerations, page 12.
For all connections, refer to the following steps:
1.  Turn Off all equipment before making any connections.

2.  Mount the 160A in a 1U rack space (optional).
      The 160A requires one rack space (height) and 1 rack space (width). It can be mounted above or below anything that 

doesn't generate heat, since it requires no special ventilation. Ambient temperatures should not exceed 95°F (35°C) 
when equipment is powered .

Note: Avoid over-tightening of rackmounting screws as this could damage the front panel.
Caution: Never remove the cover. There are no user-serviceable parts inside, and you run the risk of an electric shock.

3.  Make connections via XLR or 1/4”  TRS jacks according to your requirements.

      Typical patch points include: a mixer's channel or subgroup inserts when using the 160A on individual instruments or 

tracks; the mixer's main outputs or bus inserts when mixing; an instrument preamp's effects loop when using the 160A 
for guitar or bass; main outs of a submixer (e.g., keyboard mixer) as the signal is sent to main mixer; between a DAT's 
output and an analog cassette input. When using a chain of processors, the 160A may be placed either before or after 
effects or dynamic processors. However, if you are using the 160A for speaker protection, the compressor should be as 
close to the amplifier as possible in the signal chain. We recommend you use common sense and experiment with dif-
ferent setups to see which one provides the best results for your needs.

4.  Power On the unit: Securely connect the AC power cord to the unit and mains power.

Note: Check the line voltage. The unit is shipped for 115V or 230V, 50 or 60Hz operation. Refer to the unit's rear panel to verify your unit's precise line volt-
age.

Multi-Channel (Stereo) Connections

Two channels of program material do not necessarily constitute a stereo program. A stereo program is one where the two 
channels are recorded and/or mixed to create the illusion of a single unified “panorama” of sound. The stability of the psy-
choacoustic “image” of each sound source within the stereo program depends upon its ability to maintain a specific phase 
and amplitude relationship from left to right channel .

If two independent compressors are used to process the stereo program, a loud sound occurring in one channel will cause 
the image to shift to the opposite side. This can be avoided by linking the two compressors in such a way that both chan-
nels receive the same amount of compression. 

Stereo operation between two 160As can be accomplished by first “strapping” the two unit's together, i.e., by connecting 
the rear panel STEREO STRAPPING jacks of each unit with a 1/4” TRS phone cable. Then, designate one of the two units 
to be a “Master” (SLAVE button Out) and switch the other unit to “Slave” mode (SLAVE button In, SLAVE LED On).

The Master 160A will now respond to the combined inputs of the 160As. The Master's controls will adjust the amount and 
nature of the compression and the Slave will track accurately to preserve proper stereo imaging.

Note: Remove the strapping cable if you want to use two 160As independently. When the SLAVE buttons on two strapped units are not depressed, the 
160As do not operate independently because the “ring” of the strapping cable still sums the audio of each unit. The strapping cable must be removed for 
proper single-channel operation. If both SLAVE buttons are depressed, both units will be bypassed (i.e., fixed at unity gain).

Note: A 160A unit cannot be strapped with a dbx 160XT, 160X, 160, 161 or 162 unit.

10

1 6 0 A

C O M P R E S S O R / L I M I T E R

LEVEL

INPUT

OUTPUT

BYPASS

SLAVE

OVEREASY

THRESHOLD

COMPRESSION

RATIO

OUTPUT

GAIN

DISPLAY

+20dBu

+10

0

-40dBu

-1:1

-2:1

-5:1

10:1

6:1

4:1

1:1

+20dB

+10

0

-20dB

-10

2:1

3:1

-30

-20

-10

BELOW

ABOVE

-40

30

20

15

10

8

6

5

4

3

2

1

0

1

2

4

6

10 20+

GAIN REDUCTION

:1

85-3998-A 160AD rear buyoff (5-20-98)

85-3999-A 160AD front buyoff (5-20-98)

15 WATTS

100V      50/60Hz

120V      60Hz

MANUFACTURED UNDER ONE OR MORE OF THE FOLLOWING U.S. PATENTS 4,234,804 4,316,107 4,329,598 4,331,931 4,377,792 4,403,199 4,409,500 4,425,551 4,434,380 4,454,433 4,471,324 4,473,793 OTHER PATENTS PENDING

PHONE:
TIP
SLEEVE

PHONE:

TIP

RING

SLEEVE

XLR:

PIN 1

PIN 2

PIN 3

INPUTS

OUTPUTS

DETECTOR

INPUT

STEREO

STRAPPING

TRS 160A ONLY

METER

CALIBRATION

UNBALANCED

BAL / UNBAL

XLR

GND
LIFT

LIFT

A HARMAN INTERNATIONAL

COMPANY

SALT LAKE  CITY, UTAH

MADE IN USA

MODEL 160A

COMPRESSOR/LIMITER

BALANCED

BALANCED

Summary of Contents for 160A

Page 1: ...MODEL 160A COMPRESSOR LIMITER ...

Page 2: ...r electric shock refer servic ing to qualified service personnel or equivalent If connected to 240V supply a suitable CSA UL certified power cord shall be used for this supply Safety Instructions Notice For Customers If Your Unit Is Equipped With A Power Cord WARNING THIS APPLIANCE SHALL BE CONNECTED TO A MAINS SOCKET OUTLET WITH A PROTECTIVE EARTHING CONNECTION The cores in the mains lead are col...

Page 3: ...or to a retailer if you purchase a similar new one For Countries not mentioned above please contact your local authorities for a correct method of disposal By doing so you will ensure that your disposed product undergoes the necessary treatment recovery and recycling and thus prevent potential negative effects on the environment and human health IMPORTANT SAFETY INFORMATION DECLARATION OF CONFORMI...

Page 4: ......

Page 5: ...tents Quick Set Up 2 Inspection 2 Introduction 2 Applications 3 Operating Controls 3 Operating Notes 5 Connecting the 160A to your System 10 Installation Considerations 12 Technical Support Factory Service 13 Warranty 13 Specifications 14 1 ...

Page 6: ...stereo coupled with a dbx 160XT 160X 160 161 or 162 unit True Power Summing When two 160A units are slaved together the RMS energy of the signal presented to the slave unit is summed with the RMS energy of the signal presented to the master unit to prevent phase cancellation of the two signals from causing unmusical compressor action LED Displays 19 Segment LED Display for high resolution monitori...

Page 7: ...button to select the OverEasy compression characteristic The amber THRESHOLD LED turns On when the signal is in the OverEasy region When this button is out the 160A operates as a hard knee compressor limiter In Hard Knee mode the threshold of compression is defined as that point above which the output level no longer chang es on a 1 1 basis with changes in the input level See Figure 1 In OverEasy ...

Page 8: ...ut level For proper unbalanced operation the unused pin either pin 2 or 3 MUST be grounded Nominal output signal level is 4dBu into 600Ω and typical maximum output level is 25dBu into 600Ω This jack accepts XLR type connectors wired pin 2 HOT pin 3 COLD and pin 1 chassis ground For applications which require a true transformer output an optional output transformer can be installed Contact our Cust...

Page 9: ...ut signals which fall below this level will pass through the 160A unprocessed except for fixed gain changes directed by the OUTPUT GAIN control See Figure 1 Page 4 In OverEasy Mode OVEREASY button depressed signals begin to gradually activate the 160A s gain change circuitry as they approach the THRESHOLD reference level and they do not get fully processed in the manner defined by the RATIO contro...

Page 10: ...approximately 4 1 then adjust the THRESHOLD control for 10dB to 12dB of gain reduction Compression less ens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary in loudness depending on the note being played and benefit similarly To control untimely volume shifts in hot guitar or synth parts and to keep them from overloading your ta...

Page 11: ... g a dbx 20 or 30 Series Graphic Equalizer or a vocal effects device e g reverb delay distortion can be added to further toughen the performance It is also possible to separate certain vocals or instruments from a mono program already mixed refer to frequency weighted compression on page 8 Note When compressing a stereo program with a pair of 160As the factors affecting a compression curve and the...

Page 12: ... compensated for The 160A as a Line Amplifier To use the 160A as a line amplifier adjust the COMPRESSION RATIO control fully counterclockwise 1 1 position THRESHOLD fully clockwise 20 and OUTPUT GAIN to whatever setting is required for the application Remember excessive gain may lead to output clipping of high level signals To add compression adjust the COMPRESSION RATIO and the THRESHOLD controls...

Page 13: ... must be added By inserting an equalizer in the detector path to the 160A it can be made more sensitive to frequencies in the range handled by the sensitive drivers The system can then be run at higher lev els and will only be dropped back when damaging signals are present Using a Filter in the Level Detector Circuit The results of inserting a filter in the level detector circuit are basically the...

Page 14: ... of a single unified panorama of sound The stability of the psy choacoustic image of each sound source within the stereo program depends upon its ability to maintain a specific phase and amplitude relationship from left to right channel If two independent compressors are used to process the stereo program a loud sound occurring in one channel will cause the image to shift to the opposite side This...

Page 15: ...zer s volume control and boost the track s output level using the 160A s OUTPUT GAIN control or the mixer s volume fader the latter here is great for track fade outs If the 160A is post fader i e the 160A is connected to mixer inserts so that the compression effect occurs after the level set by the mixer channel s volume fader adjusting the mixer s volume fader changes the input level and the amou...

Page 16: ...tip ring sleeve phone jacks and XLR type jacks The 160A can be used with either balanced or unbalanced sources and outputs can be used with either balanced or unbalanced loads provided you use proper cabling A balanced line is defined as two conductor shielded cable with the two center conductors carrying the same signal but of opposite polarity with respect to ground An unbalanced line is general...

Page 17: ... you are responsible for transportation charges to the factory dbx will pay return shipping if the unit is still under warranty Shipping Instructions Use the original packing material if it is available Mark the package with the name of the shipper and with the following words in quotes in red DELICATE INSTRUMENT FRAGILE Insure the package properly Ship prepaid not collect Do not ship parcel post ...

Page 18: ...dBm Dynamic Range 113dB Gain Adjustment Range Variable from 20dB to 20dB Threshold Range 40dBu to 20dBu Threshold Characteristic Selectable OverEasy or Hard Knee Compression Ratio Variable 1 1 to 1 thru to 1 1 60dB Maximum Compression Attack Time Program Dependent Typically 15ms for 10dB 5ms for 20dB 3ms for 30dB Release Time Program Dependent Typically 8ms for 1dB 80ms for 10dB 400ms for 50dB 125...

Page 19: ...dbx 160A COMPRESSOR LIMITER NOTES 15 ...

Page 20: ... Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com 18 2040V C 12 08 10 Printed in China ...

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