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Usage Examples 

 

 

 
The 

ANALOG

 switches select from four sources to be listened to. The 

selected source is sent to the “Functions” group and the “A-MTR” feed on 
the back panel. The fourth analog selection is a built in D/A converter which 
is fed by the selected “Digital” switch. 
 
The “Functions” group allows channel phase reversal, speaker mutes, mono, 
volume dim, alternate speaker selection, and a VU meter offset (to keep 
from thrashing the meter movements when listening to high level program 
material). The volume control is a 21 position stepped attenuator. It was 
decided in the design process to use an attenuator for its accuracy and 
repeatability. It was also found that attenuators provide consistent sound 
quality at all volume settings whereas pots tend to change sonic 
characteristics and balance depending on the setting. Pots also require DC 
blocking to reduce scratching noises on adjustment. The gain of most power 
amps today is set very high so the attenuator range is set for about 30 dB of 
loss. Since it is desirable to occasionally listen to the noise floor, which 
requires unity gain at the volume control, the last two steps are pretty big. 
Please use caution near the top of the volume control. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Summary of Contents for Dangerous Monitor

Page 1: ...ment that brings you the highest quality for your purchase This manual will assist you in the installation and use of the Monitor There are helpful hints for safety grounding and terminology that appl...

Page 2: ...r supplies at least several rack spaces if not in a different rack away from equipment that deals with low level signals Separation of high level and low level equipment can pre empt trouble caused by...

Page 3: ...y between the converters in separate pieces of gear Many times the engineer can be fooled by differences in sound quality of clones DAT from a CD because the different brands of equipment don t sound...

Page 4: ...drive power amplifiers These feeds are balanced and low impedance feeds capable of driving long cables The AC IN jack is where the power supply cable goes It is best to make sure that the power supply...

Page 5: ...control is a 21 position stepped attenuator It was decided in the design process to use an attenuator for its accuracy and repeatability It was also found that attenuators provide consistent sound qu...

Page 6: ...ed Digital Input to be monitored is fed to the D MTR XLR on the rear panel This output is a standard AES digital output that goes to MQ s AES input or another digital meter or phase scope Interface Th...

Page 7: ...s stay put inside their respective pieces of gear Unbalanced Audio Connections An unbalanced source driving a Monitor input usually presents no problem because of the differential action of the input...

Page 8: ...fest themselves as burn marks and smoked components This type of damage is not covered by the warranty Input cable Shield Header Jumpers are on the main circuit board to facilitate proper system shiel...

Page 9: ...t and recording equipment manufacturers from the 50 s to the 80 s had chapters on how to fix hum and noise problems and it is from this wealth of information that this writer draws ideas from for trou...

Page 10: ...uble shooting buzz issues is to make a short XLR cable with the shield lifted on the male connector and use this to test whether or not an XLR interface warrants a shield lift Alignment The Dangerous...

Page 11: ...eally Pin 1 shield Pin 2 signal Pin 3 signal The A MTR jack is a male 6 pin XLR A breakout cable is provided with the unit but one can roll one s own with the following pinout Pin 1 Left shield Pin 2...

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