Dangerous Music 2-BUS-XT Page 21 User Manual Download

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2-BUS-XT

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Frequency (Hz)

100

200

300

500

10k

20k

30k

50k

Level (dBu)

-140

-130

-120

-110

-100

-90

-80

-70

-60

-50

-40

-30

-20

-10

+10

FFT

Data

Ch1

Ch2

2-BUS-XT XFRM IMD FFT

SPECIFICATIONS

Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers

derived from data sheets published by chip manufacturers.

THD @ nominal mix setting

1KHz, unweighted, 22Hz to 22kHz < 0.0018%

(+10dBu in, -6dB gain)
IMD @ nominal mix setting

< 0.0018%

Crosstalk rejection

> 109dBu @ 1KHz

Noise at Unity Gain

22Hz to 22KHz: < -86dBu

Noise at Nominal Mix Setting

22Hz to 22KHz: < -90dBu

Frequency Response

Flat within 0.1dB from 10Hz -50kHz

Input Impedance

25K Ohms Balanced

Output Impedance

50 Ohms Balanced

Maximum Input Level

+27dBu

Replacement Fuses:

AMERICAS 90-120VAC 2 Amp Slo-Blo fuse

EUROPE

200-260VAC 1 Amp Slo-Blo fuse

Summary of Contents for 2-BUS-XT

Page 1: ...2 BUS XT 2 BUS XT USER GUIDE USER GUIDE...

Page 2: ...pre empt trouble caused by heat and EMI 4 Care should be taken to avoid liquid spills around equipment If a spill occurs please shut off the gear and disconnect the mains A qualified technician should...

Page 3: ...products are designed That s the magic living the recording experience on both sides of the control room glass and constantly working to improve it Without shareholders pimping profit at the expense...

Page 4: ...BUS XT Front Panel Features Benefits 4 LED Metering 4 Mono Buttons 4 Effects Control Parallel Series Processing 5 Effects Control Assignment Engagement 5 Effects Control X FORMER III 6 Effects Contro...

Page 5: ...ected to a juggernaut of intensive listening trials then locked and loaded to deliver a tasteful hit of 2nd order harmonics for lower midrange warmth while preserving top end articulation Add complexi...

Page 6: ...ike Mogami to assure the best connections for all the gear in your studio ZERO OUT THE 2 BUS XT Power up the 2 BUS XT Set the SUM LEVEL TRIM to roughly 1 o clock Disengage the X FORMER III and COHEREN...

Page 7: ...by pressing the button so it lights up Try COHERENCE by engaging the button and turning the knob clockwise to increase the effect It s in parallel so the effected signal is turned up with the knob wh...

Page 8: ...industry standard of 18dBu per input 02 MONO BUTTONS MONO BUTTONS PICTURED ABOVE Feature Switch inputs 1 2 and or 9 10 from stereo to mono Benefit Center specific instruments straight up the middle o...

Page 9: ...MENT ENGAGEMENT EFFECTS ASSIGNMENT ENGAGEMENT CONTROLS PICTURED ABOVE Feature Both color options may be assigned to the mix buss or to mix stems 15 16 individually or together Benefit With the simple...

Page 10: ...ies generator 1 is in 2 BUS and 2 is in CONVERT AD Benefit The X FORMER III insert may be just the thing to fatten up a horn section guitars or vocals in a unique way compared to traditional EQs and c...

Page 11: ...it in the hooks to add excitement and lay back on the verses to alternate the song s tension and keep your listeners attention rapt 07 SUM LEVEL TRIM OUTPUT LEVEL TRIM STEPPED ATTENUATOR PICTURED ABO...

Page 12: ...bles when connecting your beloved audio gear i e Mogami 09 EXPANSION INPUTS EXPANSION INPUTS PICTURED ABOVE Feature Expand your 2 BUS XT by patching in another 2 BUS XT a 2 BUS or a D BOX here Benefit...

Page 13: ...onsole functionality executed here to the highest standards so that true A B comparisons before and after the print pass are effortless What you hear is what you ll commit Operation Patch accordingly...

Page 14: ...s cover Use 2 amp Slo Blo for 90 120V Americas and 1 amp Slo Blo for 200 240V Europe Switching fuses will not void your warranty Switching to inferior summing mixers will 2 BUS XT Routing Scenario 12...

Page 15: ...nce you know what you will be sending to them i e Drum Buss Background Vocals Effects etc Assign tracks from your session to these busses according to how you would like to split up your stems i e all...

Page 16: ...Dangerous 2 BUS XT ANALOG CABLE DIGITAL CABLE USB CABLE i n t e r f a c e i n t e g r a t i o n TO MONITOR CONTROLLER w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o...

Page 17: ...r a t i o n w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m ANALOG CABLE DIGITAL CABLE USB CABLE 2 BUS LT AD MONITOR ST CONVERT 8 x 2 FROM CONVER...

Page 18: ...ATION ANALOG CABLE DIGITAL CABLE USB CABLE w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m CONVERT 8 CONVERT 8 CONVERT 8 2 BUS to ad converter to...

Page 19: ...D CONVERT 8 CONVERT 8 CONVERT 8 D BOX 2 BUS XT w w w d a n g e r o u s m u s i c c o m 8 4 5 2 0 2 5 1 0 0 i n f o d a n g e r o u s m u s i c c o m ANALOG CABLE DIGITAL CABLE USB CABLE FROM MIC PREAM...

Page 20: ...Fax 49 2236 393732 Email support dangerousmusic com E mail info dangerousmusic de Dangerous Music Group LLC reserves the right to alter the software and design of their equipment If after reading the...

Page 21: ...ts published by chip manufacturers THD nominal mix setting 1KHz unweighted 22Hz to 22kHz 0 0018 10dBu in 6dB gain IMD nominal mix setting 0 0018 Crosstalk rejection 109dBu 1KHz Noise at Unity Gain 22H...

Page 22: ...h1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5k 10k 20k 30k 50k Level dBu 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 FFT Data Ch1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5...

Page 23: ...00000 kHz Data Ch1 Ch2 Frequency Hz 20 30 50 100 200 300 500 1k 2k 3k 5k 10k 20k 30k 50k Level dBu 150 140 130 120 110 100 90 80 70 60 50 40 30 20 10 0 10 FFT Data Ch1 Ch2 Frequency Hz 20 30 50 100 20...

Page 24: ...20 DANGEROUS MUSIC Dangerous Music Group LLC Phone 845 202 5100 info dangerousmusic com SACRIFICE NOTHING Hear Everything...

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