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White Paper 

Euphonia IWS 3 Phantom

  

 
a 180° angle. In fact, an in-wall design is, theoretically speaking in several aspects, a 
“better” defined acoustical solution than a conventional floor-standing loudspeaker. 
 
However, there are crucial trade-off’s that must be addressed before rushing to exploit the 
obvious advantages of an in-wall solution. Specifically, there are two major obstacles that 
must be overcome. With an in-wall, the listening position is fixed, a condition that must be 
understood and accepted by the user. 
 
The second and major issue is the acoustic properties of the mounting site itself. Most 
walls that would be deemed suitable for built-in loudspeakers have low rigidity, making 
speaker installation a bit like suspending the speaker from a wire. An unstable platform will 
limit the speaker’s sonic potential. 
 
A key unknown in this equation is the wall cavity, which may be 
filled with different kinds of insulation materials or with nothing at 
all. This is a highly unpredictable situation from an acoustical point 
of view and can have tremendous impact on the performance of the 
speaker. 
 
In typical in-wall designs with no rear enclosure, acoustical 
compromises must be made in the drive units to compensate for 
possible wall cavity scenarios. These compromises are inevitably 
detrimental to sound quality. 
 
This places the in-wall speaker basically at the mercy of the flexible 
wall in which it is mounted and of the materials (if any) in the wall 
cavity. 
 
These crucial problems have been addressed and eliminated in the 
design of the Euphonia Phantom. 

 

 

          

        In-wall with no rear enclosure 

The Phantom Menace 

 

 

 

 
As described above, the main problem with an in-wall speaker is not the speaker, but the 
wall in which it is framed and the cavity behind it.  
 

A Stable Platform 

A wall can vary tremendously in stiffness and therefore exert significant influence on audio 
performance. DALI addresses the problem of a “soft” wall by making the Euphonia 
Phantom itself quite heavy and rigid, a massive 7 kilos (16 lbs.).  
The sheer mass of the speaker acts as a solid base even when mounted in a very “soft” 
wall. 
 
An enclosure that forms a rock-steady platform for the motion of the drive unit in an in-wall 
speaker is critical. With anything less, the platform may move with the drive unit, thereby 
degrading sound quality.  
 

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Summary of Contents for Euphonia IWS 3 Phantom

Page 1: ...White Paper Euphonia IWS 3 Phantom White Paper Euphonia IWS 3 Phantom Page 1 of 14 Page 1 of 14...

Page 2: ...he strict demands of the rapidly expanding installation market we devised the Euphonia IWS 3 Phantom a 2 way speaker with a 6 woofer midrange and a Hybrid Tweeter Module in a sealed enclosure The DALI...

Page 3: ...impact on the performance of the speaker In typical in wall designs with no rear enclosure acoustical compromises must be made in the drive units to compensate for possible wall cavity scenarios Thes...

Page 4: ...cial vibration absorbing cabinet material HornFlex to eliminate cabinet resonances and vibrations and maintain the integrity of the audio signal In theory this material would be a perfect acoustical s...

Page 5: ...r sound design principles of Time Coherence and 3D Audio the cone must be very fast and very lightweight To achieve these goals we developed a type of paper cone that contains unusually long wood fibr...

Page 6: ...ity of the magnetic circuit In the Euphonia Phantom bass midrange driver we have focused on stabilizing the magnetic flux in order to optimise the quality not just the quantity of flux By using very p...

Page 7: ...dible performance than a first glance at the specs would indicate We Are The Hybrid Resistance Is Futile The Hybrid Tweeter Module in the Euphonia IWS 3 Phantom consists of a 29 mm oversized soft dome...

Page 8: ...der to obtain the desired characteristics without sacrificing dynamics All this ensures an unparalleled impulse response and energy time frequency characteristics The voice coil is wound on a perforat...

Page 9: ...rn and geometry of the acoustical lens Low Frequency Level Adjustment Because the in wall speaker is mounted in a reflecting boundary of a wall or ceiling the low frequency sound pressure level is inc...

Page 10: ...ecting boundary The ENHANCED setting is recommended if the speaker is either some distance away from sidewalls or if the ceiling absorbs a substantial portion of the low frequency energy The ENHANCED...

Page 11: ...A single power resistor is used in the crossover Wire wound and based in an aluminium house it is screw mounted to the base plate to eliminate any risk of mechanical noise We custom design all our dri...

Page 12: ...he speaker to match the home interior decor To spray paint the loudspeaker the painting mask is simply placed over the drivers and the baffle Another useful accessory is the cutout template delivered...

Page 13: ...ia IWS 3 Phantom sound as objectively as possible The Euphonia Phantom offers a convincing high resolution sonic illusion with great transparency and weight regardless of musical style Voices and inst...

Page 14: ...frequencies Hz 3 100 15 000 Bass reflex tuning frequency Hz Enclosure type Sealed Placement In wall Recommended amp Power Watts 50 200 Amplifier High frequency drivers 1 x 29 mm soft dome 1 x 10 x 55...

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