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1.2 Why do I need a Mic Pre II?

Microphones come in all shapes and sizes, they also come with different 

output levels. Ribbon microphones, for instance, have relatively low output level 
as do dynamic microphones. Phantom-powered condenser microphones, on the 
other hand, can have a very high level output as can tube condenser 
microphones. It takes a very flexible, quiet, and carefully thought-out piece of 
gear to make all those different types of microphones sound their best when 
connected to the next device in the recording chain.

Think about this: every recording console, from the cheapest starter model 

to the million-dollar consoles in the world’s greatest studios, has microphone 
preamps. Most inexpensive digital audio interfaces have some sort of 
microphone preamps. Simple arithmetic shows that semipro mixers and 
interfaces must have cheap mic preamps, or they wouldn’t be economical to 
sell. The mic preamps from classic consoles of the seventies and eighties have 
become very valuable as outboard equipment. Sadly, many classic old consoles 
have become worth more broken up and parted out than as complete consoles.

Since the 1990’s Geoff Daking has been making new old-style mic 

preamps, equalizers, and compressor-limiters for professional users. He is, 
perhaps more than anyone else, responsible for the new generation of 
‘boutique’ preamp makers. As a recording engineer he has owned and had 
hands-on experience with many classic recording consoles. He analyzed the 
things that characterized those consoles, and the reasons we loved the sound 
of them so much. Newer consoles, both cheap and expensive, were being 
manufactured with chips and without transformers in the preamps to save 
money. Geoff realized he could build professional microphone preamps in 
America using high-quality input transformers and discrete circuitry at a price 
that most users could afford. Their sound quality rivals the great classic console 
modules at prices that are much more approachable, and without the 
maintenance headaches that 40-year-old switches, capacitors, resistors, 
connectors, and obsolete components can cause.

The Mic Pre II is the latest in the line of Daking products that live up to that 

promise. It features input transformers made by Jensen, perhaps the premiere 
transformer maker in the world today, high quality capacitors, resistors, and 
discrete transistors, built in the USA. Get ready to really hear your microphones 
for the first time!

Summary of Contents for Mic Pre II

Page 1: ...Mic Pre II Microphone Preamplifier User Manual V 1 http www daking com ...

Page 2: ...your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord and all connecting cables from being walked on or pinched particularly at plugs receptacles and the point where they exit from the device Only use attachments or accessories specified by the manufacturer Unplug this device when unused for long periods of time Refer all servicing to qualified service pe...

Page 3: ...d hum rejection and a long lasting finish Every unit is hand finished tested burned in and tested again in a second facility Also we just couldn t stand to use plastic knobs so we designed our own anodized engraved aluminum knobs that give a much more precise and quality feel We designed our gear to be gear you ll own for life not some passing fancy you ll leave in the dust once you figure out wha...

Page 4: ...oles Since the 1990 s Geoff Daking has been making new old style mic preamps equalizers and compressor limiters for professional users He is perhaps more than anyone else responsible for the new generation of boutique preamp makers As a recording engineer he has owned and had hands on experience with many classic recording consoles He analyzed the things that characterized those consoles and the r...

Page 5: ...For instance on a female vocal you might filter out everything below 80Hz Use to taste you will hear when you re starting to change the sound of whatever you re recording as you filter higher frequencies Many of us work in small studios these days with nearfield monitors that can t reproduce the very lowest frequencies your mics can pick up The HPF protects you from recording low frequencies you c...

Page 6: ...powering although there are a handful of exceptions Press the button and 48V Phantom power will be applied at the input connector for the microphone Be certain that you are using high quality cables with high quality connectors and that your cables are in good repair In certain rare instances phantom power applied through a defective cable to a ribbon microphone that doesn t need it can cause dama...

Page 7: ... each channel which is wired in parallel to the XLR output If you want an unbalanced output you can use a 1 4 TS cable a guitar cable in the TRS jack If you use both an XLR output cable and a 1 4 TS cable at the same time keep in mind you will be making the XLR output unbalanced because they are in parallel Always use high quality connectors and cables to wire the Mic Pre II into your system Wirin...

Page 8: ...All relay switching with gold bifurcated contacts Switchable 48 Volt Phantom power 20dB pad on mic input All metal construction with stainless steel chassis for noise immunity Custom aluminum knobs Power supply included Inputs 2 x XLR Outputs 2 x XLR 2 X TRS 1U 19 rack mount case 17 43 18cm width 8 375 21 27cm depth 1 625 4 13cm height Unit weight 5 35 lbs 2 45 kg Box weight 8 70 lbs 3 95 kg Box d...

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