D.A.S. R Series User Manual Download

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Series R y ST. Manual de Usuario /

R and ST Series. User's Manual

ST-015

50º

105º 10dB +3dB 175º 5dB +1dB

Vertical

Nr. of elements /
Splay angle

x1 x2 x3

variable

Angle Di SPL

0º

65º 11dB +0dB 25º 15dB +5dB 10º 18dB +8dB

10º

35º 14dB +4dB 45º 13dB +5dB

20º

55º 12dB +3dB 80º 10dB +4dB

30º

65º 11dB +3dB 120º 7dB +2dB

40º

75º 11dB +3dB 150º 6dB +1dB

50º

55º 9dB +2dB 165º 5dB +1dB

ST-15

Horizontal

Nr. of elements /
Splay angle

1x 2x 3x 4x 5x

variable

Angle Di SPL

0º

100º 9dB 0dB 90º 13dB +5dB 55º 16dB +8dB 25º 18dB +10dB

15º 19dB +11dB

10º

95º 13dB +5dB 105º 13dB +6dB 100º 13dB +8dB 120º 11dB +7dB

20º

105º 13dB +5dB 125º 11dB +6dB 145º 9dB +5dB 160º 8dB +5dB

30º

115º 12dB +4dB 155º 8dB +3dB 175º 8dB +4dB 210º 6dB +4dB

40º

130º 11dB +4dB 205º 5dB +1dB 200º 7dB +4dB 280º 3dB +2dB

50º

145º 10dB +3dB 225º 3dB +1dB 245º 6dB +3dB 325º 2dB +1dB

Vertical

Nr. of elements /
Splay angle

x1 x2 x3 x4 x5

variable

Angle Di SPL

0º

85º 9dB 0dB 75º 14dB +5dB 35º 17dB +8dB 25º 19dB +10dB

15º 20dB +11dB

10º

85º 14dB +5dB 100º 13dB +6dB 100º 13dB +7dB 120º 11dB +7dB

20º

100º 13dB +5dB 130º 11dB +5dB 145º 9dB +5dB 175º 7dB +4dB

30º

120º 11dB +4dB 165º 8dB +3dB 190º 7dB +3dB 210º 5dB +4dB

40º

140º 10dB +3dB 200º 5dB +1dB 210º 6dB +3dB 275º 3dB +2dB

50º

160º 9dB +2dB

225º 4dB +0dB

270º 5dB +3dB

325º 2dB +1dB

ST-18

Horizontal

Nr. of elements /
Splay angle

1x 2x 3x 4x 5x

variable

Angle Di SPL

0º

360º 1dB +0dB

360º 4dB +6dB

275º 5dB +10dB

150º 7dB +12dB

110º 9dB +14dB

10º

360º 5dB +6dB

175º 6dB +10dB

115º 9dB +12dB

90º 11dB +14dB

20º

360º

5dB

+6dB

140º

7dB

+9dB

100º

10dB

+12dB

85º

11dB

+13dB

30º

280º 6dB +6dB

120º 8dB +9dB

90º 10dB +11dB

85º 9dB +11dB

40º

270º 6dB +6dB

110º 9dB +9dB

90º 9dB +9dB

110º 5dB +8dB

50º

265º 6dB +6dB

105º 9dB +8dB

100º 7dB +7dB

360º 3dB +5dB

Vertical

Nr. of elements /
Splay angle

x1 x2 x3 x4 x5

variable

Angle Di SPL

0º

360º 1dB +0dB

360º 4dB +6dB

275º 6dB +10dB

145º 7dB +12dB

105º 9dB +14dB

10º

360º 5dB +6dB

165º 7dB +10dB

110º 9dB +12dB

85º 11dB +14dB

20º

285º

5dB

+6dB

135º

8dB

+9dB

95º

10dB

+11dB

80º

11dB

+13dB

30º

275º 6dB +6dB

115º 9dB +9dB

90º 10dB +10dB

85º 9dB +11dB

40º

265º 6dB +6dB

105º 9dB +9dB

90º 9dB +9dB

230º 5dB +7dB

50º

260º 7dB +6dB

95º 9dB +8dB

95º 6dB +7dB

360º 2dB +5dB

ST-32

Horizontal

Nr. of elements /
Splay angle

1x 2x 3x 4x 5x

variable

Angle Di SPL

0º

85º 10dB 0dB 75º 15dB +5dB 40º 17dB +8dB 25º 19dB +9dB 10º 21dB +11dB

10º

80º 14dB +4dB 100º 12dB +5dB 100º 13dB +6dB 125º 10dB +6dB

20º

95º 13dB +4dB 125º 10dB +4dB 140º 9dB +4dB 160º 8dB +5dB

www.audiovias.com

Summary of Contents for R Series

Page 1: ...R St series MANUAL DEL USUARIO USER S GUIDE www audiovias com ...

Page 2: ...T 15 112 cm ST 32 107 cm The rest of the models are not tripod mountable Sicherheitshinweise Das Ausrufezeichen im Dreieck weist auf inhaltlich besonders wichtige Erklärungen des nebenstehenden Textes hin Das doppelte Viereck bedeutet daß es sich um ein Gerät der Klasse 2 handelt Dieses Gerät nicht dem Regen oder extremer Feuchtigkeit aussetzen Plazieren Sie Lautsprecher nicht in der Nähe von Gerä...

Page 3: ...plicaciones 7 Uso 8 Especificaciones 9 Dibujos de línea 10 Apéndices 10 1 Conexiones de línea no balanceadas y balanceadas 10 2 Datos de contacto de fabricantes de herrajes para colgado CONTENTS Safety Precautions 1 Introduction 1 1 Series Features 1 2 Models Features 2 Connections 2 1 Wiring 2 2 Basic connection 3 Mounting and placement 3 1 Placement 3 2 Tripod use 3 3 Use on SUB 18R ST 18 with T...

Page 4: ...Please take the time to read it Our Web site at www dasaudio com contains further support information such as enclosure and system drawings data for modelling software architectural specifications and specification sheets 1 1 Series features High frequency compression drivers with pure titanium diaphragms and Neodymium magnet structures except models with small format HF drivers which use ferrite ...

Page 5: ... full range system Trapezoidal enclosure Passive full range use 2 x 15 woofer Small format compression driver with ASC protection Medium high power Medium sensitivity Short medium throw Sound reinforcement for fixed installations Pubs live music bars Medium power side fill R 212 Two way mid high full range system Trapezoidal enclosure Bi amplified and passive full range modes 2 x 12 mid high speak...

Page 6: ...um sensitivity Short medium throw Left and right shown versions Low profile stage monitor wedge ST 15 Two way mid high full range system Low profile multi angle enclosure Tripod socket Bi amplified and passive full range modes 1 x 15 mid high speaker Neodymium magnet large format compression driver Medium high power Medium sensitivity Medium throw Rotatable horn Sound reinforcement for fixed insta...

Page 7: ...ations Touring large scale discos Use sub woofer complement Vocal system for speech applications and background music in large spaces ST 215 Two way mid high system Trapezoidal enclosure Bi amplified use 2 x 15 mid range speakers Neodymium magnet large format compression driver High power High sensitivity Long throw Transport wheels Sound reinforcement for fixed installations and mobile applicatio...

Page 8: ...s in parallel Also for one four ohm speaker per channel such as for one ST 218 per channel When connecting more than one speaker to an amplifier channel there are two wiring options The first is to run cable from the amplifier s output terminals to each speaker The second is to connect the closest speaker to the amplifier and then connect the two speakers together with a loop through cable that ha...

Page 9: ...ower are recommended for the R 112 and 350 to 450 W for the R 115 R 214 Figures show the block diagram and basic set up for model R 214 R 212 Figures show the block diagram and basic set up A switch located at the input connector plate allows to change between passive full range and bi amplified use In passive use the acoustical high frequency rolloff of the low frequency section is used to crosso...

Page 10: ... is used to crossover to the mid high frequency section which utilises an equalised highpass filter network When using the system in active bi amplified mode use the D A S CT 1000 monophonic electronic processor or a 24 dB octave electronic crossover unit with the crossover frequency set to 1200 Hz We thoroughly recommend the use of the D A S CT 1000 since it is factory shipped with appropriate cr...

Page 11: ... a two three way active monophonic system processor for driving the ST 215 in conjunction with bass units or standalone ST 218 Figures show the block diagram and basic set up The ST 218 is a bass unit for active systems so an electronic crossover will be required with a crossover frequency set in the range from 80 to 160 Hz One of such units capable of driving two way active systems is the D A S C...

Page 12: ...od capability The TRD 4 is a 35 mm pole that raises the top box 51 cm 21 Do not mount systems this way on sloped surfaces 3 4 Stage monitor use Operation angles for boxes capable of monitor use are illustrated below 3 5 Rotating the horns Models ST 15 and R 212 have rotatable horns This allows maintaining the original horn characteristics wider horizontal coverage than vertical when mounted in hor...

Page 13: ...reports to be filled out by the personnel that will carry out the inspections Local regulations may exist that in case of accident may require you to present evidence of inspection reports and corrective actions after defects were found Absolutely no risks should be taken with regards to public safety When flying enclosures from ceiling support structures extreme care should be taken to assure the...

Page 14: ...200 kg 440 lbs Each ANL 2 carabiner has a working load of 330 kg 726 lbs If using other hardware make sure it is rated to handle the required load When using eyebolts it is important to bear in mind that the rated working load is only true for a load applied in the plane of the eye and is significantly reduced for other angles The drawing illustrates the concept The table shows the variation of th...

Page 15: ...Series R y ST Manual de Usuario R and ST Series User s Manual 53 The following illustrations show different views on eyebolt flying for a two box column www audiovias com ...

Page 16: ...ion of the load angle 0 degrees 45 degrees 90 degrees work load 100 80 80 When using AncraTrack the following vertical angles for the cabinet are obtained when connecting to the different track positions The position relates to the hole number above which the ring is found Position 1 is the closest to the front of the enclosure Note that positions 1 and 9 mean that only one connector stud attaches...

Page 17: ...eaker is picked However when other speakers fly from it the angle varies We can correct for this by moving the upper pick up track position of the box In the example shown on the illustration the column on the left shows the upper box adopting a certain upward angle due to the box underneath flying from it The right hand column shows how the box has been straightened by moving the upper pick up tr...

Page 18: ... splay angle by pulling from the bottom box as seen on the illustration In this case we have joined the two lower pick up points of the bottom box with a nylon strap for a single pull up point The illustration shows flying of an arc of boxes using the lower flying points of the bottom box as our pull up point to obtain the arc The pull up point needs to be behind the column s centre of gravity www...

Page 19: ... x2 cells on the vertical section The results cells have a grey background show coverage angles of 165 degrees horizontal and 85 degrees vertical and an on axis SPL of 0 dB horizontal and 3 dB vertical for a total on axis level of 3 dB 0 dB horizontal 3 dB vertical above the level for a single box R 112 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle D...

Page 20: ...dB 50º 190º 7dB 1dB 230º 4dB 0dB 275º 4dB 1dB 325º 2dB 1dB R 214 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0º 85º 10dB 0dB 75º 15dB 5dB 30º 17dB 8dB 20º 19dB 10dB 15º 21dB 12dB 10º 85º 14dB 5dB 90º 14dB 6dB 100º 13dB 7dB 115º 11dB 6dB 20º 95º 13dB 5dB 120º 11dB 4dB 140º 9dB 5dB 160º 8dB 4dB 30º 110º 12dB 4dB 160º ...

Page 21: ... 20º 360º 4dB 6dB 260º 6dB 9dB 115º 8dB 12dB 90º 9dB 13dB 30º 360º 4dB 6dB 255º 6dB 9dB 110º 8dB 11dB 95º 8dB 11dB 40º 360º 4dB 6dB 255º 6dB 9dB 115º 7dB 10dB 110º 7dB 10dB 50º 360º 4dB 6dB 255º 6dB 8dB 125º 6dB 9dB 130º 5dB 8dB SUB 218 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0º 360º 1dB 0dB 360º 4dB 6dB 360º 5d...

Page 22: ...B 210º 5dB 4dB 40º 140º 10dB 3dB 200º 5dB 1dB 210º 6dB 3dB 275º 3dB 2dB 50º 160º 9dB 2dB 225º 4dB 0dB 270º 5dB 3dB 325º 2dB 1dB ST 18 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0º 360º 1dB 0dB 360º 4dB 6dB 275º 5dB 10dB 150º 7dB 12dB 110º 9dB 14dB 10º 360º 5dB 6dB 175º 6dB 10dB 115º 9dB 12dB 90º 11dB 14dB 20º 360º ...

Page 23: ...0º 75º 10dB 0dB 65º 14dB 5dB 35º 17dB 8dB 25º 19dB 10dB 15º 21dB 12dB 10º 65º 14dB 5dB 80º 14dB 7dB 100º 13dB 7dB 110º 12dB 7dB 20º 80º 13dB 5dB 130º 10dB 4dB 140º 9dB 5dB 175º 6dB 3dB 30º 115º 12dB 4dB 160º 7dB 2dB 180º 7dB 3dB 210º 5dB 3dB 40º 135º 10dB 3dB 200º 5dB 1dB 205º 6dB 3dB 270º 3dB 2dB 50º 155º 8dB 2dB 220º 4dB 0dB 255º 4dB 2dB 325º 2dB 1dB ST 112 Horizontal Nr of elements Splay angle ...

Page 24: ...º 3dB 2dB 270º 4dB 1dB ST 218 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0º 360º 1dB 0dB 265º 5dB 6dB 130º 8dB 10dB 95º 10dB 12dB 75º 12dB 14dB 10º 260º 6dB 6dB 110º 9dB 9dB 80º 12dB 12dB 60º 13dB 14dB 20º 165º 7dB 6dB 90º 10dB 9dB 70º 12dB 11dB 70º 11dB 12dB 30º 135º 8dB 6dB 80º 11dB 9dB 70º 10dB 10dB 360º 7dB 8dB...

Page 25: ...ATIONS 5 1 Stereo full range R 112 R 115 R 214 R 215 in active or passive mode Controller CT 2000 can also be exchanged for CT 1000 for the active mode ST 15 As a monitor wedge the ST 15 can be used as a stand alone enclosure in active or passive modes ST 015 ST 32 www audiovias com ...

Page 26: ...s a stand alone enclosure 5 2 Stereo with subwoofers R 112 R 115 R 214 con SUB 18R the CT 1 s subwoofer output corresponds to the sum of the two input channels R 2000 Bi or tri amplified The R 2000 system is the combination of R 215 and ST 218 The same configurations are possible with R 212 Controller CT 2000 can also be exchanged for CT 1000 for the tri amplified system www audiovias com ...

Page 27: ...s preferred ST 218 R 2000 is recommended for outdoor use Controller CT 2000 can also be exchanged for CT 1000 for the tri amplified system the CT 1 s subwoofer output corresponds to the sum of the two input channels ST 1000 in bi or tri amplified modes The ST 1000 system is the combination of ST 15 and ST 18 For bigger systems the ST 18 can be replaced with smaller numbers of ST 218 ST 18 218 can ...

Page 28: ...Series User s Manual 66 ST 1500 The ST 1500 system is the combination of ST 110 and ST 218 ST 1800 The ST 1800 system is the combination of ST 112 and ST 218 ST 2000 The ST 2000 system is the combination of ST 215 and ST 218 www audiovias com ...

Page 29: ...ical systems and diverse applications They are in no case the only possible configurations You can also scale them up or down for larger or smaller uses You can combine products from other D A S series to cover needs such as background music and secondary fill systems 6 1 Pub system 6 2 Medium sized theatre system www audiovias com ...

Page 30: ...Series R y ST Manual de Usuario R and ST Series User s Manual 68 6 3 Large theatre system www audiovias com ...

Page 31: ...Series R y ST Manual de Usuario R and ST Series User s Manual 69 6 4 Medium sized disco system www audiovias com ...

Page 32: ...Series R y ST Manual de Usuario R and ST Series User s Manual 70 6 5 Large disco system www audiovias com ...

Page 33: ...Series R y ST Manual de Usuario R and ST Series User s Manual 71 6 6 Live sound system www audiovias com ...

Page 34: ...their maximum level we are just below clipping level on the amplifier or clipping very occasionally EQUALISATION D A S enclosures do not need extreme EQ settings to produce quality sound Avoid high levels of gain on the equalisers We do not recommend the use of EQ gain values above 6 dB On graphic type equalisers avoid gain to bands that are below the systems working frequency range for instance d...

Page 35: ... NL4 1 1 Speakon NL4 1 1 Speakon NL4 1 1 Speakon NL4 LF FULL 1 1 HF 2 2 Speakon NL4 LF FULL 1 1 HF 2 2 Speakon NL4 1 1 Speakon NL4 1 1 1 Dimensions H x W x D 69 x 44 x 36 cm 27 5x17 5x14 5 in 71 x 51 x 38 cm 28x20x15 in 105 x 48 x 39 cm 42x19 5x15 5 in 99 x 51 x 41 cm 39x20x16 5 in 112 x 55 x 50 cm 44 5x22x20 in 64 x 55 x 53 cm 25 5x22x21 in 112 x 55 x 48 cm 44 5x22x19 in Rigging eyebolts eyebolts...

Page 36: ...akon NL4 LF FL 1 1 HF 2 2 Speakon NL8 1 1 Speakon NL4 1 1 Speakon NL4 2 2 Speakon NL8 MF 2 2 HF 3 3 Speakon NL8 MF 2 2 HF 3 3 Speakon NL8 1 1 1 Dimensions H x W x D 47 x 64 x 60 cm 18 5x25x23 5 in 71 x 51 x 38 cm 28x20x15 in 71 x 51 x 73 cm 28x20x29 in 46 x 54 x 62 cm 18x21x24 5 in 71 x 55 x 45 cm 28x22x17 5 in 84 x 55 x 59 cm 33x22x23 5 in 103 x 70 x 84 cm 40 5x27 5x33 in 101 x 70 x 85 cm 40x27 5...

Page 37: ...Series R y ST Manual de Usuario R and ST Series User s Manual 75 9 LINE DRAWINGS R 112 R 115 R 214 R 212 R 215 SUB 18R SUB 218 www audiovias com ...

Page 38: ...Series R y ST Manual de Usuario R and ST Series User s Manual 76 ST 015 ST 15 ST 18 ST 32 ST 110 ST 112 ST 215 ST 218 www audiovias com ...

Page 39: ...ltage with respect to the ground conductor but with opposite signs The noise that cannot be rejected by the shield affects both signal conductors in the same way At the device s input the two signals get summed with opposite sign so that noise is cancelled out while the programme signal doubles in level Most professional audio devices use balanced inputs and outputs Connectors that can carry balan...

Page 40: ... T MEGS 575 TB ST 218 MEGS 575 T MEGS 575 TB A connecting bar interconnects every two trusses Thus for each array we will need one bar less than trusses For example a three wide array will need three truss modules and two connecting bars Depending on the array requirements pull strap bars AMFS 3X4 30 BAR may be needed to achieve proper down angles Polar Focus Manufacturers of universal systems and...

Page 41: ...Series R y ST Manual de Usuario R and ST Series User s Manual 79 NOTAS NOTES www audiovias com ...

Page 42: ...7th Court Miami FL 33166 U S A Tel 305 436 0521 Fax 305 436 0528 D A S Audio of America Inc C Islas Baleares 24 46988 Fuente del Jarro Valencia SPAIN D A S AUDIO S A Tel 96 134 0525 Tel Intl 34 96 134 0860 Fax 96 134 0607 Fax Intl 34 96 134 0607 www audiovias com ...

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