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Sound Blaster Roar SR20A White Paper – Evolution, Concept and Tech Overview 
 

10/7/2014 P

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TeraBass 
 

What is it? 

 

TeraBass is a feature that intelligently compensates the loss of perceived loudness in bass 
during low level playback without artificially over accentuating bass levels. TeraBass 
processing will intelligently increase the loudness of bass at low to medium levels and 
this processing will decrease as master volume level increases until near or at maximum 
output where no processing will be applied.  
 
Why the need for TeraBass? 

 
Because of the dynamic nature of use.   Outdoor? Bedroom? Nearfield? Midfield? or 
simply personal preference. 

 
Like our in-house reference systems, the Roar is tuned to be accurate, balanced, and well 
defined  while delivering full spectral output at maximum levels with minimal or no 
compression. (NOT common in many battery operated portables).  
 
Like a professional loudspeaker, the SR20A is designed to go low and accurate. Most 
loudspeakers in this class tend to artificially boost low frequencies making the playback 
boomy and lacking midrange. Bass from the SR20A is tight, deep and uncolored.  
Midrange is neutral and full bodied.    
 
The SR20A is designed for use just about anywhere. However, when it is played back at 
low to medium levels for Eg late night listening, the listener may not perceive bass that 
well and needs that improved subjective musicality.  TeraBass will help add excitement 
to the playback. 
 
TeraBass will also compensate for the loss in bass when the loudspeaker is placed in-less-
than ideal acoustical environments.  
 
Our research has shown that due to these dynamic usage conditions, the need to be able 
to turn ON and OFF TeraBass is critical.  
 

Summary of Contents for Sound Blaster Roar SR20A

Page 1: ...reative Technology Ltd All rights reserved Creative and the Creative Logo are trademarks or registered trademarks of Creative Technology Ltd in the United States and or other countries The Bluetooth w...

Page 2: ...eaker is faithful to the original source and reproduces audio where Timbre and Tonality is not altered from the original source in any way Ultimately musicality is not dissecting nor changing the soun...

Page 3: ...played at these levels 4 Portable speakers are often impulse purchases via heavy discount brand hype or for its industrial design with sound quality being the lowest consideration Most portables have...

Page 4: ...g during extreme driver excursions The top firing active driver which incidentally also moves the most is backed by the base of the unit and by the surface on which the unit is resting The rear forces...

Page 5: ...incing stereo stage width depth and even height of conventional 2 piece speakers Most one piece speakers systems tend to sound boxed in and point sourced thereby lacking in stereo width and depth With...

Page 6: ...t on the context of a full blown professional monitor Bass Midbass Driver The Long throw 2 5 heavy duty midrange bass driver that features rubber surrounds with ideal flex properties is used for midba...

Page 7: ...te of 44 1 kHz to match the venerable audio CD Dynamic Range 16 Bit Digital Audio 20Log10 216 96 32 dB 20 Bit 120 4 dB etc Taking CD quality as the benchmark 16 bit 44 1 kHz has a dynamic range of 96d...

Page 8: ...dio Coding is the default file format on the iPhone iPod TM and the iTunesTM software and for downloads from the Apple iTunes store The compression scheme it uses is better than that of MP3 and AAC ca...

Page 9: ...of attaining accuracy with musicality the system is continuously tuned and tweaked for best objective accuracy and subjective musical results Our high performance Gigaworks T3 and the latest Signature...

Page 10: ...Sound Blaster Roar SR20A White Paper Evolution Concept and Tech Overview 10 7 2014 PAGE 10 OF 20 PA 1 FRONT VIEW PA 1 REAR VIEW In House reference Pre Amplifier PA 1...

Page 11: ...ile delivering full spectral output at maximum levels with minimal or no compression NOT common in many battery operated portables Like a professional loudspeaker the SR20A is designed to go low and a...

Page 12: ...or in mid far field listening conditions Eg Dance Hall in door gatherings When do I turn off TeraBass Unlike many competing designs in the portable segment which has no option to turn off any bass enh...

Page 13: ...user with 2 or less Bluetooth devices who may not want to share the Sound Blaster Roar LS Mode 1 Friendly access mode Allows Bluetooth devices that have been paired to the speaker before to takeover c...

Page 14: ...20 Other Features The Sound Blaster Roar also comes with the following other features that enhance its usability High Performance Built In Microphone The microphone of the SR20A is located right above...

Page 15: ...tes all created energy into clean audio output The lack of separate individual parts joined together also means that the speaker chassis doesn t rattle when bass heavy audio tracks are pumped out at h...

Page 16: ...ures Repeat Shuffle mode for all music on microSD Card Play from last location Skip Fwd and back track while playing a track Press FW RW button Quick Skip Fwd and back folder when playback is paused R...

Page 17: ...access the Bluetooth menu within the smart device This makes setup and the Bluetooth connection extremely easy Manual Pairing is still available by using the Bluetooth button ROAR Useful for parties...

Page 18: ...right channels MegaStereo mode An option is provided for dual Sound Blaster Roar SR20As to be connected together to deliver MegaStereo where the left SR20A s high frequency drivers both deliver the le...

Page 19: ...to the right SoundBlaster Roar s Auxillairy Input The left Sound Blaster Roar SR20A detects the MegaStereo cables white jack master and its built in processor configures it to play only the left chann...

Page 20: ...bles as an Aux In analog cable Where the White Master 3 5mm jack connects to the source device and the Red Slave 3 5mm jack connects to the loudspeaker The MegaStereo cable can be purchased separately...

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