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Important Information About Tubes and Tube Products (continued):

"looser" low-end response and produces more harmonics at mid and high frequencies ("creamier" sound).
These differences become more noticeable at higher volumes.

The EL84 and 6L6 tubes produce a big low-end thump and have a very good dynamic range. They offer a
more traditional "American Rock" sound. The EL84 and 6V6 tubes produce a creamy sound with nice dis-
tortion. On the other hand, the KT88 produces a big low-end but sounds more like an EL34 in the mid and
high frequencies.

The 6550 power tubes are more rugged and stay cleaner sounding even at full power. When they do dis-
tort, the sound produced is more solid and has a tighter low end; more of a "heavy metal" type distortion
with lots of power.

Some tubes are available in matched sets. These tubes have been extensively tested for optimum perform-
ance and longevity.

The Nature Of Tubes: Why (And When) To Replace Them:

Tubes are made up of a number of fragile mechanical components that are vacuum-sealed in a glass enve-
lope or bubble. The tube's longevity is based on a number of factors which include how hard and often the
amplifier is played, vibration from the speakers, road travel, repeated set up and tear down, etc.

Any time you notice a change in your amplifier's performance, check the tubes first.

If it's been a while since the tubes were replaced and the sound from your amplifier lacks punch, fades in
and out, loses highs or lows or produces unusual sounds, the power tubes probably need to be replaced. If
your amplifier squeals, makes noise, loses gain, starts to hum, lacks "sensitivity", or feels as if it is working
against you, the preamplifier tubes may need to be replaced. 

The power tubes are subjected to considerably more stress than the preamplifier tubes. Consequently, they
almost always fail/degrade first. If deteriorating power tubes aren't replaced they will ultimately fail.
Depending on the failure mode, they may even cause severe damage to the audio output transformer
and/or other components in the amplifier. Replacing the tubes before they fail completely has the potential
to save you time, money and unwanted trouble. Since power tubes work together in an amplifier, it is cru-
cial that they (if there is more than one) be replaced by a matched set. If you're on the road a lot, we rec-
ommend that you carry a spare matched set of replacement power tubes and their associated driver tubes.

After turning off the power and disconnecting the amplifier from the power source, carefully check the tubes
(in bright light) for cracks or white spots inside the glass or any other apparent damage. Then, with the
power on, view the tubes in a dark room. Look for preamplifier tubes that do not glow at all or power tubes
that glow excessively red. 

Whenever you replace the power tube(s):

• Always have the amplifier's bias voltage checked by a qualified service center. Improper bias voltage will
cause degradation in performance and possibly damage the tubes and/or the amplifier. (See the section
below entitled, "The Importance of Proper Biasing", for more information on this subject).

• We highly recommend that you replace the driver tube(s) as well. The driver tube determines the shape and
amplitude of the signal applied to the power tube(s) and has to work almost as hard as the power tube(s).

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Summary of Contents for V58

Page 1: ...U S E R S G U I D E ...

Page 2: ...RE SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS CONTINUED EXPOSURE TO HIGH SOUND PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS USER CAUTION IS ADVISED AND EAR PRO TECTION IS RECOMMENDED IF UNIT IS OPERATED AT HIGH VOLUME CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC S...

Page 3: ...to operate yet still produces incredible sounds Like all St Louis Music amplifiers your V58 is designed by musicians and built using the finest components available Extensive testing confirms that this amplifier is the absolute best it can be In order to get the most out of your new amplifier we strongly urge you to read the information contained in this manual before you begin playing And Thank Y...

Page 4: ... obtain the level you need The Volume control also governs the level of the signal at the Line Out jack 5 5 LINE OUT This jack provides a line level signal for connecting to a house mixing board recording con sole or external amplifier This jack can also double as in Insert jack allowing you to add an external effect as shown on the facing page The jack is a stereo 1 4 type tip signal out ring sig...

Page 5: ...ouis Music s YPP117 and two 1 4 mono shielded cables to connect to the effect as shown Using the Line Out Jack as an Insert Jack TIP RING SLEEVE SEND RETURN GROUND Stereo to mono Y cord to Line Out jack to Line Out jack STP201 3 STP202 6 STP203 9 YPP117 1 4 TO 1 4 MONO SHIELDED CABLES to effect OUT jack to effect IN jack External Effect TIP RING SLEEVE Y adapter and 2 cables External Effect T I P ...

Page 6: ...signed a number of outstanding solid state amplifiers that sound very very good Some use special circuitry which enables them to simulate the distortion characteris tics of a tube amplifier However the tube amplifier still held in the highest esteem by many musicians offers a classic vintage sound in a contemporary market Tube Types And Usage Tube amplifiers are based primarily on two types of tub...

Page 7: ...oses gain starts to hum lacks sensitivity or feels as if it is working against you the preamplifier tubes may need to be replaced The power tubes are subjected to considerably more stress than the preamplifier tubes Consequently they almost always fail degrade first If deteriorating power tubes aren t replaced they will ultimately fail Depending on the failure mode they may even cause severe damag...

Page 8: ...ith proper biasing If the bias is set too high overbiased the sound from the amp will be distorted at all levels If the bias is set too low under biased the power tubes will run hot the plates inside the tubes may glow red due to excessive heat and the sound from the amplifier will lack power and punch The excessive heat greatly reduces tube life from a few days to as little as a few hours in extr...

Page 9: ...er replacing the output tubes unless the amplifier is equipped with self biasing circuitry This should be done ONLY at a qualified service center Improper biasing could result in the tubes running too hot which greatly reduces the life of the tubes or too cold which results in dis torted sound regardless of level settings Do not play the amplifier if it exhibits these symptoms get the bias checked...

Page 10: ...10 V58 Guitar Amplifier System Block Diagram INPUT GAIN VOLUME TONE SPEAKER LINE OUT 12AX7A V1A 12AX7A V1B EL84 V2 ...

Page 11: ...ility 1400 Ferguson Ave St Louis MO 63133 USA Office Facility 1400 Ferguson Ave St Louis MO 63133 USA Product Type Audio Amplifier Complies with Standards LVD 92 31 EEC 93 68 EEC 73 23 EWG Safety EN60065 EMC EN55013 EN55020 EN55022 EN61000 3 2 EN61000 3 3 Supplementary information provided by your local Sales Services Office or SLM Electronics R D Engineering 1901 Congressional Drive St Louis MO 6...

Page 12: ...ER REQUIREMENTS 120 VAC 60 Hz 40VA 100 115 VAC 50 60 Hz 40VA 230 VAC 50 60 Hz 40VA SIZE AND WEIGHT 12 H x 13 W x 7 5 D 18 lbs The V58 is covered with a durable Tolex material wipe it clean with a lint free cloth Never spray cleaning agents onto the cabinet Avoid abrasive cleansers which would damage the finish Specifications and information in this manual are subject to change without notice www v...

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