Cloud CXM Installation & User Manual Download Page 6

CXM Technical 

MANUAL

5

CS1 Stereo Music Module

2.01 This module contains RIAA equalised phono and line level amplifiers, sub-sonic

filter, equaliser, auxiliary sends, channel fader, crossfade assign, mono switch,
PFL select logic and remote start switch. Inputs are by way of gold plated RCA
phono sockets.

2.02  Input Amplifier Equalisation

Two input amplifiers are fitted. The RIAA equalised phono input has an input
impedance of 47k

, loaded with a capacitance of 220pF. The RIAA equalisation

is accurate to within 

±

 0.5dB 30Hz-20kHz. This input amplifier can be configured

internally with a 3 position jumper. The 3 input options are:

INPUT OPTION

DESCRIPTION

RIAA

For moving magnet cartridges.

Flat response @ 0dBu

For CD players and other ancillaries with outputs
compatible with an input range of-12dBu to
+12dBu

Flat response @ -10dBu

For low output ancillaries requiring an input range
of -22dBu to +2dBu. If this option is selected,
consider the possible risk of overload with
incorrect gain settings.

2.03 Input 

Specification

The line amplifier is unbalanced with an input impedance of 47k

 and a nominal

input sensitivity of 0dBu.

2.04 Input 

Gain

The gain range for both input amplifiers is trimmed to 

±

12dB with reference to

the centre (unity gain) point of the gain control.

2.05 Input 

Select

The input select switch is positioned at the top of the module with LED status

indication. A provision to mark the fascia with input source details is adjacent.

2.06 Sub-Sonic 

Filter

A permanent sub-sonic filter attenuates signals below 20Hz at a rate of
18dB/oct. This filter is positioned pre-equalisation thus preventing sub-sonic
signals being boosted by the bass control.

2.07 Equalisation

The equaliser has 3 bands, each band having a defined range resulting in a
controlled response outside the audio spectrum. In addition, the range of boost
and cut can be internally configured to operate at 

±

 12dB or limited to 

±

 6dB by

simply reversing a single circuit jumper. A second jumper can be used to bypass
the equalisation (see drawing).

The HF control operates at 10kHz, mid at 1200Hz and LF at 50Hz, all 3 controls
have a centre detent for positive neutral setting.
Factory default settings are 

±

 6dB with equalisation in circuit.

Summary of Contents for CXM

Page 1: ...XM Mixer Installation User Guide Cloud Electronics Limited 140 Staniforth Road Sheffield S9 3HF England Tel 44 0 114 244 7051 Fax 44 0 114 242 5462 e mail info cloud co uk web site http www cloud co u...

Page 2: ...Stereo Mono 6 2 09 Crossfade Assignment 6 2 10 Auxiliary sends 6 2 11 Balance 6 2 12 PFL Pre Fade Listen 6 2 13 Peak LED 6 2 14 Channel Fader 6 2 15 Remote Start Switch 6 2 16 PCB Jumpers 7 3 CM1 Micr...

Page 3: ...lanced Mode 19 6 03 Earthing 19 7 Service and Configuration 20 7 01 Module Removal 20 7 02 Crossfade Replacement 20 Diagrams 1 20 Panel Template and Cut Out 3 1 03 Power Supply Installation 4 2 16 CS1...

Page 4: ...19 rack mounted and occupies 9U of rack space See figure 1 for template and cut out details 1 03 The PSU 1040 power supply is designed to be surface mounted remotely from the mixer The main 17 5V DC p...

Page 5: ...tion must be provided to ensure safe and reliable operation of this power supply Remember that the PSU 1040 has a captive output lead which is 900mm long this factor must be considered when positionin...

Page 6: ...pecification The line amplifier is unbalanced with an input impedance of 47k and a nominal input sensitivity of 0dBu 2 04 Input Gain The gain range for both input amplifiers is trimmed to 12dB with re...

Page 7: ...for signal processing sampling digital effects or as a flexible extra output facility Factory settings configure Aux 1 pre fade and Aux 2 post fade 2 11 Balance Control The balance control operates a...

Page 8: ...h J1 setting J3 EQ Defeat for Left and Right channels located behind LF potentiometers factory set to equalisation in circuit 2 possible settings in or out If this jumper header is missing the EQ will...

Page 9: ...ain Trim The microphone input can be varied between 16dB and 54dB of gain The line level input has a gain range from 4dB to 34dB 3 05 Phantom Power Capacitor microphones can be powered by the 48 volt...

Page 10: ...n of a channel PFL automatically cancels any prior selection and the adjacent LED indicates status 3 12 Peak LED A red LED indicates the peak signal level at the pre fade point and illuminates at a le...

Page 11: ...er factory set to Pre Fade 2 possible settings Pre or Post Fade level Aux Send 1 will not function if this jumper header is missing Auxiliary Send 2 Pre Post Fade located behind the Aux 2 potentiomete...

Page 12: ...CXM Technical MANUAL 11 M2 Master Module...

Page 13: ...fader and subsequently the music only output The microphone busbar is also summed and routed to the master microphone fader and microphone only output These two signals are then combined to form the m...

Page 14: ...ole jack plug should be used 4 11 Auxiliary Return This stereo input facility is primarily intended to be used for Auxiliary return purposes The 2 x 1 4 3 pole jack sockets are used for the balanced i...

Page 15: ...ent system will meet the regulations necessary for such an application and therefore this facility should only be used to augment an existing adequate broadcast system The emergency signal input is a...

Page 16: ...his fully floating transformer coupled output facility can be used to trigger sound to light controllers The signal is derived from the main output and is rated at 10dBu 2 45V with a minimum load of 6...

Page 17: ...CXM Technical MANUAL 16 M2 Master Module Rear Panel Connections...

Page 18: ...h is in the on position To enable the automute facility one or more of the CM1 microphone input modules must be configured to trigger the mute circuit see 3 16 and the automute switch should be in the...

Page 19: ...CXM Technical MANUAL 18 CZ1 Zone Module...

Page 20: ...re fade mode The mic and music faders would then control the recording level independently of the master faders Finally if you are really stuck the aux send facility could be used in the post fade mod...

Page 21: ...jacent to the master module requires removal access to the busbar connector is more easily afforded if the 2nd module is removed first To refit the modules simply proceed in reverse order it pays to c...

Page 22: ...E MAINS FUSE ONLY WITH THE SAME TYPE AND RATING WHICH MUST BE A CLASS 3 250V TIME DELAY TYPE RATED AT 500mA WHERE THE MAINS INPUT VOLTAGE IS SET TO 230V 10 AC FOR A MAINS INPUT VOLTAGE OF 115V 10 AC T...

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