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CX233 I

NSTALLATION AND OPERATION MANUAL

3

3.02

Gain Control

Pre-set gain controls are provide adjacent to the respective XLR input connector.  The
gain can be adjusted from 6dB to 60dB of gain.  The wide range of gain allows direct
connection of high output devices such as radio microphones without the need for input
attenuators. A high overload margin of 20dB is maintained at all gain settings.

3.03

Front Panel Level Controls

These are provided for the user to set the desired signal level and are often used by an
unskilled operator.  It is suggested that the gain control on the rear panel is set at a level
where it is not possible to have excessive gain even when the front panel level control is
fully clockwise.  Self adhesive labels are provided to customise the controls.

3.04

Priority

Both microphone inputs have optional automatic priority.  When a microphone is used
with the priority operative, any music signal which is present will be attenuated.  Normal
music operation will be restored smoothly after the announcement has been made.  The
respective priority switch is positioned to the right of the zone select switches and is
marked "PR".

3.05

Equalisation

Comprehensive equalisation is provided for the microphone signals and common controls
are used for both channels.  The treble control (HF) has a range of ±10dB at 5kHz and
the bass control (LF) has a range of ±10dB at 100Hz.  In addition to the treble and bass
controls, a contour switch is provided.  This can be used to improve intelligibility of
speech particularly when Hi-Fi loudspeakers are being used.  The "contour" switch
introduces a boost of 6dB at 3kHz.

3.06

Emergency Mode

This facility operates on Mic 2 input only and is primarily for the purpose of interfacing a
dedicated evacuation microphone or evacuation message player.  When the "emergency"
mode of operation is selected, the Mic 2 input is normally muted and becomes active in
all 3 zones when the fire alarm is activated.

4

Zone Outputs

4.01

Zone Outputs

All three stereo zone outputs are balanced and can operate with loads as low as
600 ohm.  3 pin XLR type connectors are used for all outputs.  The nominal output is
0dBu (775mV) but the CX233 can operate satisfactorily with a wide range of signal levels
up to a maximum balanced output of +26dBu.  If you are connecting any zone output to
an unbalanced input see section 9.02 "Unbalanced Mode".

4.02

Equalisation

All three zone output circuits have independent treble (HF) and bass (LF) controls.  The
treble control has a range of ±10dB at 10kHz and the bass (LF) control has ±10dB at
50Hz.  These controls can be used to provide compensation for differing acoustics or
loudspeaker types.

Summary of Contents for CX233

Page 1: ...Zoner Mixer Installation User Guide Cloud Electronics Limited 140 Staniforth Road Sheffield S9 3HF England Tel 44 0 114 244 7051 Fax 44 0 114 242 5462 e mail info cloud co uk web site http www cloud...

Page 2: ...3 3 03 Front panel level controls 3 3 04 Priority 3 3 05 Equalisation 3 3 06 Emergency Mode 3 4 Zone Outputs 3 4 01 Zone outputs 3 4 02 Equalisation 3 4 03 Stereo Mono Operation 4 5 VCA Modules 4 5 01...

Page 3: ...m range of control 2 03 Front panel level controls These controls simply set the level of the music source assigned to a particular input channel There is a provision to apply a self adhesive label ab...

Page 4: ...e signals and common controls are used for both channels The treble control HF has a range of 10dB at 5kHz and the bass control LF has a range of 10dB at 100Hz In addition to the treble and bass contr...

Page 5: ...utputs by fitting optional stereo VCA modules These compact modules utilise a pair of industry standard low distortion VCA s and simply plug into the upper PCB adjacent to the output circuitry The mod...

Page 6: ...ard UK electrical single gang mounting box recessed or surface with a minimum depth of 25mm not supplied 2 core screened cable must be used to link the remote level control to the CX233 When the remot...

Page 7: ...ols In addition to this all music signals are attenuated by 20dB or muted dependant on the setting of the internal jumper It should be noted that in order to avoid a panic situation the muting takes p...

Page 8: ...pedance 20k balanced 10k unbalanced Headroom 20dB Noise 0dB gain 90dB CCIR ARM Input Gain Range 12dB Microphone Channels Frequency Response 0 5db 100Hz 20kHz 3db 30Hz Distortion 0 03 20Hz 20kHz 10dBu...

Page 9: ...IONS CAUTION MAINS FUSE TO REDUCE THE RISK OF FIRE REPLACE THE MAINS FUSE ONLY WITH THE SAME TYPE WHICH MUST BE A CLASS 3 240 VOLT TIME DELAY TYPE RATED AT 125mA WHERE THE MAINS INPUT VOLTAGE IS SET T...

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