CL-Projects Blue Orb Trilogy, Manual, Page: 14 / 20

13
FLANGER
The Flanger effect works in much the same way as the Chorus effect, but it uses a significantly shorter
delay time. In additi on, the effect signal can be fed back into the input of the delay line. Flanging is
typically used to create changes
that are described as adding a
spacey or underwater quality to
input signals.
To be able to edit the Flanger
parameters, be sure that the ‘
FL ’
switch is turned on (lights up).
DEPTH
Determines the amount of LFO modulation. Higher values make the flanger effect stranger.
SPEED
Sets the speed of the LFO modulating the signal.
PHASE
Adjusts the phase difference between the two LFO's that drive the left and right stereo channels.
COLOR
Adjusts the range of the flanging effect. Lower values sweep the effect towards the higher end of
the flanging range, while larger values sweep the effect toward the lower end.
FEEDB
Feedback : Routes the processed signal back to the module's input. Higher values create a sharper,
more intense effect.
LEVEL
Sets the effect mix going to the main output. Turning the knob completely counterclockwise, turns
the effect off.
PHASER
The Phaser effect combines the original signal with a copy that is slightly out of phase with the
original. This means that the amplitudes of the two signals reach their highest and lowest points at
slightly different times. The
timing differences betwe en the
two signals are modulated by
two independent LFOs.
To be able to edit the Phaser
parameters, be sure that the ‘
PH ’
switch is turned on (lights up).
In addition, the Phaser includes a filter circuit and a built-in envelope follower that tracks volume
changes in the input signal, generating a dynamic control signal. This control signal alters the sweep