ChaseBliss DARK WORLD Instructions Download Page 2

MIX 

Sets the wet/dry mix on the device. Counterclockwise is 

full analog dry-through while turning the knob clockwise 

introduces an increasing amount of wet signal. Dry path 

is 100% analog. Dry is unity until the last bit of the sweep 

where it drops off entirely. The gain for both wet and dry 

paths can be set to taste via internal trimmers.  

TONE 

This single knob is a global control for the completely 

separate tone algorithms on each channel. The Dark 

channel features a slightly resonant low pass filter on all 

three programs. The World channel employs a gentler, 

more traditional low pass filter with the Spring program 

having a slighter darker top end than Hall and Plate.

PARA | D > W | W > D TOGGLE 

This toggle is used only when both channels are active. 

“PARA” sets the channels in parallel, while the other two 

position set the channels in series. “D > W” means the 

Dark channel is cascaded in series into the World channel. 

“W > D” means the World channel is cascaded in series 

into the Dark channel.

D & W BYPASS STOMPS

 

Activates or bypasses each channel. These can be 

changed to a momentary bypass or momentary active 

via a dip switch in the back of the pedal if it is desired. 

This pedal allows for “True Bypass” via a relay, Buffered 

Bypass, or Buffered Bypass with Trails selectable via a dip 

switch in the back of the pedal.

 

  

 

LOWER TOGGLE 

This switch recalls presets. The right position recalls 

preset #1, the left position recalls preset #2. The middle 

position will always reflect wherever the knob positions, 

toggle positions, and dip switch positions are currently at. 

In order to save to the right preset slot, you hold down 

the right stomp (bypass) for 3 seconds, and then hold 

down both stomp switches simultaneously for another 3 

seconds. The LED blinks and your setting is saved. For 

the left slot, you do the same thing, but hold the left 

stomp first. If you recall a preset, and move a knob, you 

will notice that the LED above the toggle goes dim. This 

is to signify that something has changed on the preset. If 

you want to save this change in the preset, you will have 

to save it again.   

IN / OUT 

¼” mono input jack.

EXP / CV

¼” TRS jack for expression pedal (parameter selectable 

via dip switch in the back of the pedal). Tip goes to wiper. 

Can also be used for 0-5V Control Voltage (CV) on tip 

– the ring should be left floating in this case. There are 

many expression pedals that work with Chase Bliss Audio 

products, contact us for more info.  

UNDERSTANDING THE DIP SWITCHES

When you save a preset, all of this information gets saved. 
The parameters in 

Blue

 below correspond to the ramp 

function *or* an expression pedal (if one is plugged in).

Continued on next page

MIDI

¼” TRS jack. This can be used to interface the pedal with 

a Chase Bliss Midibox. There is much more information on 

this in the MIDI manual. In addition, this can be used as 

a secondary switch to activate / bypass channel D with a 

momentary normally open (NO) switch.

POWER & OTHER INFO

This pedal consumes ~150mA and should be operated 

with a standard 2.1mm 9V DC center negative adapter 

with current supply capabilities of 200mA or more.If you 

use a “standard” outlet of 100mA, the pedal will not 

function properly. Input impedance of this device is 1M, 

and output impedance is less than 1k.  

EXPRESSION / CV CONTROL   

& DIP SWITCHES

The Mix, Dwell, Modify, Tone, and Pre-Delay dip switches 

in the left bank allow you to control parameters via 

Expression Pedal / CV. If you have something plugged 

into the EXP / CV jack but do not have any parameters 

selected via dip switch, you can control the Decay knob 

via expression or CV. It behaves like it has “rise” and 

“bottom” sweep dip switches engaged. Additionally, 

maxing out the Decay control in “Shim” mode acts as a 

freeze in this case.

SETTING EXPRESSION / 

CV RANGE

The range of the expression / CV is controlled by the 

parameter knob position and the “Sweep” dip switch. For 

example, if you wanted an expression pedal to control 

the Mix parameter from 100% dry to a 50/50 mix, you 

would make sure the “Sweep” dip switch is in the bottom 

position and set the Mix knob around noon. If you need 

more wet signal, you simply turn the Mix knob clockwise.   

This will increase the maximum range of the expression 

pedal. This allows you to control multiple parameters with 

an expression pedal, but you can fine tune the range that 

you want for each parameter. 

Reviews: