Chandler Limited TG12345 Curve Bender User Manual Download Page 7

7

UM TG12345CB-123121

Frequency Bands

The TG12345 Curve Bender has four frequency bands per 
left and right channels— Bass, Presence 1, Presence 2, and 
Treble.

The Treble and Bass bands are peak or shelf switchable.

Note:

 Historic frequencies are marked in white, and modern 

additions in gold.

Treble

The ‘TREBLE’ band on the Curve Bender is Peak or Shelf 
switchable, featuring eight frequency selections (3.6, 4.2, 6.5, 
8.1, 10, 12, 16kHz, and 20kHz) and an “OUT” or band by-
pass position. 

Presence 1

The ‘PRESENCE 1’ or mid band on the Curve Bender is a 
Bell type, featuring 8 frequency selections (.8, 1.2, 1.8, 2.8, 
3.6, 4.2, 6.5, 8.1kHz) and an “OUT” or band bypass position. 

Presence 2

The ‘PRESENCE 2’ or mid band on the Curve Bender is a Bell 
type, featuring 8 frequency selections (.3, .5, .8, 1.2, 1.8, 2.8, 
3.6kHz) and an “OUT” or band bypass position. 

Bass

The ‘BASS’ band on the Curve Bender is Peak or Shelf 
switchable, featuring 7 frequency selections (35, 50, 70, 91, 
150, 200, 300Hz) and an “OUT” or band bypass position.

Note:

 Beginning with the TG12345 MK.II desk, the low fre-

quency had a single shelving selection and the presence had 
eight peaking selections. In the spirit of making the ultimate 
TG EQ, we reproduced the curves of the shelving and peak-
ing bands so that the treble and bass sections can now use 
the curves of each. I.e. You may now peak or shelf on the 
bottom or top.

Historic frequency selections were as follows— .5, .8, 1.2, 
1.8, 2.8, 4.2, 6.5, 10kHz, and low shelf at 50Hz.

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

BASS

PRESENCE 2

PRESENCE 1

TREBLE

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

OUTPUT

OUTPUT

IN LEFT

IN RIGHT

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

kHz

kHz

kHz

Hz

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

12345

BASS

PRESENCE 2

PRESENCE 1

TREBLE

kHz

kHz

kHz

Hz

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

+3

+4

+5

-5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

BASS

PRESENCE 2

PRESENCE 1

TREBLE

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

OUTPUT

OUTPUT

IN LEFT

IN RIGHT

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

kHz

kHz

kHz

Hz

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

12345

BASS

PRESENCE 2

PRESENCE 1

TREBLE

kHz

kHz

kHz

Hz

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

+3

+4

+5

-5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

BASS

PRESENCE 2

PRESENCE 1

TREBLE

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

OUTPUT

OUTPUT

IN LEFT

IN RIGHT

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

kHz

kHz

kHz

Hz

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

12345

BASS

PRESENCE 2

PRESENCE 1

TREBLE

kHz

kHz

kHz

Hz

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

+3

+4

+5

-5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

BASS

PRESENCE 2

PRESENCE 1

TREBLE

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

OUTPUT

OUTPUT

IN LEFT

IN RIGHT

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

OUT

X 1

X 1.5

kHz

kHz

kHz

Hz

35

50

70

91

150

200

300

OUT

.3

.4

.5

.8

1.2

1.8

2.8

OUT

3.6

.8

1.2

1.8

2.8

3.6

4.2

6.5

OUT

8.1

3.6

4.2

6.5

8.1

10

12

16

OUT

20

12345

BASS

PRESENCE 2

PRESENCE 1

TREBLE

kHz

kHz

kHz

Hz

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

+3

+4

+5

-5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

-4

-3

-2

-1

0

+1

+2

-5

+3

+4

+5

Summary of Contents for TG12345 Curve Bender

Page 1: ...N RIGHT OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 OUT X 1 X 1 5 kHz kHz kHz Hz 35 50 70 91 150 200 300 OUT 3 4 5 8 1 2 1 8 2 8 OUT 3 6 8 1 2 1 8...

Page 2: ...osaretrademarksof EMI IP Limited TG12345 CURVE BENDER INTRODUCTION 3 TG12345 Curve Bender 3 History 3 SHIPMENT AND STORAGE 4 Packaging 4 INSTALLATION 5 Power 5 Audio Input Output Connections 5 OPERATI...

Page 3: ...shop anytime for help or ques tions Phone 319 885 4200 History Conceived from meetings in 1967 between Abbey Road and EMI s Central Research Laboratories teams the EMI TG12345 MK I a solid state germ...

Page 4: ...provide protection for shipment and storage Please retain the container and associated materials for future use Note PSU rigid foam surrounds and sheets are not included for equipment shipped without...

Page 5: ...as a lower noise floor in your system You may also need to join the audio banana plug to other sections of you studio to obtain lowest noise floor The audio banana is located closest to the edge of th...

Page 6: ...Curve Benders featured 10db output controls in 1db steps Historical Note The TG12345 MK I amplifier was used in the following TG consoles MK I was the original prototype desk used to record the Beatl...

Page 7: ...and the presence had eight peaking selections In the spirit of making the ultimate TG EQ we reproduced the curves of the shelving and peak ing bands so that the treble and bass sections can now use t...

Page 8: ...The original Curve Bender and TG12345 console did not have high or low pass filters we thought it was important to add them Although we selected our own frequencies it is an important fact that new ci...

Page 9: ...ed products purchased outside of the United States is provided by local or regional authorized Chandler Limited distributors To obtain service or repairs please contact your local dealer or regional d...

Page 10: ...ited States If you live in the United States and your product was purchased through a U S Dealer please contact your dealer OR call 319 885 4200 or e mail support chandlerlimited com What You Must Do...

Page 11: ...LE STATE STATUTE LIMITATION OF LIABILITY THE LIABILITY OF CHANDLER LIMITED IF ANY AND PURCHASER S SOLE AND EXCLUSIVE REM EDY FOR DAMAGES FOR ANY CLAIM OF ANY KIND WHATSOEVER REGARDLESS OF THE LE GAL T...

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