Modular
5.Patches
Simple patches (with other CG Products' modules)
Patch
Description
Audio Link
1. Peak & Hold is controlling the Noise VCA
In this standard patch the Peak&Hold's
'Release' output controls the VCA with a
dynamic envelope shape, while the
Peak&Hold's 'P+H' output is modulating the
VCF's cutoff frequency.
Peak&Hold input:
Drum machine
http://www.cg-
products.de/Audio/NoiseVCA_P
-H528.mp3
2. 2 Sounds combined
In this example the XR22 VCO FT's
squarewave output is applied to 'ext VCF In';
the Peak&Hold is modulating the Noise
VCA's VCF cutoff frequency and the VCA.
Peak&Hold input:
Drum machine
http://www.cg-
products.de/Audio/NoiseVCA_X
R22_PH-530.mp3
3. VCF triggered with impulses
Short impulse signals can be used to trigger
the VCF, generating 'ping' like sounds. Here
the Peak&Hold's impulse output is used to
trigger the VCF; its 'P+H' output is
modulating the filter's cutoff frequency.
Peak&Hold input:
Drum machine
http://www.cg-
products.de/Audio/NoiseVCA_V
CFtriggered-535.mp3
4. VCF & VCA working independently
When using the VCA with white noise (or
Sub F) as signal source, the VCF can be used
completely independent to process another
signal; or the VCA can generate dynamic
accents to the 1
st
(VCF) audio output - by
shifting the VCA's offset level. Here the
VCF's audio input is the impulse-triggered
Delay 1022.
Peak&Hold input:
Drum machine
http://www.cg-
products.de/Audio/NoiseVCA_
Delay1022_PH-0539.mp3
ub F modulating CVs
The 'Sub F' output can be used to modulate
the VCF cutoff frequency and/or the VCA -
random sounds such as 'thunder' or
'crackling' can be generated.
http://www.cg-
products.de/Audio/NoiseVCA_S
ubF-542.mp3
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