Catalinbread Echorec Manual Download Page 16

On the Legato - Staccato continuum, you can play staccato - palm muted, percussive picking that doesn’t let the note ring out and the Echorec 

will respond with its signature syncopated multi-head repeats.  And given the same setting on the pedal, you can then play legato - letting notes 

ring out and overlap, especially when playing arpeggiated chord patterns and the Echorec will respond with a beautiful ambient swirl that adds 

a tremendous feeling of space and dimension without the specific repeats sticking out - it will have an amorphous, soupy quality.  Other delay 

pedals can do this to a certain degree but the Catalinbread Echorec really excels at it due to our carefully voiced multi-head repeats and touch-

sensitive preamp.  In general, it seems most other delay pedals excel at one or the other but rarely both - one might be great at creating ambi-

ence without well articulated repeats and another might be great at providing repeats that preserve the attack of your note but then fail to do 

well when playing a more ambient style.  So, really explore this capability of the Echorec! Practice playing tightly muted riffs in time to the synco-

pated repeats and then segue into a passage where you play arpeggiated chord patterns allowing each note to overlap into another and you’ll 

hear this amazing swirl behind it that has hints of rhythmic pulse but is mostly this incredible space that fills up your playing with a beautiful 

hypnotic dimension.  Or just play a chord and let it ring out to produce a beautiful swirling decay.  

We’ve  already  mentioned  the  touch  sensitive  qualities  of  playing  from  pianissimo  to  fortissimo  with  the  Echorec.    In  fact,  we’ve  probably 

mentioned it several times already in this guide.  We just want you to hone in on something that may seem subtle at first but as you play it more 

and more, you’ll discover how responsive it really is to your picking attack. The Echorec invites you to get inside it as you play.  By this we mean 

when you play at a medium level of picking attack, not so hard that you are squashing down upon the sound, you’ll find that it feels like the 

pedal breathes - there’s room to go up and there’s room to go down in its dynamic response. A lot of other pedals make it feel like you’re always 

playing on top of it, there’s no room to go up and no room to go down - it doesn’t breathe.  With a guitar that doesn’t have too-hot pickups 

plugged straight into the Echorec and then straight into a decent tube amp that isn’t mega-gained out, you can get quite a volume swing just 

by how hard you’re picking. If the music you’re playing has lots of light and shade, you’ll really appreciate this quality of the Echorec.  And of 

course, if you’re balls out all the time, it ain’t gonna stop your rock attack!

Try this experiment:  Set your amp for a clean tone. Now set the internal slider to true-bypass mode, set the Gain trimpot to have a slight bit of 

boost when playing with a medium attack. Turn the Mix knob full CCW so you only hear your direct signal. Now with the pedal off, continuously 

play the low E string on your guitar, going from as soft as possible to as loud as possible by picking softer and then harder. Now turn on the 

Echorec and do the same thing, playing the low E string as quietly as possible to as loud as possible. You should notice that the guitar feels more 

alive and really quietly picked notes breathe and shimmer while the loud notes get much louder! You have a variable boost that is responsive to 

how hard you're playing! Now turn the Mix up and you'll feel the echoes also breathe with your playing! Echoes and breathe... Hmmm! ;-)

Speaking of rock attack, there is one more dimension we can talk about.  If you have your Echorec set for Super Secret Fuzz Boost Mode, then 

the other dimension is the volume knob on your guitar.  You’ll be able to go from a loud, crunchy, fuzzy boost that overdrives amps perfectly to 

a nice clean tone just by rolling your guitar volume back. We look forward to getting your emails on tricks and techniques that YOU discover 

with your Echorec!  Send us the YouTube link! ;-)

Summary of Contents for Echorec

Page 1: ......

Page 2: ...enhancing your guitar s touch sensitivity giving you a completely immersive playing experience It breathes allowing you to go from soft delicate shimmers to loud raging cacophony all just by varying...

Page 3: ...nd Program 12 is all four heads And in between are all the cool combinations that give you some famous and soon to be famous rhythmic pulses you will write a song before the night s out guaranteed A g...

Page 4: ...eeding constant TLC The Binson was designed back in the glory days of musical electronics back when things had to be done electro mechanically to achieve delay effects Inventors tried different ways t...

Page 5: ...und The maximum delay time would always be found on head 4 300ms no matter what If you select say head 2 and 4 then you get an effective delay time of about 150ms since head 2 splits that 300ms in hal...

Page 6: ...1 3 4 then the rhythm becomes P 1 x 3 4 where P is your initial picking and x is head 2 turned off The x becomes the rest note in the rhythm This is hard to explain in writing but you hear it right aw...

Page 7: ...reducing your potential for expressiveness light and shade as Mr Page would say Specifically the Echorec gives you a huge dynamic range to work within play softly and delicately and it breathes and sh...

Page 8: ...e repeats sit in the background Bright settings emphasizes the attack great for playing off the syncopated rhythms of the multi head arrangement The Swell knob controls the number of repeats regenerat...

Page 9: ...4 5 6 7 8 9 10 11 12 1 DC power input 2 Swell 3 Tone 4 Delay Time 5 Mix 6 Program Select 7 Input Jack 8 Output Jack 9 Bypass Footswitch 10 Silkscreen Faceplate 11 Catalinbread Logo 12 Chin ECHOREC CON...

Page 10: ...er repeats from a mild burnishing or all the way to deep murky repeats Turning the control clockwise will result in brighter thinner repeats making it especially good to bring out the attack on rhythm...

Page 11: ...method is to always have full dry and then blend in the amount of wet signal that keeps the dry signal constant but at the expense of having wet only and more importantly at the expense of the playin...

Page 12: ...2 3 4 5 6 INTERNAL CONTROLS 1 True Bypass Buffer Switch 2 Gain Trimmer Control 3 Modulation Trimmer Control 4 Quality Assurance Engineer Initials 5 Catalinbread Logo 6 Lead Free Solder RoHS Compliant...

Page 13: ...choier and have more impact Great for emphasizing certain passages or for epic leads Adjusting the Internal Trimpots The Echorec has two internal trimpots that are set for optimal performance from the...

Page 14: ...ink it sounds splatty and ugly and LOUD which is cool too but if you hit something already a bit overdriven be prepared for the rock gods to descend upon you and shower you with glory So if you set th...

Page 15: ...immer to match your guitar s pickups and the rest of your rig Mininum gain is full CW on the trimpot You should set the trimpot while your guitar is plugged in and the Mix control roughly where you th...

Page 16: ...it as you play By this we mean when you play at a medium level of picking attack not so hard that you are squashing down upon the sound you ll find that it feels like the pedal breathes there s room t...

Page 17: ...Echorec are fine just make sure they re not buffered so that when you bypass them your guitar s pickups will feed straight into the Echorec If you have a buffered non true bypass pedal that you reall...

Page 18: ...not polite But it will rock with authority and attitude If you want the best response with your guitar s volume knob and still get maximum boost set the gain trimpot just shy of full on meltdown mode...

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