1-16
*
The control room "select" switches directly below the Solo Level
control will allow you to access the signals appearing at the (2) Track Outputs, (2)
Track Playback (Inputs), Cue Outputs, and Effects Outputs connections at the rear
panel of the console. By depressing any of these switches, or groups of switches,
their signals will be fed to the control room outputs (after adjustment by the
Control Room Faders) for subsequent amplification to the control room monitors.
*
The (Stereo/Mono) switch when depressed will change the control
room monitors from stereo to monaural operation. This allows for phase checks of
various multiple microphone mixes, or for monaural monitoring. This switch is
very useful in checking the phase coherency of a mix, or relative differences in
stereo placement as it relates to mono.
S
S
S
SE
E
E
EC
C
C
CT
T
T
TIIIIO
O
O
ON
N
N
N #
#
#
#3
3
3
3----1
1
1
12
2
2
2
6
6
6
6))))
C
C
C
Co
o
o
on
n
n
nttttrrr
ro
o
o
ollll R
R
R
Ro
o
o
oo
o
o
om
m
m
m F
F
F
Fa
a
a
ad
d
d
de
e
e
errr
rsss
s
*
The control room faders (like the 2-Track Master Faders) are a close
spaved pair for ease of simultaneous operation. After a particular output is
selected for auditioning in the control room monitors, the Control Room Faders
will adjust the overall volume level. So, if you were monitoring the 2-Track Master
Outputs, you would first adjust for nominal levels using the 2-Track Master faders.
Then you would depress the (2-TRK) switch in the control room group and raise
the Control Room Faders until the desired volume in the control room monitors is
achieved.
S
S
S
SE
E
E
EC
C
C
CT
T
T
TIIIIO
O
O
ON
N
N
N #
#
#
#3
3
3
3----1
1
1
13
3
3
3
G
G
G
GE
E
E
ET
T
T
TT
T
T
TIIIIN
N
N
NG
G
G
G T
T
T
TO
O
O
O K
K
K
KN
N
N
NO
O
O
OW
W
W
W T
T
T
TH
H
H
HE
E
E
E F
F
F
FE
E
E
EA
A
A
AT
T
T
TU
U
U
UR
R
R
RE
E
E
ES
S
S
S O
O
O
OF
F
F
F
T
T
T
TH
H
H
HE
E
E
E M
M
M
MX
X
X
X2
2
2
24
4
4
48
8
8
88
8
8
8 C
C
C
CO
O
O
ON
N
N
NS
S
S
SO
O
O
OL
L
L
LE
E
E
E
F
F
F
FR
R
R
RO
O
O
ON
N
N
NT
T
T
T P
P
P
PA
A
A
AN
N
N
NE
E
E
EL
L
L
L C
C
C
CO
O
O
ON
N
N
NT
T
T
TR
R
R
RO
O
O
OL
L
L
LS
S
S
S
**
*
***
*
***
*
*O
O
O
OU
U
U
UT
T
T
TP
P
P
PU
U
U
UT
T
T
T C
C
C
CH
H
H
HA
A
A
AN
N
N
NN
N
N
NE
E
E
EL
L
L
L ((((X
X
X
X8
8
8
8))))**
*
***
*
***
*
*
1
1
1
1))))
C
C
C
Cu
u
u
ue
e
e
e a
a
a
an
n
n
nd
d
d
d E
E
E
Effffffffe
e
e
ec
c
c
cttttsss
s S
S
S
Se
e
e
en
n
n
nd
d
d
dsss
s
*
The Cue and Effects sends on each of the output channels allow
signals to be sent to the four auxiliary mixes (Cue #1, Cue #2 Eff #1 & Eff #2) from
each of the output channels. Each pair of Cue and Effects sends also feature a
Pre/Post fader switch. This switch will select whether the output signal will be
picked up before or after the output channel fader.
N
N
N
N o
o
o
o tttte
e
e
e :::: The "
P r e
-Fader" position selects the signal prior to
the output channel fader. When the switch is
selected to "
Post -Fader" the signal is selected after
the output channel fader, but before the 2-Track
Level Monitor fader. This means that in order to
monitor playback signals from the multi-track
tape deck to the Cue & Effects busses you will have
to select the "Post-Fader" position on these switches.
