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As Canon’s first entry into the digital cinema market, the EOS C300 Digital Cinema Camera was made to not 

only meet but also set new standards. Starting with the incredible image quality offered by Canon’s newly 
designed Super 35mm imaging system, the EOS C300 comes in two lens mount options, EF (C300) or PL (C300 
PL), offering an extensive palette of optics to the user. While the PL-mount allows the use of widely adopted 
industry-standard cinema lenses, Canon’s EF lens mount is fully compatible with Canon’s entire lineup of EF, 
EF-S and Cinema Lenses, offering unique imaging perspectives that weren’t common in cinema optics in the 
past. The camera’s 50 Mbps 4:2:2 XF Codec not only holds up to the most rigorous color correction, but it 
conforms to worldwide broadcast standards. Using Compact Flash cards for media allows for a cross between 
easy accessibility and robust reliability. Dual CF slots allow the user to choose between dual-slot recording for 
security or Relay Recording for continuous roll time. Either way, the efficient codec allows for long record times 
so that you can keep shooting virtually without limitation.

Much like the technical advances that freed French filmmakers in the 1970s to take the camera out of the  

studio and into the streets of Paris, the EOS C300 is groundbreaking for creative storytelling. With its superb 
low-light performance and filmic grain structure, scenes that were unable to be captured are now on the table. 
The camera’s thoughtful and unique ergonomics allow the EOS C300 to be small enough to tuck into places that 
other cameras can’t, making it a solution to get shots not previously possible. The EOS C300 is modular and 
suitable to be stripped down for one-man band operations or built up with accessories for many people working 
in unison. Finally, the inclusion of Canon Log Gamma elevates the EOS C300 to another level, allowing incredible 
dynamic range to be recorded without sacrificing its comfortable post-production workflow.

The EOS C300 has found application and deep affection among television crews, documentary filmmakers and 

narrative filmmakers for being sensible and groundbreaking at the same time. Within a relatively short timeframe, 
the EOS C300 has established itself as one of the most versatile cameras in the world by offering a combination 
of features found in very few cameras. It is the camera that can capture almost anything and everything.

“Finally a camera company has done the thing I’ve been 

asking for...praying for, which is they have made a  
camera small enough and durable enough and easy to 
use enough that you can shoot documentaries with it and 
at the same time has a picture which will convince an 
audience it was shot with a camera many times the price.”

James Longley / Filmmaker for a documentary based on Afghanistan to be released

Top left: behind the scenes on the set of the short film “Mobius”; top right: behind the scenes  
on the set of the feature film “Max Is Back”; bottom right: behind the scenes in Afghanistan.  
All films were shot with the EOS C300 Digital Cinema Camera.

LEAVE NO STORY UNTOLD

– GO WHEREVER THE STORY TAKES YOU

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Summary of Contents for EOS C300

Page 1: ...EOS C300 ...

Page 2: ...e The camera s thoughtful and unique ergonomics allow the EOS C300 to be small enough to tuck into places that other cameras can t making it a solution to get shots not previously possible The EOS C300 is modular and suitable to be stripped down for one man band operations or built up with accessories for many people working in unison Finally the inclusion of Canon Log Gamma elevates the EOS C300 ...

Page 3: ... the right perspective to capture your creative vision Never before has functionality been so dexterously blended with versatility Canon Cinema Lenses Canon offers a complete line of cinema lenses including Zooms Compact Zooms and Primes All of these lenses fulfill contemporary 4K production standards further enhancing the performance of any HD imaging system And each lens features an 11 blade ape...

Page 4: ...g This allows the single CMOS chip of the EOS C300 to originate RGB video components superior to those cameras of three chip designs Each photosite in the imaging sensor has a large size of 6 4 x 6 4 micrometers and uses advanced microlens technology to maximize the amount of light that falls on each photodiode enhancing the EOS C300 s light sensitivity while minimizing the appearance of noise in ...

Page 5: ...t lower bit rates of 35 Mbps 4 2 0 or 25 Mbps 4 2 0 for even longer record times Custom Pictures With tight deadlines and certain quick turn applications that don t have time for color correction there are often circumstances when cinematographers want to create a great preset look in camera that is ready for air Custom Pictures allow users to creatively express themselves through a myriad of cust...

Page 6: ...reference of the camera operator Ultra high Resolution EVF Focus Aids Waveform and Vectorscope The included Monitor Unit is one of the clearest stock monitors to ship with a cinema camera The back viewfinder EVF is equally as powerful and allows for clearer operation in bright exterior conditions Focus aids such as peaking customizable to the color and parameters of your choice and edge monitor ha...

Page 7: ...justment In ambient conditions that cause the black in the video signal to shift out of alignment the EOS C300 uses an automatic black balance adjustment to easily bring it back A simple process with the lens cap on the camera auto black balance adjustment is especially useful the first time you use the EOS C300 after a long period of inactivity shoot in a wide range of temperatures or when the IS...

Page 8: ...nctionality is also included through interval recording where the user can dictate how many frames are captured over a predetermined interval Stop motion can also capture a predetermined set of frames per trigger with the camera doing the final conform automatically once finished The incredibly successful worldwide adoption of Canon s EOS C300 is also attributed to how well it integrates with the ...

Page 9: ...rs Whether working online at a production lot or as part of a remote shoot we are here to provide you with all the essential resources that you need to remain current and keep your creative passion alive Canon Live Learning CLL seminars and workshops are conducted nationwide and in our Hollywood Professional Technology and Support Center with classes taught by both industry experts as well as Cano...

Page 10: ... frames NTSC 59 94p Selectable between 2 6 12 frames PAL 50i 25p 50p Selectable between 2 6 12 frames Pre Record Yes 3 seconds cache Audio and Video Scan Reverse When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly Timecode Drop Frame DF and Non Drop Frame NDF Drop Frame works with NTSC models only and is not availabl...

Page 11: ... of the trademarks and service marks of the National Academy of Television Arts Sciences NATAS including the mark EMMY requires the prior express written permission of the National Academy of Television Arts Sciences All other product and brand names are trademarks or service marks of their respective owners and are hereby acknowledged Canon makes no representations or warranties with respect to a...

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