La Sphère, the smallest of the great systems
All the acoustic laws have been taken
into account in the development of La
Sphere. No fundamental parameters
have been sacrificed in favour of a
technical or marketing option. La Sphère
offers unrivaled technical and musical
specifications in a more compact volume
than other ultimate systems. Its placement
can thus be optimised with limited space
or aesthetic intrusion, in a recording studio
or in a living room. Thanks to the co-axial
technology and the application of the SCS
principles, the sweet spot is very wide
whatever the listening distance.
Stereoplay, Germany, January 2007: “
Is La Sphère the best loudspeaker ever made? Among all the ones
Stereoplay has been listening to, in any case. It is by far.”
(Ist La Sphère etwa die beste Box aller Zeiten? Von
denen, die
stereoplay
gehört hat, auf jeden Fall. Sogar mit Abstand)
Haute-Fidélité, France, December 2006:
“This loudspeaker system constitutes a fantastic pleasure provider as well
as the most sophisticated working tool. Re-mar-ka-ble!” (Ces enceintes constituent un vecteur de plaisir fantastique
tout autant qu’un instrument de travail de la pus haute technicité. Re-mar-qua-ble!)
La Revue du Son, France, September 2007:
“Thanks to La Sphère we experienced magnificent musical times…
softness, sensuality, extent and controlled force are reproduced with a stunning realism”
. (La Sphère nous a fait
vivre des magnifiques moments musicaux…la douceur, la sensualité, l’ampleur et la force maîtrisée sont restituées
avec un réalisme stupéfiant).
Le Monde de la Musique, France
,
February
2007 : “
An incredible technical achievement devoted to music”
. (un
formidable exercice technique au service de la musique)
Stereophile, USA, June 2008:
“La Sphère sets new standards, both for measurable and audible, for
accuracy in the reproduction of music.”
Summary of Contents for LA SPHERE - DATASHEET 2
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