Broadcast Tools ProMix 4 Installation And Operation Manual Download Page 5

e-mail: 

[email protected]   

voice: 

360.854.9559   

fax: 

866.783.1742

5

ProMix 4 Installation and Operation Manual

INSTALLATION

USB CONNECTION

The ProMix 4 includes a built-in USB professional audio codec (A/D and D/A)
which allows digital audio recording and playback on any computer that supports a
USB audio device (USB 1.1 or higher). Connect the supplied USB Type A/B cable
from the USB jack (4) on the rear panel of the ProMix 4 to the USB connector on
the computer.  The program output feeds the input to the codec, while the codec out-
put is shared with input channel four. To assign the codec’s output to channel four,
press the “USB In” push button (11).  The LED will be lit when enabled.  

NOTE:  Both the codec input and output are summed to monaural.  

The computer should recognize the ProMix 4 codec as “USB Audio Codec”. No
additional software or drivers are needed. Sample rates of 32.0, 44.1, or 48.0 kHz
can be used. Any software that supports a USB sound device will work with the
ProMix 4.  Set audio recording/editing software settings to select USB Audio Codec
as its default.  

IMPORTANT! WINDOWS* VOLUME SETTING

: Be sure to check the

Windows “SPEAKER VOLUME” setting. The Speaker Volume can be accessed via
the Windows Control Panel under “Sound and audio devices” or “Adjust the system
volume”. Select “Volume” or “Set system volume”, then adjust the slider. The
Speaker Volume should be set to MAXIMUM. 

MONITOR OUTPUT JACK

The console’s Studio Monitor output (6) is via a TRS jack.  This output is Pseudo-
balanced, and will drive 600-ohm loads. (Termination is not necessary.)  The nomi-
nal level is +/– 0dBu.  Connect the mating TRS plug as follows:
TIP:

(+) Monitor output

RING:

(-) Connected to ground through a 47-ohm resistor.

SLEEVE

Ground

PROGRAM OUTPUT

The ProMix 4’s Program output appears on the male XLR connector (5) and on pins
1 and 2 of the rear panel “HUB” RJ45 connector (4.) The output is electronically
balanced and will drive a 600-ohm load. The nominal level is +4dBu.

PROGRAM OUTPUT XLR JACK PINOUT

Connect a female XLR plug as follows:
Pin 1: Ground
Pin 2: Hi (+)
Pin 3: Lo (-)

NOTE:  To feed an unbalanced load, connect to Pins 1 & 2 only.  DO NOT SHORT
PIN 3 TO GROUND!  It is not necessary to terminate any console output.

WEBSITE:

Visit our web site for
product updates and
additional information.

Summary of Contents for ProMix 4

Page 1: ...beled products are registered trademarks of Broadcast Tools Inc Copyright 1989 2017 by Broadcast Tools Inc All rights reserved No part of this document may be reproduced or distributed without permiss...

Page 2: ...ut 5 HUB RJ45 Jack 6 RJ45 Pinout 6 Remote Control Connectors 7 Channel Remote Control Status 7 DC Power Input Jack 7 Adjustment Setup 8 Microphone Input Gain Adjustment 8 Monitor Mute Programming 8 Ta...

Page 3: ...of the ProMix 4 Broadcast Tools Inc is unable to support NON Broadcast Tools software hardware or NON Broadcast Tools computer hardware software prob lems If you experience these problems please rese...

Page 4: ...uggested Powered condenser microphones can be used although the console does not provide phantom power so an external supply is required Connect microphones to the female XLR jacks 1 on the rear of th...

Page 5: ...ttings to select USB Audio Codec as its default IMPORTANT WINDOWS VOLUME SETTING Be sure to check the Windows SPEAKER VOLUME setting The Speaker Volume can be accessed via the Windows Control Panel un...

Page 6: ...RJ45 Pinout in HUB Mode Hub switch engaged StudioHub ProMix Wire Pair RJ45 Pins Left PGM OUT White Orange 1 Left PGM OUT Orange White 2 Right IFB TB IN White Green 3 Right IFB TB IN Green White 6 n c...

Page 7: ...and remove the four screws on the bottom of the chassis Carefully separate the top and bottom of the enclosure and locate J15 J16 Feed the user supplied remote control cable through the 3 16 rear pan...

Page 8: ...r output for each microphone channel turn on the DIP switch representing that microphone and line channel Example To mute the moni tor when microphone 1 is ON set DIP switch 1 to the ON position The s...

Page 9: ...y control is set to the twelve o clock position HEADPHONE HdPh OUTPUTS CONTROLS The console operator can monitor the console s IFB CUE and PROGRAM output via the THREE HEADPHONE jacks on the rear pane...

Page 10: ...ybrid s Send input USING A TELEPHONE HYBRID If the console will be interfaced to a telephone hybrid for broadcasting telephone calls the Receive caller output of the hybrid should be fed into Channel...

Page 11: ...quency IMD 0 004 at nominal level any frequency 250 7 kHz 0 008 at maximum level any frequency 250 7 kHz Connectors Female XLR Microphone connection TRS audio inputs XLR output RJ45 output Removable s...

Page 12: ...OTHER WARRANTIES OR REMEDIES TO THE MAXIMUM EXTENT PERMITTED BYAPPLICABLE LAW BROADCAST TOOLSAND ITS SUPPLIERS DISCLAIMALL OTHER WARRANTIES EITHER EXPRESS OR IMPLIED INCLUDING BUT NOT LIMITED TO IMPLI...

Page 13: ...e mail support broadcasttools com voice 360 854 9559 fax 866 783 1742 ProMix 4 Installation and Operation Manual 13 APPENDIX 16 8 7 17 2 13 6 1 3 14 4 9 5 15 12 10 11...

Page 14: ...e mail support broadcasttools com voice 360 854 9559 fax 866 783 1742 ProMix 4 Installation and Operation Manual 14 APPENDIX 5 9 4 1 2 8 2 10 11 7 3 6...

Reviews: