Behringer Vintager AC112, User Manual

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VINTAGER AC112
Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B
1 SPRING short Pre-Delay Reverb Time Mix L Mix R
2 REVERB long Pre-Delay Reverb Time Mix L Mix R
3 short Pre-Delay Reverb Time Mix L Mix R
4 long Pre-Delay Reverb Time Mix L Mix R
5 short Pre-Delay Reverb Time Mix L Mix R
6 long Pre-Delay Reverb Time Mix L Mix R
7 short Pre-Delay Reverb Time Mix L Mix R
8 long Pre-Delay Reverb Time Mix L Mix R
9 short Pre-Delay Reverb Time Mix L Mix R
10 long Pre-Delay Reverb Time Mix L Mix R
11 short Pre-Delay Reverb Time Mix L Mix R
12 long Pre-Delay Reverb Time Mix L Mix R
PLATE
STUDIO
CHAMBER
STAGE
CONCERT
Tab. 3.1: Parameters of effects 01 through 12
Reverb algorithms 01 through 12 provide two variations each. Basically, the first variation uses a short pre-
delay (delay until the actual reverb can be heard), while the second variation works with long pre-delays. In
general, you can adjust the reverb time with the PARAMETER control, while the two EFFECT controls adjust
the mix of original and effect signals in the left/right channel.
13-14 Gated Reverb: This reverb is cut off abruptly and became famous through Phil Collins’ “In the air
tonight”. Use the EFFECT A control to adjust the threshold above which the reverb is triggered (Sensitivity).
The higher this value, the less reverb you will hear. EFFECT B governs the mix of original and reverb
signals. The PARAMETER control adjusts the reverb and gate times.
Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B
13 GATED min. Density Gate/Reverb Time Sensitivity Mix
14 REVERB max. Density Gate/Reverb Time Sensitivity Mix
Tab. 3.2: Parameters of effects 13 and 14
15-16 Ambience: The reverb of any room consists of so-called “early reflections” and the reverb “tail”. This
algorithm emulates the first 15 of these early reflections. Since our ears use these reflections to determine
the room size, they can be employed to create subtle and impressive reverb densities, without clouding
the overall signal with long reverb tails. The PARAMETER control modifies the room size, while EFFECT
A adjusts the pre-delay time, and EFFECT B governs the mix of original and effect signals. This effect is
particularly impressive when played through a pair of headphones.
Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B
15 min. Reflections Room Size Pre-Delay Mix
16 max. Reflections Room Size Pre-Delay Mix
AMBIENCE
Tab. 3.3: Parameters of effects 15 and 16
3. EFFECTS PROCESSOR