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9

V-VERB PRO REV2496

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You  can  use  both  digital  and  analog  audio

connections at the same time to supply both engines

with  different  signals.  Therefore,  a  fully  equipped

4-channel  reverb  processor  stands  at  your  disposal.

Even when running the REV2496 at 96 kHz, there are

absolutely  no  performance  limitations!

The master input is selected in the setup menu. You can change

the input and output configuration in the COMBI. edit mode.

At the 

WORDCLOCK

 input, you can connect an external

wordclock signal for synchronizing your REV2496 through

other  equipment.  This  connector  is  provided  as  a  high-

impedance  BNC  coaxial  connector  and  has  no  internal

terminating resistor. Please follow the instructions given in

chapter  7.4.

Fig.  2.6:  MIDI  connections  and  mains  connector

The  MIDI  connections  allow  communication  between  the

REV2496 and other MIDI-enabled equipment. MIDI data is

received via the 

MIDI IN

 connector, and MIDI commands

are sent out via the 

MIDI OUT

 connector. Incoming MIDI

commands  are  passed  unprocessed  to  the 

MIDI  THRU

connector.
The mains connection is established using a cable with an

IEC mains connector. An appropriate mains cable is included.
You  can  replace  fuses  at  the 

FUSE  SWITCH

  of  the

REV2496.  Always  replace  fuses  with  the  same  type.

Please  follow  the  instructions  given  in  chapter

9 “SPECIFICATIONS.”

3. OPERATION

3.1 The effect presets

The  first  time  that  you  use  the  REV2496,  we  suggest  first

working with effect presets before you start programming your

own  effects.  The  REV2496  features  two  independent

processors (so-called engines) that can be used individually or

at the same time. Each engine can process a different effect.

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Please  keep  in  mind  that  engines  always  run  in

pairs  and  are  wired  according  to  the  selected

routing  (see  fig.  3.6).  The  routing  is  assigned  and

stored  in  the  COMBI.  edit  mode.

The  REV2496  features  400  memory  locations  that  are

subdivided as follows: 200 slots reserved for the engines A and

B as well as additional 200 locations for the combination effects.

Both subdivisions of 200  storage slots  are  further  divided  up

into two banks with 100 slots each. The first 100 slots (001 - 100)

are factory presets that cannot be overwritten, and are labeled in

the display on the recall page under BANK as ROM (Read Only

Memory).  The  remaining  100  slots  can  be  overwritten  and  are

labeled “USER”. Both banks are located back-to-back, whereby

the ROM presets (001 - 100) are shown first (by using the PRESET

wheel), followed by the USER presets (101 - 200).

ROM

USER

Engines A+B

001-100

101-200

Combinations

001-100

101-200

Tab. 3.1: Storage slots of the REV2496

The  REV2496 features  14  effect  algorithms.  An  algorithm is

basically a mathematical formula that calculates a particular effect

type (e.g. reverb or delay). You could also compare the REV2496

to  a  computer  whose  processor  capacity  can  be  used  for  a

multitude  of  programs  with  different  purposes.  An  algorithm

would  in  this  case  correspond  to  a  computer  program.  All

algorithms are described in detail in chapter 4. Each of the first

14  storage  slots  (001  to  014) contains  one  of  the  algorithms.

Therefore,  if  you  are  looking  for  a  particular  effect  type,  you

should load up one of these presets.

3.2 Selecting presets

When you power up your REV2496, the preset you used last

is automatically loaded. To dial up another preset, press ENGINE

A, ENGINE B or COMBI. key, depending on whether you wish to

load a preset into the engine A, engine B or if you are loading a

combination preset. Then, select the desired preset number using

the PRESET wheel. Press OK/TAP to confirm your selection. The

preset is now loaded. If you don’t want to load up a new program,

or if you accidentally selected one, press ENGINE A, ENGINE B

or COMBI. to go back to the current preset.

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The  new  preset  is  only  loaded  after  you  confirm

your  choice  by  pressing  the  OK/TAP  key.

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When  changing  presets,  please  keep  in  mind  that

different  effect  algorithms  may  have  different

volume  levels.  Therefore,  when  selecting  a  new

preset,  first  reduce  its  volume.  Volume  differences

can  be  equalized  with  the  storable  Parameter  FX

Level  (see  chapter  3.8.3).

3.3 Editing presets

You can change any preset to adjust it to your own preferences

or to the requirements of a particular instrument or musical piece.

The REV2496 features a plethora of parameters (with V-Verb,

up to 30) that let you modify every detail of an effect. To help you

keep track of these adjustment options, there are several ways

of editing effects available to you:

s

simple editing of the four most important parameters directly

after loading a preset

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editing of all parameters in the EDIT menu

s

editing with graphical visualization (GRAPH menu)

These different operating modes are explained in detail in the

following  chapters:

3. OPERATION

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Summary of Contents for V-Verb Pro REV2496

Page 1: ...Version 1 0 November 2003 User s Manual ENGLISH V VERB PRO REV2496 Downloaded from ManualsNet com search engine ...

Page 2: ...duce heat 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect t...

Page 3: ...ng types for flexible assignment of analog and digital connectors to both stereo engines s Innovative user interface with soft push turn encoders big preset wheel high resolution graphic LCD display and additional TAP button for delay times s Direct access to 4 effect parameters makes editing easy and comfortable s Intuitive editing of up to 30 parameters using specially designed graphic mode s Se...

Page 4: ...4 V VERB PRO REV2496 MENUSTRUCTURE Downloaded from ManualsNet com search engine ...

Page 5: ...asure because it re presents the culmination of many months of hard work delivered by our engineering team to achieve a very ambitious goal to present a first class reverb processor whose outstanding audio quality makes it a welcome addition to every studio The task of designing our new V VERB PRO REV2496 certainly meant a great deal of responsibility which we assumed by focusing on you the discer...

Page 6: ...tputs The servo function operates automatically and can detect when unbalanced connecting cables are connected This prevents the occurrence of signal level discrepancies between input and output signals This user s manual will help you familiarize yourself with the control elements letting you learn all the functions Please read the manual carefully and keep it for future reference 1 1 Before you ...

Page 7: ... tail and allows adjusting decay times in up to four different frequency bands We started the development of the V VERB PRO with the intention at combining the best of these two worlds In doing that it was very important to us to implement both concepts for creating room impressions What ended up being produced is our new reverb modeling technology that allows us to accurately recreate all types o...

Page 8: ...your REV2496 e g input and output signal level MIDI settings and so on This way you can adjust your REV2496 to the requirements of your particular application More information about the extensive SETUP function can be found in chapter 3 8 The BYPASS key has two functions depending on the setting of the WET DRY MIX parameter on the I O page of the setup menu If the parameter is turned to INTERN pre...

Page 9: ...an be overwritten and are labeled USER Both banks are located back to back whereby the ROM presets 001 100 are shown first by using the PRESET wheel followed by the USER presets 101 200 ROM USER Engines A B 001 100 101 200 Combinations 001 100 101 200 Tab 3 1 Storage slots of the REV2496 The REV2496 features 14 effect algorithms An algorithm is basically a mathematical formula that calculates a pa...

Page 10: ...e another press EDIT to alternate between the top and the bottom parameter Fig 3 2 EDIT page 1 The effect algorithm for a preset can not be selected If you wish to edit a preset first load a program based on the preset The ROM presets 001 to 014 contain the algorithms 1 to 14 A more detailed description of individual parameters can be found in chapter 4 EFFECTS 3 3 3 Editing engines in GRAPH mode ...

Page 11: ...wish to adjust the effect selection of the combinations press ENGINE A and load the desired preset into this engine Then press ENGINE B and select the desired preset for engine B in both cases confirm your selection by pressing OK TAP To adjust the routing of a combination first press the EDIT key and select a routing using the PRESET wheel Parallel 1 6 Serial 1 4 Confirm by pressing OK TAP Ten ro...

Page 12: ...REV2496 keep the STORE key pressed to restore factory presets A confirmation request is shown in the display Confirm by pressing OK TAP Restoring factory presets overwrites all presets you have made 3 8 SETUP menu While in the SETUP menu you can make adjustments to your V VERB PRO that will have an effect on all presets These include the input and output configuration as well as level and MIDI set...

Page 13: ...ontrol adjusts the format of the digital data flow at the output The professional AES EBU AES3 format and the consumer S PDIF format are available The selected format applies to both digital outputs i e if you use an appropriate cable you can forward a signal from the XLR output in the S PDIF format to another piece of equipment with a S PDIF connection 3 8 3 GAIN page Fig 3 11 SETUP page 3 Here y...

Page 14: ... and the level of a shelving filter used for lowering the highs With ER TYPE early reflections type you can decide what type of space should be simulated You can select between AUDITO auditorium CATHED cathedral CONCER concert hall HALLWY HANGAR CHAMBE chamber STADIU stadium and STAGE ER SIZE early reflections size determines the space size while MIC DIS microphone distance determines the distance...

Page 15: ... frequency parameter determines the frequency above which dampening kicks in Decay time for lower frequencies can also be separately adjusted This is done using BASS bass multiply The BASS value describes a factor that refers to the decay time determined using DECAY decay time The BASS F bass frequency parameter determines the frequency above which BASS no longer engages Reverb tail can be modulat...

Page 16: ...quency determines the frequency at which dampening begins The decay time for lower frequencies is adjusted using BASS bass multiply which is a factor that refers to the decay time adjusted using DECAY LO CUT low cut filter determines the frequency of the high pass filter located ahead of the low cut filter HI FREQ high frequency and HI GAIN high gain adjust the frequency and the lowering of the sh...

Page 17: ...uency band will be added to the delay section The parameters LO GAIN low input gain MD GAIN mid input gain and HI GAIN high input gain are used for this purpose The PREDLY pre delay parameter determines the delay time of a special delay that is not part of the feedback loop With DELAY 1 2 3 you can adjust the delay time of the delay sections and can also be entered using the TAP key With FEEDB fee...

Page 18: ... also be influenced through the input signal level so called auto modulation Using the LFOMOD envelope to LFO speed modulation parameter on the envelope page a maximum increase of the LFO speed is determined by the signal volume The ATTACK attack time parameter controls how quickly the LFO speed increases when the signal volume goes up HOLD hold time determines how long the LFO speed is kept const...

Page 19: ...he control signal Additionally a crossover is available for compressing only a certain segment of the frequency spectrum Its possible applications are the de esser and bass compressor enhancer Fig 4 10 Compressor design The ATTACK attack time parameter determines the time that the compressor needs to react to signals that exceed the signal level set with THRESH HOLD HOLD hold time determines how l...

Page 20: ... the aux controls to adjust the reverberation independently for each microphone Thus you are able to assign a stronger reverb to the snare than to the toms Wiring the V VERB PRO in the aux bus should be done as follows Fig 5 1 Wiring aux busses of a mixing console Routing Parallel 5 6 Serial 1 2 Master Input analog Wet Dry Mix external SETUP Tab 5 1 SETUP configuration for wiring the REV2496 via a...

Page 21: ...e of your amp Almost all guitar amps offer an insert or an effects loop so that the preamplifier signal of your amp can be tapped into in order to bring it to the audio input of your effects equipment The preamplifier signal is processed in the REV2496 and then sent back to the output stage of your amp via the amp s return path If you use a stereo rack system for amplification you can also wire yo...

Page 22: ... SETUP Tab 5 6 SETUP settings when using the REV2496 in a 4 channel setup 5 5 The V VERB PRO in 4 channel operation Your REV2496 truly shines in 4 channel operation when its extensive connectivity options and configuration possibilities really come into play Using an external A D D A converter you can use all four connectors at the same time offering utmost flexibility Our ULTRAMATCH PRO SRC2496 i...

Page 23: ...I settings are carried out on the MIDI page in the setup menu Pressing the SETUP key once gets you to the setup menu Using PAGE scroll until you get to the MIDI page First you need to set the MIDI channels for engine A B and COMBI You can use the controls indicated in the upper row of the display for this purpose You can select the desired MIDI channel by turning the controls A to C Now you can se...

Page 24: ...nuts 7 2 Audio connections You will require different cable types for different types of applications The illustrations that follow show you how these cables are connected Always use only good quality cables The analog connections and of your REV2496 are laid out as balanced connection to avoid hum You can also connect equipment with unbalanced connections to the balanced inputs and outputs of you...

Page 25: ...nits can be daisy chained this way MIDI OUT Data can be sent to a computer connected to your REV2496 or to other MIDI equipment via MIDI OUT Program data as well as status information for signal processing can be transmitted 8 OPERATING SOFTWARE The operating software of your V VERB PRO REV2496 is constantly being developed to improve its performance and adapt the operation of the unit to user req...

Page 26: ... typ Fuse T 1 A H Mains connector Standard receptacle DIMENSIONS WEIGHT Dimensions 19 482 6 mm x 1 44 5 mm x 8 217 mm Weight approx 4 lbs 2 15 kg BEHRINGER makes every effort to ensure the highest standard of quality Necessary modifications are carried out without notice Thus the specifications and design of the device may differ from the information given in this manual 10 MIDI IMPLEMENTATION Fig...

Page 27: ... and similar parts 4 Damages defects caused by the following conditions are not covered by this warranty s improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals s connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is...

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