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STUDIO CONDENSER MICROPHONES C-2 User Manual

1.  Introduction

Congratulations! By purchasing the BEHRINGER C-2, you have obtained 2 condenser 
microphones that offer the highest quality standards and the best audio characteristics.
Both microphones have been matched to one another (matched pair), and are 
therefore particularly well-suited for stereo recordings. Of course, you can also use 
the microphones individually.
Their outstanding characteristics make these microphones a valuable tool in the studio and 
on the stage.

2.  Power Supply

Phantom power (+48 V) is required to operate your microphone. We assume no liability 
for damage caused to your C-2 through deffective phantom power. Before activating 
phantom power, mute your playback system and connect the C-2 to the microphone input 
of your mixing console. After activating phantom power, the C-2 requires several seconds to 
stabilize itself.

3.  Pickup Patterns

Both microphones feature a capsule with a cardioid pickup pattern. Microphones with this 
polar pattern are most sensitive to sound coming from in front of the microphone, and also 
to a lesser extent from the sides. Sound coming from behind the microphone will be greatly 
attenuated. This makes the caqrdioid polar pattern most suitable for recording individual 
instruments or vocals within a group.
The so-called proximity effect is typical for microphones with the cardioid pickup pattern. 
Depending on the distance between the microphone and the sound source, a slight increase 
in the lower frequency range occurs. The shorter the distance, the more pronounced 
this effect. By cleverly selecting the position and the angle of your microphone, you can 
effectively manipulate the proximity effect and thus affect how your recording sounds. 
Experiment with various positions in order to gain more experience.

4.  Possible Applications

Both microphones have been matched to one another (matched pair). Therefore, they are 
particularly well-suited for stereo recordings. Regardless of whether you are miking an 
entire ensemble or a single sound source (e.g. drums, piano or background vocals), this pair 
of condenser microphones lets you achieve outstanding spatial impressions in every 
recording session.

Summary of Contents for STUDIO CONDENSER MICROPHONES C-2

Page 1: ...User Manual STUDIO CONDENSER MICROPHONES C 2 2 Matched Studio Condenser Microphones ...

Page 2: ...structions in the accompanying literature Please read the manual Condenser microphones are extremely moisture sensitive Never use your microphone in close proximity to water e g bath tubs wash basins sinks washing machines pools etc When doing voice recordings always use the enclosed windscreen to safely protect the capsule from moisture Always use the power supply specified in the operating instr...

Page 3: ...LLY OR IN PART UPON ANY DESCRIPTION PHOTOGRAPH OR STATEMENT CONTAINED HEREIN COLORS AND SPECIFICATIONS MAYVARY FROM ACTUAL PRODUCT MUSIC GROUP PRODUCTS ARE SOLDTHROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITYTO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION THIS MANUAL IS COPYRIGHTED...

Page 4: ...s polar pattern are most sensitive to sound coming from in front of the microphone and also to a lesser extent from the sides Sound coming from behind the microphone will be greatly attenuated This makes the caqrdioid polar pattern most suitable for recording individual instruments or vocals within a group The so called proximity effect is typical for microphones with the cardioid pickup pattern D...

Page 5: ...icrophone Installation To attach the microphones to the microphone stands two clamps are included with the delivery First screw a clamp onto the stand before attacting the microphone itself 7 Audio Connection Use a balanced XLR microphone cable with the following pin assignment pin 1 shielding pin 2 pin 3 Since your C 2 features gold plated contact points throughout we recommend that you use only ...

Page 6: ...SER MICROPHONES C 2 User Manual 0 0 30 30 60 60 90 90 120 120 150 150 180 180 0 10 20 30 dB 250 Hz 500 Hz 1 kHz 2 kHz 4 kHz 8 kHz 16 kHz Polar pattern 20 10 10 20 20 50 100 200 500 1k 2k 5k 10k 20k 0 Frequency response ...

Page 7: ...1 dBV 0 dBV 1 V Pa Frequency response 20 Hz to 20 kHz level attenuation 10 dB switchable Low cut filter 6 dB oct 120 Hz switchable Max SPL 1 THD 1 kHz 140 dB 0 dB 150 dB 10 dB Equivalent noise level IEC 651 19 dBA Signal to noise ratio 75 dB Nominal impedance 75 Ω Load impedance 1 kΩ Mains Voltage Fuse Supply voltage 48 V Supply current 3 mA Physical Weight Dimensions 0 shaft 0 8 20 mm length 3 7 ...

Page 8: ...We Hear You ...

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