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Fig. 3.5: Patchbay configuration around the MAGICIAN

4. TECHNICAL BACKGROUND

4.1 Tube history

Due to many patent litigations, it is difficult to determine exactly when the tube was “born”. First developments

in tube technology were reported between 1904 and 1906. It was a research task of that time to find a suitable

method for receiving and rectifying high frequencies. On April 12, 1905, a certain Mr. Fleming was granted a

patent for his “hot-cathode valve” which was based on Edison’s incandescent lamp. This valve was used as a

rectifier for high-frequency signals. Robert van Lieben was the first to discover (probably by chance) that the

anode current can be controlled by means of a perforated metal plate (grid), one of the milestones in the

development of amplification tubes. In 1912, Robert van Lieben finally developed the first tube for the amplifica-

tion of low-frequency signals. Initially, the biggest problem was to produce sufficient volume levels, which is

why resonance step-ups (though impairing the frequency response) were used to maximize the attainable

volume. Later, the objective was to optimize the electroacoustic transducers of amplifiers in such a way that a

broad frequency band could be transmitted with the least distortion possible. However, a tube-specific problem

is its non-linear amplification curve, i.e. it modifies the sound character of the source material. Despite all

efforts to ensure a largely linear frequency response, it had to be accepted that tube devices produce a “bad”

sound. Additionally, the noise floor generated by the tubes limited the usable dynamics of connected storage

media (magnetic tape machines). Thus, a one-to-one reproduction of the audio signal’s dynamics (expressed

as the difference between the highest and lowest loudness levels of the program material) proved impossible.

To top it all, tube devices required the use of high-quality and often costly transducers and sophisticated

voltage supplies.
With the introduction of semiconductor technologies in the field of audio amplification it soon became clear that

the tube would have to give way to the transistor, as this device featured an enormously enhanced signal-to-

noise ratio, less complex power supply and improved frequency response. Plus, semiconductor-based circuits

can be realized much more easily - for less money. Two decades later, the introduction of binary signal

processing meant the beginning of a new era of recording media that provided plenty of dynamic response and

allowed for loss-free copying of audio signals. As digital media were enhanced, however, many people began

to miss the warmth, power and liveliness they knew from analog recordings. This is why purists still today

consider digital recordings as “sterile” in sound.

4. TECHNICAL BACKGROUND

All manuals and user guides at all-guides.com

Summary of Contents for MAGICIAN T1950

Page 1: ...1 E User s Manual Bedienungsanleitung Version 1 0 December 1998 D MAGICIAN T1950 www behringer de All manuals and user guides at all guides com a l l g u i d e s c o m...

Page 2: ...ype designation and article No if applicable to which this declaration refers is in accordance with the following standards or stan dardized documents x EN 60065 x EN 61000 3 2 x EN 55020 x EN 61000 3...

Page 3: ...tion openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Source The appliance...

Page 4: ...recorder s Brings additional warmth and texture to your vocal tracks s Provides vintage tube sound for guitar and any other instrument s Adds warmth and presence to any mix s Perfectly emulates the ta...

Page 5: ...musicians at the Music Fair 1997 when they saw our Vintager models for the first time was a lasting incentive driving our development efforts It is our philosophy to share our joy with you because yo...

Page 6: ...y in studio environments 12 4 TECHNICAL BACKGROUND 13 4 1 Tube history 13 4 2 Design and functional principle of tubes 14 4 3 Properties of tubes 15 4 4 The best of both worlds 15 4 5 UTC circuit 16 4...

Page 7: ...more punch or improves the transparency of other instruments particularly those rich in upper harmonics The source material is enriched in sound volume and brilliance Enhanced depth makes it easier to...

Page 8: ...made by using the supplied cable It meets all of the international safety certification requirements Please make sure that all units have a proper ground connection Before you connect your MAGICIAN to...

Page 9: ...r The inputs are located on the rear panel Both balanced 6 3 mm TRS jacks and XLR connectors can be used On the output side the TRS jacks and XLR connectors are each wired in parallel 2 OPERATION The...

Page 10: ...e multi pin connectors for balanced connection i e to wire them in a balanced configuration you need an adapter Crosstalk between the channels is therefore higher than in unbalanced configurations In...

Page 11: ...ruments or voices However when using the inserts you should note that many mixing consoles have stereo insert jacks tip send ring return shaft mass shield i e the signals routed to the outside world a...

Page 12: ...5 6 7 8 REC FFWD STOP PLAY REW 00 06 34 12 BEHRINGER 1 2 3 4 5 6 7 8 REC FFWD STOP PLAY REW 00 06 34 12 BEHRINGER Fig 3 4 MAGICIAN between two multi track recorders 3 4 Versatility in studio environme...

Page 13: ...amplification curve i e it modifies the sound character of the source material Despite all efforts to ensure a largely linear frequency response it had to be accepted that tube devices produce a bad s...

Page 14: ...ctrons depend on the cathode s temperature the material it consists of and the magnitude of the anode voltage When the electrons hit the anode they produce heat that is dissipated by using large anode...

Page 15: ...leasant in sound than odd harmonics Another important aspect lies in the fact that tubes produce distortion more gradually than transistors which is why we speak of the saturation of a Tube Stage When...

Page 16: ...arm sound character for their productions they are ready to accept that these goodies produce a higher noise floor than modern transistor based devices As a consequence you can find a variety of tube...

Page 17: ...roperties of the unit 5 INSTALLATION Your BEHRINGER MAGICIAN was carefully packed in the factory and the packaging was designed to protect the unit from rough handling Nevertheless we recommend that y...

Page 18: ...ows this is a warning sign and always indicates that the circuit is overloaded The fault must always be repaired before the fuse is replaced If the safety fuse is faulty and needs replacing after the...

Page 19: ...ield Sleeve Ground Shield Tip Tip Sleeve Sleeve Strain relief clamp Strain relief clamp Ring cold ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo pl...

Page 20: ...kHz Gain 1 IMD 0 01 typ SMPTE Power supply Mains voltages USA Canada 120 V AC 60 Hz U K Australia 240 V AC 50 Hz Europe 230 V AC 50 Hz general Export Model 100 120 V AC 200 240 V AC 50 60 Hz Power con...

Page 21: ...GER INTERNATIONAL to provide proper war ranty service shall not entitle the buyer to claim consequential damages In no event shall the liability of BEHRINGER INTERNA TIONAL exceed the invoiced value o...

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