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4.2 Stereo Aux-Returns

There are two additional stereo line inputs (Aux Returns 1 and 2) on your MX802A. Their level can be adjusted

with 

 and 

. Aux Returns 1 is permanently assigned to the Main Mix. If you connect a jack only to the

left socket, the Aux Return 1 operates in mono. Aux Return 2 can be switched between the Main Mix and the

cue feed (Aux Send 1) via a switch marked “FX TO AUX 1” 

. This enables you to provide a wet cue mix

(signal with effect i.e. reverb) for the headphones or foldback speakers.
If no connection is made to Aux Return 2, the signal is “normalled” (connected directly) to Aux Return 1.

Depressing “FX TO AUX 1” will then feed the signal from Aux Return 1 into the cue feed (Aux Send 1) and can

be controlled in level independently with Aux Return 2. This feature is primarily useful when you are using one

effect for the main mix and for the foldback speakers.

+

When using Aux Send 1 as a second (pre-fader) effects send and Aux Return 2 as the effect

input, do not engage “FX TO AUX 1” . The connection from Aux Return 2 to Aux Send 1 could

cause feedback.

There are exceptions. For instance, when you want to send one effect into another, e.g. delay into chorus etc.

+

Sometimes an engineer wants to narrow the stereo width of a reverb field. To do this you will

have to come back on two mono channels to get independent Pan for the left and right sig-

nals.

4.3 Metering

Main Mix level is displayed on a pair of accurate 12-segment bargraph peak meters 

. Two further LEDs

indicate Power on 

 and +48 V DC Phantom Power present 

.

The Main Mix bargraph meters should average around 0 dB during loud passages. If they read persistently

higher, or are peaking above +10 dB (top segment of the display) reduce either the Main Mix volume and/or the

channel volume, or (as a last resort) channel input gain or instrument / FX unit output level.

4.4 2-Track Input / Main Mix Output

Input

A 2-Track input, on RCA phono jacks 

, provides easy connection to DAT and other professional and

semiprofessional audio equipment. The 2-Track input is primarily for auditioning mix playback from tape.

Switch 

 “2TK TO CTRL ROOM” routes this signal to the studio monitors. However, it can also be routed to

the Main Mix via switch 

 “2TK TO MIX”. Here 

 should be disengaged, or you will be listening to the 2-

Track signal twice over! With 

 depressed you have another stereo line input available to the mix.

+

The 2-Track input could be “normalled” to the output of a HiFi preamp, allowing you to moni-

tor extra sources such as vinyl, cassette, CD etc.

Output

A single pair of electronically balanced TRS jacks 

 deliver the Main Mix output to your 2-Track recorder (or

PA system). RCA phono jack outputs 

 are also provided for easy connection to DAT, cassette desk etc.

Level is ultimately determined by a precision Main Mix volume control 

.

4.5 Monitoring

The MX802A has a separate headphone output 

. The phones signal follows the control room output 

.

A single volume control 

 sends the level to the headphones and main monitors.

The L/R meters follow the Main Mix.

4. MAIN SECTION

Summary of Contents for EURORACK MX802A

Page 1: ...1 E User s Manual Bedienungsanleitung D E EURORACK MX802A Version 1 0 January 1999 www behringer de...

Page 2: ...product EURORACK MX802A Type designation and article No if applicable to which this declaration refers is in accordance with the following standards or stan dardized documents x EN 60065 x EN 61000 3...

Page 3: ...f air through the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Po...

Page 4: ...witchable low Cut Filter on all Mono Channels s 2 Aux Sends per channel for external effects and monitoring s Separate Main Mix Control Room and Headphone Outputs s 2 Track Inputs assignable to Main M...

Page 5: ...t suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you uncompromising quality manufactured under ISO9000 certified managem...

Page 6: ...9 3 3 Aux Sends 9 3 4 Volume control and panning balancing 9 4 MAIN SECTION 9 4 1 Aux Sends 9 4 2 StereoAux Returns 10 4 3 Metering 10 4 4 2 Track Input Main Mix Output 10 4 5 Monitoring 10 5 SETTING...

Page 7: ...tant power Channel Pan potentiometer Aux Send There are two Aux Send busses on the MX802A Aux 1 is pre fader Aux 2 is post fader the channel s volume control Stereo Line Inputs There are two line leve...

Page 8: ...in section 5 SETTING UP However if the PEAK LED does not light the input gain cannot be too high If a reasonable input level is selected auditioning a single signal should result in a reading of arou...

Page 9: ...except that the EQ is stereo of course A stereo equalizer is generally preferable to using two mono equalizers when EQ ing a stereo signal as often discrepancies between left and right settings can oc...

Page 10: ...pair of accurate 12 segment bargraph peak meters Two further LEDs indicate Power on and 48 V DC Phantom Power present The Main Mix bargraph meters should average around 0 dB during loud passages If t...

Page 11: ...hantom Power switched on Never use unbalanced mic cables with the Phantom Power switched on ever Shorting the 48 V to earth can cause serious damage 2 Stereo Channels accept any line level signals Any...

Page 12: ...vel to the limit and fully exploit 16 bit digital s 96 dB dynamic range for example you ll have to do some calibrating How to do it Well you could run a tone at 0 dB from the mixer and use that as you...

Page 13: ...got the right ones Unbalanced equipment may be connected to balanced inputs outputs Either use mono 1 4 jacks or connect ring and sleeve of TRS jacks Fig 6 1 Headphone connection 1 2 3 2 1 3 Pin 1 Ca...

Page 14: ...to other devices in a balanced configuration to allow for maximum interference immunity Unbalanced use of mono 1 4 jack plugs Ring Balanced use of stereo 1 4 jack plugs Balanced use with XLR connector...

Page 15: ...at 4 dBu 1 kHz Bandwidth 80 kHz Equalization Hi Shelving 12 kHz 15 dB Mid Range 2 5 kHz 15 dB Lo Shelving 80 Hz 15 dB Main Mix section Max Output 22 dBu balanced Aux Send Max Out 22 dBu unbalanced Con...

Page 16: ...16 16 7 APPENDIX 7 2 Front back views...

Page 17: ...17 E 17 7 APPENDIX 7 3 Block diagram...

Page 18: ...t complete and return the enclosed warranty card signed stamped by retail dealer within 14 days of the date of purchase to BEHRINGER INTERNATIONAL address see 3 Failure to return the card in due time...

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