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11

B-CONTROL 

DEEJAY

  BCD2000

The output section

Set the volume of the MASTER output 

 with the MASTER

control 

.  The  MASTER  output  always  provides  the  signal

routed to the crossfader.
Use the PHONES control 

 to adjust the headphone volume.

The PFL MIX 

 control determines the balance between deck

A and deck B.

Create a play list

Before you can play back a song or track, you need to create a

list or load an existing list. Click on the ADD button to load a new

track onto the current list. “Add Directory” allows you to upload a

complete  directory  from  hard-disk.  The  sequence  of  songs  on

the list can always be changed later on.

Load a track

Load a song from the list by clicking on the title and dragging it to

the waveform display of deck A. Alternatively, you can use the

Load  button  to  load  the  next  track  you  have  marked  from  the

current list.

Start playback

Move the crossfader fully to the left and start playback by pressing

the  PLAY  button  of  deck  A.  Select  a  second  track,  move  it  to

deck B and start it by pressing the PLAY button of deck B.

Pre-listen to next song

Move the PFL MIX control 

 to the right to pre-listen to the

next song on your headphones. You will hear the song played on

deck B. Now you have to adapt its tempo to the tempo of the

song that is currently being played back on deck A. There are

various  ways  to  do  this.  Either  you  control  the  tempo  with  the

pitch fader 

 or use the pitch bend buttons 

 located below

the  pitch  fader.  A  third  alternative  is  to  turn  the  scratch  wheel

  clockwise  (faster)  or  counter-clockwise  (slower).  It  will  be

best  to  use  the  currently  playing  kick  or  snare  drum  as  a

“metronome”. Once the rhythms are in sync, the beat has been

aligned  perfectly.  Use  the  Beat  Mix  indicator  in  the  waveform

display as your optical guide, or simply use the Sync Slave function

(button 

).

5.2 Additional DJ functions

Phones Split

In order to listen to both decks separately (Phones Split function),

briefly hit the PHONES SPLIT/MASTER OUT button 

 (LED

lights up). The signal on deck A can be heard on the left. The

signal on deck B can be heard on the right. The PFL MIX control

 determines the volume ratio between the left and right signals.

Master Out

Press the PHONES SPLIT/MASTER OUT button longer to activate

the Master Out function (button LED starts flashing). When Master

Out  is  on,  you  will  always  hear  the  master  signal  in  your

headphones, i. e. the music that is being played on the dance

floor.

CUE function

The CUE function allows you to set cue points in a track. Cue

points  are  positions  in  the  track,  which  you  can  mark  during

playback.  Mainly,  these  will  be  positions  you  want  to  return  to

later to start the song from this point, e. g. the beginning of a

chorus. You can set eight cue points per track and select them at

the touch of a button. When you press the CUE button 

, the

song position cursor “jumps” to the selected cue point. If no cue

point  has  been  selected,  it  will  automatically  go  back  to  the

beginning of the track.

Pitch Bend

With the pitch bend function, you can modify the tempo of a track,

in order to adapt it to the tempo of the track playing on the other

channel. There are several ways to do this:
1.

Use the pitch fader to control the software’s pitch function.

Move the pitch fader 

 up or down to raise or slow down

the  tempo.  The  pitch  range  can  be  adjusted  in  the

Configuration menu.

2.

If the deck is in play mode, you can use the scratch wheel

to adapt to the tempo (and beat) of the second track. It’s

similar to vinyl records: turn the scratch wheel clockwise to

raise the playback tempo; turn it counter-clockwise to slow

down the tempo.

3.

The  bend  “+”  and  bend  “–”  buttons  perform  the  same

functions  as  the  software’s  bend  buttons:  Press  either  of

these buttons to temporarily change the tempo.

Loop function

The  loop  function  of  the  B-DJ  software  can  also  be  controlled

from the BCD2000. This is done with the LOOP IN/END and LOOP

OUT buttons. Basically, you can define any segment of a currently

played song as a loop. First, mark the start and end points on the

fly, i.e. during playback (first press = start point; second press =

end point). Once the end point has been set, playback returns to

the IN point and the loop is started immediately. Press the LOOP

OUT button to deactivate loop playback.

Sync Slave

With its Sync Slave function, the B-DJ software gives you a tool

for synchronizing two musical pieces. This function should always

be activated in the currently pre-listened channel. Otherwise, there

may be jumps in the rhythm, which would be very annoying. The

pre-listened song is adapted to the piece currently being played

back.

5. OPERATION

Summary of Contents for B-CONTROL DEEJAYBCD2000

Page 1: ...B CONTROL DEEJAY BCD2000 Version 1 0 June 2005 User s Manual...

Page 2: ...urpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the thir...

Page 3: ...arching s Full fledged DJ mixer control panel with premium quality mic preamp 3 band kill EQ per channel ultra precise faders super smooth crossfader and talkover function s 2 state of the art phono p...

Page 4: ...y meant a great deal of responsibility which we assumed by focusing on you the discerning computer user and musician Meeting your expectations also meant a lot of work and night shifts But it was fun...

Page 5: ...register your new BEHRINGER equipment right after your purchase by visiting www behringer com alternatively www behringer de and kindly read the terms and conditions of our warranty carefully Should...

Page 6: ...00 has been connected and switched on To start the control panel software click on the BCD2000 control panel symbol in the task bar at the bottom right of your screen If the B DJ software has already...

Page 7: ...provide the same music signal The MIDI page Fig 2 3 The MIDI window in the BCD2000 control panel On the MIDI page no parameters can be set It only informs you about the various MIDI modes depending on...

Page 8: ...input B phono or CD The input source for deck A is chosen in the control panel see chapter 2 3 while the input source for deck B is selected on the rear panel phono line switch The OUTPUT section The...

Page 9: ...the setting chosen in the software configuration the loop is either deleted directly or repeated one more time SYNC SLAVE is a function which allows you to automatically adapt the tempo of two music...

Page 10: ...dicators for both decks as well as the master level indicator The List Browser is located in the upper half of the screen on the left the list currently selected is shown on the right In the middle of...

Page 11: ...IT MASTER OUT button longer to activate the Master Out function button LED starts flashing When Master Out is on you will always hear the master signal in your headphones i e the music that is being p...

Page 12: ...microphone channel The clip LED illuminates as soon as the input signal s level is too high and could possibly cause audible distortion If this happens turn the MIC LEVEL control to the left until the...

Page 13: ...like to adapt the MIDI commands to the software functions 6 1 Sending control change functions All rotary controls all faders the scratch wheel and the crossfader are control elements sending CC data...

Page 14: ...f If the controller value transmitted is between 0 and 63 this value corresponds to the switched off status LED off If the value is 64 or higher max 127 the LED illuminates Group Name MIDI no LOW CUT...

Page 15: ...response 10 Hz 29 kHz 3 dB Impedance approx 2 k balanced Max input level 25 dBu 35 dB Gain mic level center position Signal to noise ratio 110 dB A weighted Distortion THD N 0 01 A weighted CMRR typ 4...

Page 16: ...ed from this warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiome...

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