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AUTOCOM PRO MDX1400

2.2 Compressor Section

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Fig. 2.3: Control elements of the compressor section

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The 

THRESHOLD

 control sets the threshold point for the compressor section. It has a range of -40 to

+20 dB. If the channel is switched to INTERACTIVE mode (Interactive Knee Adaptation), a “Soft Knee”

characteristic is applied to the signal exceeding the threshold point by a maximum of 10 dB. Above

10 dB, the signal would experience “Hard Knee” compression.

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The 

RATIO

 control determines the ratio between the input and output level for all signals exceeding the

threshold point. If the INTERACTIVE mode is used, this control determines the ratio between input and

output levels for signals exceeding the threshold point by more than 10 dB. The control range can be

adjusted from 1:1 to oo:1.

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The 

ATTACK

 control determines the rate by which the compressor responds to the signal which

exceeds the threshold. This control can be adjusted from 0.1 to 200 milliseconds.

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The 

RELEASE

 control determines the rate that the compressor returns to unity gain after falling below

the threshold level. This control can be adjusted from 0.05 to 4 seconds.

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By activating the 

AUTO

 switch, the ATTACK and RELEASE controls are disabled and the attack and

release rates are automatically derived from the program material. This function allows for unobtrusive

musical compression of signals or mixes with widely varying dynamics. Only if set to “MANUAL” the

settings of the attack and release controls will function.

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The 

OUTPUT

 control allows for the increase or decrease of the output signal by a maximum of 20 dB.

Thus, a level loss due to the compression or limiting process can be compensated for.

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When activated, the 

SC EXT

 switch severs the connection between the audio input and the sidechain

path, whilst at the same time allowing an external signal to be sourced at the SC RETURN jack on the

rear panel.

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Using the 

SC MON

 switch will enable you to connect the sidechain control signal to the audio output,

whilst at the same time muting the audio input. This function provides you with the ability to monitor the

sidechain signal that is returned via inserted equalizers or other external processors. The SC MONITOR

function will assist you with tuning equalizer parameters for example.

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Please note when the SC MON switch is engaged, the audio processing facility of the respec-

tive channel is disabled. When this function is active, a visual indication will be provided by

the switches LED, which will blink.

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The 

IN/OUT

 switch activates the corresponding channel. This switch acts as a so-called “hard-bypass”,

which means that when the switch is OUT, the input jack is directly linked to the output jack. Normally,

this switch is used to perform a direct A/B comparison between the unprocessed and the compressed

or limited signals.

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Press the 

INTERACTIVE

 switch to change from “hard knee” to IKA characteristics. IKA provides a very

subtle and musical compression of the program material and should therefore be used whenever

compression is expected to be more or less inaudible.

2. CONTROLS

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Summary of Contents for Autocom Pro MDX1400

Page 1: ...D AUTOCOM PRO MDX1400 www behringer com ENGLISH User s Manual Version 1 4 June 2001 Downloaded from www Manualslib com manuals search engine...

Page 2: ...rs that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance Grounding or Polarization P...

Page 3: ...portant member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you unc...

Page 4: ...lows for inaudible elimination of disturbing noise signals s Dynamic Enhancer for compression dependent equalization s Extremely low noise operational amplifiers and high grade VCA s s High quality de...

Page 5: ...uplication 17 4 1 1 The AUTOCOM PRO In Digital RecordingAnd Sampling 18 4 1 2 TheAUTOCOM PRO In Mastering 18 4 2 TheAUTOCOM PROAs AProtective Device 18 4 2 1 Protection Of ASystem With A Passive Cross...

Page 6: ...ncept of a hard knee compressor with the characteristics of a soft knee approach This program dependent regulation scheme forms the prerequisite both for inaudible and musical program compression and...

Page 7: ...packaging and its contents for any signs of physical damage which may have occurred during transit If the unit is damaged please do not return it to BEHRINGER but notify your dealer and the shipping...

Page 8: ...f channel 1 take over the functions of channel 2 Should you wish to use the SC EXT function in stereo mode then be sure that both SC RETURN jacks are connected to the external control signal and that...

Page 9: ...ttack and release controls will function 10 The OUTPUT control allows for the increase or decrease of the output signal by a maximum of 20 dB Thus a level loss due to the compression or limiting proce...

Page 10: ...t between Off and 6 Dynamic enhancement allows you to replenish any high frequencies lost through the compression process for absolutely natural sounding dynamics control Enhancement is only added whe...

Page 11: ...ression Levelling Limiting Clipping Now that the functions of the individual sections have been clearly explained we would like to acquaint you with more terms and relationships of the dynamics proces...

Page 12: ...nt on the program material The response characteristics of conventional expanders tend to cut into the signal abruptly and the result of this is unacceptable most of the time Gain changes become audib...

Page 13: ...Now turn the control clockwise until all unwanted noise is removed and only the sound of the desired instrument can be heard To adapt the unit to the program material properly you can additionally cho...

Page 14: ...fined threshold The reverberation can be controlled by using the THRESHOLD control and the RELEASE switch The decay characteristics of the instrument can be controlled using the release switch so that...

Page 15: ...h IN SC EXT switch OUT SC MON switch OUT INTERACTIVE switch IN SC FILTER switch OUT THRESHOLD control 20 dB RATIO control 3 1 AUTO switch IN OUTPUT control 0 dB Tab 3 2 Initial settings for the compre...

Page 16: ...ame effect is experienced when processing reverberated or ambient sounds The solution commonly used to this basic problem is either to reduce the compression ratio or to slow down the attack time so t...

Page 17: ...one should always take care to utilize the full dynamic range of the tape recorder DAT recorder etc Principally it is possible to control the recording level by riding faders which means with low lev...

Page 18: ...AT recorder Now increase the recording level of the recorder back to unity The result is a clearly louder recording without any loss of sound 4 2 The AUTOCOM PRO As A Protective Device Sound system di...

Page 19: ...the loudspeaker In some units the crossover frequencies in the crossover unit are further changed during high signal levels to achieve a loudness contour suited to the human hearing But in many cases...

Page 20: ...ive amount of high frequency information within the program material as in a normal compressor the VCA is activated and the overall level is reduced As this type of compression affects the whole frequ...

Page 21: ...ick actions Generally it can be said that relatively high threshold settings prevent the overall sound from being impaired and lead to the compression of solo instruments or very loud sounds 5 2 4 Emp...

Page 22: ...requencies are equally affected we term this white noise It is fairly obvious that electronics cannot function without components Even if special low noise components are used a certain degree of basi...

Page 23: ...control is simply not fast enough to be satisfactory t P dB 20 0 20 40 60 80 Clipping Headroom Operating level Effective SNR Noise floor Fig 6 2 The interactive relationship between the operating lev...

Page 24: ...fect noise will be masked and thus becomes inaudible as soon as considerably louder sound signals in the same frequency band are added Nevertheless the further the level that the desired signal decrea...

Page 25: ...ty Please ensure that only qualified persons install and operate the AUTOCOM PRO During installation and operation the user must have sufficient electrical contact to earth Electro static charges migh...

Page 26: ...z 0 0 5 dB Frequency Response 0 35 Hz to 200 kHz 0 3 dB Noise 95 dBu unweighted 22 Hz to 22 kHz THD 0 008 typ 4 dBu 1 kHz Gain 1 0 04 typ 20 dBu 1 kHz Gain 1 IMD 0 01 typ SMPTE Crosstalk 100 dB 22 Hz...

Page 27: ...ement LED display 1 2 4 6 9 12 15 18 21 24 27 30 dB Input Output Level 12 element LED display 30 24 18 12 6 0 3 6 9 12 18 dB Expander Gate Threshold 2 LEDs for under and above Function switch LED indi...

Page 28: ...RINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in any country which is not the country for which...

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