1. Digital VCO
Note:
The new waveforms are output from the TRI jack. To hear these new waveforms most clearly, it is best to patch
TRI out to FILTER IN to override the normalization of PULSE to FILTER IN.
Note:
SLIDE+MIDI no longer accesses the automatic tuning feature because it is not necessary for the digital VCO.
SLIDE + MIDI + GATES = select waveform
To select a WAVEFORM, hold both the SLIDE and MIDI buttons and press one of the GATE buttons.
SLIDE + FINE-TUNE = set waveshape
Hold the SLIDE button and move the FINE-TUNE fader to adjust the waveforms variable WAVESHAPE parameter.
The waveforms and their waveshaping parameters are:
1: fractal triangle
fractal transformation
2: super fractal triangle: 2 detuned triangles fractal-transforming each other
exp. detune & lin. detune*
3: animated fractaled triangle
fractal to pulsing saw
4: exponential saw detune
exp. detune
5: super triangle: 2 detuned triangle waves mixed together
exp. detune & lin. detune*
6: super saw: 2 detuned saw waves mixed together
exp. detune & lin. detune*
7: triangle to noise
glitch morph
8: glitch radio
radio tune
*exp. detune & lin. detune: At the lowest setting, the two oscillators are one octave apart and slightly detuned.
Sweeping up to the middle setting, the lower oscillator will pitch up to almost the frequency of the static oscillator,
creating a typical beating LFO effect. The second half of the fader is the linear detune of the two oscillators which
means the beating LFO frequency should remain very similar across the octaves. At the highest setting, the two
oscillators are at an almost identical frequency.
Summary of Contents for CASPER SOFTPOP SP2
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