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It is advisable to keep the series resistance of connecting cables as 
low as possible by using reasonably heavy gauge cables. Our recom-
mendations are.— 

Loudspeakers under 10 metres away from amplifier: use 16/0.2mm. 

Loudspeakers over 10 metres away from amplifier: use  2 4 / 0 . 2 m m . 

Phasing. The centre image and correct spread in stereophonic re-
production relies on "in phase" components of sound of equal ampli-

tude, and it is essential to check that your loudspeaker and other 
items in the "reproducing chain" are correctly connected. If other 
items in the chain, such as pick-up cartridge, etc., are correctly con-

nected, then the method of connection of the loudspeakers as outlined 

above will be correct. However, there is a simple test  w o r t h  m a k i n g : — 

Feed both channels of your system  w i t h a monophonic source, e.g. 

mono radio, a mono record, or a stereophonic source  w i t h the function 
selector of the control unit of your amplifier switched to "A + B", 

"Left + Right", or  " M O N O . " If phasing is correct, then, when listen-

ing from a central position between the loudspeakers, the sound should 
appear to emanate from a relatively small area between the loudspeak-

ers. If the phasing is incorrect, the image will be broader and spread 
across the area between the loudspeakers. (Commercial gramophone 

records are available which illustrate this  " p h a s i n g " procedure, should 

there remain any difficulty or doubt.) 

If phasing of any item is incorrect, reversal of any one item will correct 

the fault. 

Operation. At the rear of the 701 electrostatic unit will be found a 

removable absorbent pad, the function of which is to reduce rear 
radiation in locations where the loudspeaker is placed close to a wall 

or corner. This pad provides a useful method of varying the distribution 
pattern of the electrostatic unit above 500Hz. to suit both ambient 

conditions and the user's personal preference in terms of the ratio of 
direct to reflected sound. This absorbent pad can be readily  w i t h d r a w n 
w i t h the fingers from its recess in the rear of the electrostatic mount. 

W i t h the rear pad  w i t h d r a w n , greater ambience will be experienced— 
depending on the reflective nature of the wall and furnishings behind 

the loudspeaker — there will be a slight increase in sound level above 
500Hz. with the electrostatic unit operating in this condition. If it is 

Summary of Contents for dm70

Page 1: ...B W DM70 Instruction manual test certificate and guarantee...

Page 2: ...DM70 B W DM Trade mark of B W electronics...

Page 3: ...neral Description 2 The Listening Room 3 Installation unpacking and connection 4 Installation Siting 5 Ancillary equipment 6 Specification Page 2 3 5 10 12 13 B W electronics Meadow Road Worthing Engl...

Page 4: ...cking and assembling your loudspeakers each DM70 system excluding stands is packed in two cartons refer to section 3 of this booklet In common with all B W loudspeaker systems the DM70 is subjected to...

Page 5: ...n a square or rectangular room the latter is to be preferred as the room resonances known as eigentones occur at spaced frequencies and are therefore of lower amplitude The most pronounced eigentones...

Page 6: ...s bookshelves and other items of wall furniture also play an important role in these parts of the spectrum A room with insufficient soft furnishing will give a hard or steely tonal quality to middle a...

Page 7: ...remove the accessory bag tied to the rear of the power pack at the back of each cabinet This bag contains all necessary hardware and spares such as fuses The smaller packages should then be unpacked...

Page 8: ...stination e g European or America etc If after having made this check on mains supply it is necessary to adjust the mains voltage please refer to the above diagram and read the instructions regarding...

Page 9: ...t secure by screwing down to the cabinet through the hole in the rear of each 701 foot with the screws provided Connection UNDER NO CIRCUMSTANCES SHOULD THE 701 ELECTROSTATIC UNIT BE REMOVED WITH EITH...

Page 10: ...he sound should appear to emanate from a relatively small area between the loudspeak ers If the phasing is incorrect the image will be broader and spread across the area between the loudspeakers Comme...

Page 11: ...s shows that the mains supply is functioning If the neon does not light when the mains is connected the fuse should be checked A spare fuse is provided but repeated replacements should not be made and...

Page 12: ...of a pair of DM70 s and a pair of conventional Loudspeakers are illustrated in figure 3 Fig 3 Listening area shown hatched in A simple guide to siting 1 It is suggested that in initial layout a flexi...

Page 13: ...n even and solid stereo image 4 The final point for consideration is whether to place the loud speakers parallel with the wall or surface or to angle them towards the listening area The governing fact...

Page 14: ...fier will depend on the size of your listening room on the preferred listening level as well as on the sensitivity of the loudspeakers True RMS outputs of between 25 and 100 watts per channel will mee...

Page 15: ...g a free air resonance of approximately 28 Hz The cone is formed from long fibre paper material with mass adjustment and damping to discourage cone break up provided by critically positioned rectangul...

Page 16: ...afely housed in a steel case The mains lead is captive for safety Cabinet The cabinet is constructed of 25mm chip board in the case of the Continental version the curved front formed from 19mm plywood...

Page 17: ...eight Weight with stand 45 4kg 100 lbs Standard Overall Height on Stand 31 i 808 mm Overall Width 3 2 815 mm Overall Depth 15 382 mm Continental Overall Height on Stand 32 s 820 mm Overall Width 26 s...

Page 18: ...Chamber B K equipment used throughout with type 4133 microphone at 1 metre Crossover and Filter Unit Individual Acoustic output from each Drive Unit showing Crossover frequency Polar Distribution 3 dB...

Page 19: ...4 ohms 20 Hz to 9 k Hz the impedance minimum occurring in a frequency region of very low music energy Plot of impedance of production sample of DM70 Distortion Harmonic analysis plotted against freque...

Page 20: ...ervals in ou Research Anechoic Chamber Microphone type B K 4133 31 5 Hz 40 Hz 50 Hz 63 Hz 80 Hz 100 Hz 125 Hz 160 Hz 200 Hz 250 Hz 315 Hz 400 Hz 500 Hz 630 Hz 800 Hz 1kHz 1 25 kHz 1 6 kHz 2 0 kHz 2 5...

Page 21: ...Polar response 100 Hz Polar response 1 k Hz Polar response 10 k Hz Polar response R k H 19...

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