page 7 – 3
220 / March 2000
S U P E R P H O N E I N P U T
Automatic Features
Faders can be optionally equipped with end-of-travel CUE switches,
which will allow you to talk off-air with a caller with a simple fader
overpress. One of the faders can also have an optional EFS type switch
to automatically turn the module on when it is run up.
The channel ON (red) and OFF (amber) switches are at the bottom
of the module. These can be programmed (via internal PCB-mounted
dipswitches) to activate control room and studio mutes, tallies, timer
restart and automatic cue drop-out. The ON switch can also automati-
cally trigger an external tape machine for recording purposes (see page
7-6).
Cue Dropout can also be programmed internally (page 7-5), making
it unnecessary to de-activate caller setup buttons before going live;
simply pressing the module’s ON switch will automatically do this for
you.
Inputs and Outputs
All audio and control signals hook-ups are made via two multi-pin
DB-25 connectors mounted at the top of the module and located
underneath the hinged meterbridge. The upper connector handles
hybrid input signals (i.e., caller input) and the external input mentioned
on page 7-2. The lower connector handles outputs, including the
module1 and 2 feeds to your station hybrid (the phone signals going to
your callers).
The module also has three addition output feeds on the lower DB-
25 connector. These are generally used for recording purposes:
Composite Out – This includes everything: DJ, callers, music beds,
etc. Generally used to to record phone segments in advance of
actual airplay.
Composite Minus Callers – This includes everything but the callers.
Callers Only – No talent, no DJs, no music; just caller voices.
0
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1
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SPD
I/O B
I/O A
TB / CUE
FEED
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A
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CALLER
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