Mode 10, 16 harmonics with two parameter noise control , Mode 11: 8 harmonics with individual two
parameter noise control.
1.
Connect envelope generator outputs to all those of the
envelope inputs
that you have activated for the
desired harmonic sliders.
2.
Connect envelope generator outputs to
modulation 1
and
modulation 2
.
3.
Connect the note determining control voltage to the
CV note
input and the gate trigger signal to the
gate
input, and optionally connect the
CV pitch
and
CV velocity
inputs.
–
modulation 1
is used for modulating the setting of
adjust 1
.
–
modulation 2
is used for modulating the setting of
adjust 2
.
–
adjust 1
and
adjust 2
are both used for noise adjustment.
adjust 1
controls the noise amplitude, and
adjust 2
the noise injection period.
–
Mode 10 has identical control for all the 16 harmonics, while Mode 11 has individually adjustable strength for
the 8 harmonics using sliders 9 – 16.
Mode 12, Harmonic generator with built-in sequenced envelope generator
1.
Connect external envelope generator output to
modulation 2
(but it has no adjustment, its amplitude
directly makes the PM modulation, so use a well adjustable external generator or leave open for no
PM).
2.
Use the virtual switchboard to link the 15 harmonics to one of the
envelope inputs 1 – 4
to determine
their internal envelope trigger delay.
3.
Turn
gate on
, now the signal connected to the
gate
input triggers the internal envelope generators.
Alternatively use
modulation 1
as the trigger input, but leave it open if gate is used.
4.
Connect the note determining control voltage to the
CV note
input and the gate trigger signal to the
gate
input, and optionally connect the
CV pitch
and
CV velocity
inputs.
–
use
adjust 1
to control the envelope shape (see Figure 4)
–
use
adjust 2
and
slider 16
to control the envelope duration and relative delays between the 4 possible
trigger events.
Mode 14, Frequency modulated harmonic generator.
1.
Connect envelope generator outputs to all those of the
envelope inputs
that you have activated for the
desired base note harmonic sliders. Only 6 harmonics are used in this mode, i.e. sliders 1 to 6 are
usable for the base signal spectrum setting. Remember that on power up, all are connected to
envelope
input 1
, and only if you toggle the switch to
envelope select
position and back again, the previously
stored connections are activated.
2.
For modulating signal harmonic amplitude control, connect envelope generator outputs to those
envelope inputs
that you have linked for the sliders 7 and 8. Adjust sliders 7 – 8 to set the relative
amplitudes for the modulator harmonics.
3.
Connect envelope generator outputs to all those of the
envelope inputs
that you have activated for the
individual harmonic frequency modulating signal amplitude defining sliders 9 - 14. Check the
correspondence of sliders 1 – 6 and 9 – 14.
4.
For modulating signal frequency control, connect an envelope generator output to
modulation 1
and
adjust
the modulation offset frequency to a desired level using
adjust 1,
and gain using
adjust 2.
5.
Define downward or upward modulation by setting slider 16 down or up, correspondingly.
6.
Use slider 15 to adjust antialiasing lowpass filter cutoff.
7.
Connect global modulation amplitude control envelope to
modulation 2
.
8.
Connect the note determining control voltage to the
CV note
input and the gate trigger signal to the
gate
input, and optionally connect the
CV pitch
and
CV velocity
inputs.
33
