5
PROFESSIONAL MIXERS
STEREO CHANNELS
PREESSIONAL MIXERS
8
SEPCIFICATIONS
Left
Right
LEVEL
FX
BAL
-
¥
0
+ 15
0
-
¥
+ 15
Fig 2
Bal
or
Unbal
MONO
R
L
LINE IN 3/4
+4
-10
16
17
Serie
PAMX1
Serie
PAMX1
12.
L channel of a stereo source or a mono signal can be
connected to this 6,3 mm Jack input. Signal can be either
balanced or unbalanced*
13.
Only R channel of a stereo signal can be connected to this
6.3 mm input
14.
This switch sets the channel input level (+ 4 / - 10 dB
attenuation)
15.
FX: This control adjusts signal level to send to FX
SENDS, controlled through general adjustment (19).This signal is
always "post" FADER
16.
BAL: It adjusts the stereo scene by adjusting the signal
levels to send to right and left outputs.
17.
LEVEL: It adjusts the level of the channel signal.
* See connection scheme on page 7
Section
Level and datas
MONO INPUT CHANNELS
Mic In
Sensitivity from
0 to - 60 dB
XLR-F Balanced
Impedance
2 Kohm
Line In
Jack Balanced
Impedance
10-20 Kohm (Bal-Unbal)
EQ
STEREO INPUT CHANNELS
Line In
Sensitivity from
- 10 a + 4 dB
Impedance 20
Kohm
MASTER SECTION
TAPE OUT
Nominal Output level
0 dBu
Nominal Output level - 10 dBv
HEADPHONES
Min Impedance
32 ohm
Jack Stereo
Max Output
(2x) 193 mW
MAIN SPECIFICATIONS
Max Level
Crosstalk
Hum and Noise
THD + Noise
Weight
Dimensions (WxDxH)
Connector
XLR / Jack Bal.
Jack
Unbal mono
RCA
all outputs +22 dBu
meas at 1 KHz
> 82 dB
unweighted
< -93 dBu
a +4dB, 1kHz
< 0,008 %
MAIN OUT
C. ROOM out
FX SENDS1
Jack
Unbal mono
Jack
Unbalanced
Jack Balanced
Jack
Unbalanced
PAMX 1.24
.0 Kg
cm
Nominal Output level + 4 dBu
Nominal Output level + 4 dBu
Nominal Output level + 4 dBu
HIGH ±15 dB @ 12 KHz shelving
MID
±15 dB @ 2.5 KHz peaking
LOW
±15 dB @ 80 Hz shelving
Sensitivity from
- 10 a + 4 dB