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Channel 2 Input Selector

The second channel of the MP-200 has multiple inputs. These options
are:

• Mike 1 - Used to feed the same mike 1 signal to both Channel 1

and Channel 2 outputs of the MP-200. This is useful to insure that
both channels of your analyzer are adjusted to the same settings.

• Mike 2 - When used with the optional 2nd CM-10 microphone,

this allows comparison of two acoustic inputs.

• Line - Sends the summed mono signal from the Line Input jacks to

channel 2. A typical application allows use of a live music signal to
calculate the transfer function of system by comparing the electri-
cal input to the acoustical output.

• Pink Noise - Monitors the internal pink noise generator of the

MP-200. Is used similarly to the Line input position.

Using the Pink Noise Generator

Pink noise is a random mix of all frequencies in the audio spectrum. It
is very useful for audio analysis because all bands have equal energy.
This means that if you feed pink noise into an audio analyzer, you will
see a flat frequency response. White noise, commonly used for audio
masking, differs because it has equal amplitude at all frequencies. If
you look at white noise on an audio analyzer, the signal level would
rise with frequency by 3 dB per octave.

By playing pink noise through an audio system and monitoring the
acoustic signal coming back into the room, any variance from “Flat”
indicates the combined frequency response of your speakers and
room. To use the pink noise generator in the MP-200, plug a cable
from the unbalanced ¼" phone Pink Noise Output jack to a line level
input on your audio system. Since the Pink noise output level is
variable, you can connect to a console input or directly into a power
amplifier and control the noise volume with the MP-200.

94 dB SPL Reference

The 94 dB reference LED on the MP-200 allows meaningful mea-
surement of acoustic sound levels. This LED will light when the
acoustic level at the CM-10 mic is 94 dB SPL (unweighted). The
MIKE GAIN switch on the MP-200 does NOT have any effect on
this indicator. The reference LED will always show an accurate
reading regardless of the MIKE GAIN switch setting. To use this
indicator, place the microphone in the measurement location. Now
play pink noise through the speaker system and turn up the volume
until the 94 dB LED illuminates. You can now adjust your analyzer to
read 94 dB.

Important Note: To prolong
battery life, the pink noise
circuitry of the MP-200 only
receives power when a plug
is inserted into the PINK
NOISE OUTPUT jack.
Disconnect the plug from this
jack when not in use.

Using the MP-200

Summary of Contents for MP-200

Page 1: ...200 TWO CHANNEL MICROPHONE PREAMPLIFIER SYSTEM Owner s Manual 22410 70th Avenue West Mountlake Terrace WA 98043 Phone 425 775 8461 Fax 425 778 3166 www audiocontrol com P N 9130560 1999 All Rights Reserved ...

Page 2: ...MP 200 Operation Manual ...

Page 3: ...olt phantom power output Connect the LINE OUTPUT of the MP 200 to your analyzer or computer sound input Set the MIC GAIN knob on the MP 200 to 0 dB At this setting the output signal level will be 24 5 mVRMS at 94 dB sound pressure level 1 Pascal If you need a test signal connect the PINK NOISE OUTPUT of the MP 200 to a line level input on your system under test Note To prolong battery life the pin...

Page 4: ...d almost always have a very distinct sound to them Some mics are better for vocals while others are great for kick drums This is because these mics have an equalization in their frequency response to enhance specific portions of the audio spectrum It is this equalization that makes recording and performance microphones unsuitable for making audio analysis measurements The CM 10 measurement microph...

Page 5: ...Selects which input is sent to the channel 2 outputs POWER LED A little reminder to help keep people from putting the MP 200 back into their toolbox with the power on Rear Panel View MIC INPUTS Microphone level female XLR inputs for the CM 10 measurement microphone LINE INPUTS Summed mono line level RCA input jacks for an external reference signal to channel two LINE OUTPUTS Line level RCA output ...

Page 6: ...this capability to compare two signals Important Note The MP 200 is designed to be used with the AudioControl Industrial CM 10 microphone only Use with any other microphone will produce unpredictable results Basic information about the MP 200 and CM 10 most analyzer systems need to know Mic Sensitivity 24 5 mVrms 94 dB SPL 1 Pascal Mic Gain dB Gain See appendix for more info on Gain 0 dB 0 10 dB 3...

Page 7: ...vel would rise with frequency by 3 dB per octave By playing pink noise through an audio system and monitoring the acoustic signal coming back into the room any variance from Flat indicates the combined frequency response of your speakers and room To use the pink noise generator in the MP 200 plug a cable from the unbalanced phone Pink Noise Output jack to a line level input on your audio system Si...

Page 8: ... external mic preamp gain adjustment in the SysID software Typical SysID System Setup Adapter Cable Wiring Mini DIN Pin 1 RCA Shield Ground Ground Mini DIN Pin 2 RCA Center Pin Hot Positive Audio Mini DIN Pin 3 Ground to Mini DIN pin 1 Negative Audio Using the MP 200 Measurement Preamp System with SIA Smaart To create room or speaker frequency response measurements audio analysis software packages...

Page 9: ...If anyone other than A or B messes with the MP 200 that voids your warranty 5 The warranty is also void if the serial number is altered or removed or if the MP 200 has been used improperly Now that sounds like a big loophole but here is all we mean by it Unwarranted abuse is A physical damage don t use the MP 200 to level your projection TV B improper connections 120 volts into the RCA jacks can f...

Page 10: ...n of the trouble you are having with the MP 200 You d be surprised how many people forget this 3 A return street address No PO Boxes please 4 A daytime phone number in case our technician has a question about the problem you are having You re responsible for the freight charges to us but we ll pay the return freight back We match whatever shipping method you use to send it to us so if you return t...

Page 11: ... 20 20kHz 3dB CM 10 Microphone dynamic range 50dB 135dB SPL CM 10 Microphone type Condenser diameter back electret element CM 10 Microphone sensitivity 24 5 mVRMS Pa 0dB gain Phantom Power Output 10 VDC Pink noise output level 1 V Pink noise flatness 20 20kHz 0 25dB Output Impedance Pink noise TS 200 ohm Battery life continuous use 10 hours Standard 9V alkaline cell External DC Power 9 VDC 12 mA D...

Page 12: ...6 X Gain Decibels add when put in series 10 dB 20 dB 30 dB Converting dB Amplification to Gain Multiplier Mic Gain dB Gain 0 dB 0 10 dB 3 16 20 dB 10 30 dB 31 62 40 dB 100 An Example The CM 10 microphone has a nominal output voltage of 24 5 mV at 94 dB acoustic sound pressure level With the MP 200 set to 20 dB the output voltage from the preamp will be 245 mV 20dB Amplification 10X Gain Multiplier...

Page 13: ...el 2 Sleeve Ground External DC Power Pin 9 Volts DC Sleeve Ground Usage of MLSSA SIA Smaart and SysID in the example systems does not imply endorsement of these products or vice versa MP 200 and CM 10 are trademarks of AudioControl Industrial MLSSA is a trademark of DRA Laboratories SIA Smaart is a trademark of SiaSoft SysID is a trademark of AT T Bell Laboratories Blrczky isn t anyone s trademark...

Page 14: ... 98043 425 775 8461 Fax 425 778 3166 www audiocontrol com 1999 AudioControl Industrial All Rights Reserved This manual was written and printed in the USA No slugs were harmed in the production of this manual although several mice were run ragged ...

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