Audio Engineering Associates RP48Q Operating Manual Download Page 3

13 – 

Operating Voltage Checkmark

: indicates the internal factory wiring for the operating voltage, 

120 VAC or 240 VAC.

14 – 

¼” TRS jack Unbalanced Output

: provides maximum output of +22 dBu; 100 k

Ω

 load. The 

recommended load is > 10 k

Ω

15 – 

XLR Balanced Output

: provides maximum output of +28 dBu, balanced or +22 dBu, unbal-

anced; 600

Ω

 load. 

Note

: At any gain setting, the balanced output is 6 dBu higher than the unbalanced output. (0 

dBu = 0.7746 V rms)

16 – 

DC-coupled Microphone input

: this input has no phantom power applied and is intended for use 

with microphones do not need phantom power, such as ribbon, moving-coil, or self-powered condenser 
microphones; the low-frequency response is -3dB at < 0.1 Hz; input impedance is > 10 k

Ω

.

17 – 

AC coupled Microphone input

: this input provides switchable full-spec P48 phantom power (see 

Switch # 1 on Front Panel) for use with phantom-powered condenser or ribbon microphones, etc.; low-
frequency response is -3dB at < 1 Hz; input impedance is > 10 k

Ω

.

Note 1

: Each channel has a DC-coupled and an AC-coupled input. Use only one of these inputs with 

each channel at a time.

Note 2

: Connector polarity:

 

 

 

 

XLR: pin-1 is ground, pin-2 is high, and pin-3 is low

 

 

 

 

TRS: tip is high, ring is tied to ground, sleeve is ground

Note 3

: No user serviceable or adjustable parts inside. Do not open the case.

Initial Setup

Before connecting the AC Mains power (ref. #12), check that the unit has been wired for the proper 
voltage (ref. #13). To ensure electrical safety and correct signal grounding, confirm that the AC source 
outlet is properly grounded and never defeat the ground-pin connection on the AC power cord.

Do not place this unit on or in close proximity to any object that emits strong electro-magnetic fields, 
such as power transformers, motors, or RF transmitters. While the RP

48

Q is well shielded against exter-

nal fields, it is, after all, a very high-gain amplifier.

Similarly, do not place this unit on any surface that is hot to the touch or where it can become over-
heated.

Before turning on the power, all connections to this unit should be made and the Gain controls (ref. #3 
and #4) set at their minimum (fully counterclockwise) settings. Also before powering on this unit, be 
sure that the next item in the signal chain is turned down to prevent any sudden loud noises from dam-
aging your system or hearing.

Summary of Contents for RP48Q

Page 1: ...eed phantom power such as ribbon moving coil or self powered condenser microphones or AC coupling with switchable full spec P48 phantom power for phantom powered condenser or ribbon microphones Bypass...

Page 2: ...nserts the Curve Shaper circuitry 8 Curve Shaper Tuning control this continuously variable control adjusts the 3dB break frequen cy from 2 1 kHz to 26 kHz 9 HF Gain control this continuously variable...

Page 3: ...inputs with each channel at a time Note 2 Connector polarity XLR pin 1 is ground pin 2 is high and pin 3 is low TRS tip is high ring is tied to ground sleeve is ground Note 3 No user serviceable or ad...

Page 4: ...ge to the microphones 1 Condenser microphones or powered ribbon microphones that require P48 phantom power should be connected to the AC coupled inputs ref 17 and the Phantom Power switch ref 1 should...

Page 5: ...ctly at the output of the RP48Q If your system requires telescoping the shield 3 it is recommended that the shield be disconnected at the output of the RP48Q and connected at the input to the next dev...

Page 6: ...the soundsource is at its loudest If the LED is illuminated too often or too long reduce the Input Gain control one step at a time until the Red LED illuminates only brie y at the loudest peaks Once...

Page 7: ...f ciently but the low frequency content of the program remains unaffected you have achieved your goal Using the Curve Shaper and HF Gain The RP48Q features a unique Curve Shaper circuit that enables y...

Page 8: ...lanced out Noise gure rms A weighted 2 dB Noise gure rms unweighted 3 dB 20 kHz LPF bandwidth EIN 128 dBu A weighted 150 W resistive source Frequency response 3dB 1Hz and 200 kHz THD 0 02 at 1 kHz Bal...

Page 9: ...chassis 17 25 w 11 d 1 7 h 44 cm x 28 cm x 4 3 cm Weight 6 75 pounds 3 1 Kg Silkscreened front and back panel markings and top panel block diagram Metallic blue and steel gray powder coat nish Detacha...

Page 10: ...ci cally designed for close micing and guitar Studio Microphone Stands and Booms Modular Microphone Positioners and Decca Trees Since 1983AEA has imported and serviced the Coles 4038 studio ribbon mic...

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