Portable Full Range Sound System KPRO 15.10
Stage Pro Series
Connect the components following the precedent wiring scheme .
Connection to the electric net
Check that Power switch is in position 0 and that net voltage corresponds to the one selected in the system.
3
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Connect the supplied electric wire to an electric net socket equipped with a correct ground contact.
Connection to the mixer
Before making any connection to the mixer make sure the system power switch is Off in order to avoid damages.
Remember that electric net power il the last to be switced On and the first to be disconnected after use!
If you use balanced XLR outputs from the mixer , you need XLR > Stereo Jack signal wires, or XLR/XLR wires with a stereo
Jack adapter to connect to the Line In of the subwoofer amplifier.
If you use balanced Jack outputs from the mixer, you need Stereo Jack >Stereo Jack wires.
If you use unbalanced XLR outputs from the mixer, you need XLR >Jack Mono wires, or XLR/XLR wires with an adapter
Jack Mono to connect to the subwoofer Line In:
If you use unbalanced jack outputs from the mixer, you need Jack Mono >Jack Mono wires.
Satellite connection
Use wires with good quality Speakon plugs. Make sure to rotate the Speakon plugs clockwise up to the lock position.
System volume adjustment
The System KPRO 15.10 is not equipped with clipping limiters and with clipping LED lights therefore it is important to make a
The system can offer excellent performance and it should get good level imput signals , from the kind and the good
quality of wires and preventing any audio distorsion . A distorted audio signal will make a bad performance of the System
and can make serious damages to the System itself.
Therefore we invite you to follow carefully the following instructions for the level adjustment of every component.
Satellites volume adjustment
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After having switched On the system, set the controls at 11 hours as described in the drawing. This is the optimal level
when you have a mixer with outputs peaks that are between 0 and + 3 dB
Now listen to the satellites; if you hear a distorsion or a signal saturation (by the microfone for instance) check the possibility
to reduce the signal from the audio source or the main output of the mixer. If it is not enough, reduce the volume of the
satellites untill you get an otimal sound.
Subwoofr volume adjustment
11
proper adjustment to the general features of the installation.
11
LEFT
RIGHT
SUBWOOFER LEVEL
LEVEL
LEVEL
LINE OUT LINE IN
LINE IN LINE OUT
400 W 4 OHM
POWER
150 W 8 OHM
150 W 8 OHM
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9
The adjustment of the system volume is to be made by the three LEVEL constrols
in the rear plate of the subwoofer:
- For the left satellite LEVEL LEFT
- For the right satellite LEVEL RIGHT
- For the subwoofer SUBWOOFER LEVEL
Before switching on the the system make sure that all three controls are turned
completely counterclockwise at level - .
∞
Make the adjustment of the satellites first and then adjust the subwoofer level.
After having memorized the right position of the LEFT and RIGHT controls and having set them again to zero,
turn the control SUBWOOFER LEVEL and set it at 11 hours . This is the optimal level when you have a mixer
with outputs peaks that are between 0 and + 3 dB.
Now listen to the subwoofer ; if you hear bass distrorsions, turn slightly the subwoofer control counterclockwise.
Final adjusment of the System
Set the three controls in the optimal positions that you have identified and listen to the complete System, always with
the mixer outputs with maximum peaks between 0 and +3 dB.
If you hear to much basses , turn sligthly the control LEVEL SUB counterclockwise.
If basses are too low instead, turn slightly the controls LEVEL LEFT and RIGHT counterclockwise .
As a general rule , the output level of the mixers is set in a way that, with the sound peaks, it is between 0 to +3 dB
about. When the system K PRO 15.10 gets in the two Line In (5 and 8) a signal with that amplitude and it is
set as explained above, it grants the maximum performance in terms of maximum undistorted amplification (at clip
limit) and in this conditions you get the maximum possible sound pressure (SPL).
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Portable Full Range Sound System KPRO 15.10
Stage Pro Series
High sensitivity passive satellites STAGE PRO 10
The high sensitivity satellite STAGE PRO 10 is composed by:
One 10" (250 mm) woofer with a 50 mm vented voice coil
One compression horn tweeter with a 45 mm voice coil
Cabinet in high density MDF , embossed anti-scratch painting
Housing hole for ø 35 mm stand tubes
Integral protection grill
High Pass Filter at 8000 Hz 18 dB/oct on tweeter
Impedance 4 ohm
Speakon socket for connection to the subwoofer amplifier
Dimension and Weight: 32 x 30 x 46 cm; 13 kg.
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
12 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
2.5 kHz
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
80 Hz
80 Hz
80 Hz
80 Hz
80 Hz
80 Hz
80 Hz
80 Hz
80 Hz
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
FX
FX
FX
FX
FX
FX
FX
FX
PAN
PAN
PAN
PAN
PAN
PAN
BAL
BAL
3
1
4
2
5
6
7/8
9/10
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
CLIP
CLIP
CLIP
CLIP
CLIP
CLIP
CLIP
CLIP
CLIP
CLIP
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
dB
dB
dB
dB
dB
dB
dB
dB
1
2
5
6
9/10
1
1
1
1
1
1
1
1
2
2
1
1
1
2
2
2
2
2
2
2
2
AL T
MAIN MIX
3-4
3
4
L
R
SOLO
SOLO
FX
FX
TO AUX
SEND 1
MAIN MIX
MAIN MIX
ALT 3-4
AUX SENDS
STEREO AUX RETURNS
PROGRAM
PROGRAM
( PUSH )
2-TR/USB
ALT 3-4
MAIN MIX
SOURCE
SOURCE
MAX
2-TR/USB TO MAIN
PHONES/CTRL R
MAIN SOLO
PFL
MODE
SOLO (NORMAL)
SOLO (NORMAL)
PFL (LEVEL SET)
PFL (LEVEL SET)
10
5
2
0
2
5
20
MIC 3
MIC 1
MIC 1
MIC 4
MIC 2
MIC 5
MIC 6
LINE IN 5/6
LINE IN 7/8
LINE IN 7/8
RIGHT
LEFT/ MONO
MONO
AUX SENDS
2
1
2
1
FX
INPUT
OUTPUT
CD/TAPE
CD/TAPE
00 SMALL HALL
00 SMALL HALL
03 MID HALL
03 MID HALL
06 BIG HALL
06 BIG HALL
09 CHURCH
10 SMALL ROOM
10 SMALL ROOM
13 MID ROOM
13 MID ROOM
16 BIG ROOM
16 BIG ROOM
19 CHAPEL
19 CHAPEL
20 SPRING
20 SPRING
27 SPRING
27 SPRING
30 GATED REV
30 GATED REV
36 REVERSE
36 REVERSE
40 EARLY REFL
40 EARLY REFL
44 AMBIENCE
44 AMBIENCE
48 STADIUM
48 STADIUM
49 AMBIENCE FX
49 AMBIENCE FX
50 DELAY
50 DELAY
59 ECHO
59 ECHO
60 CHORUS
66 FLANGER
66 FLANGER
70 PHASER
70 PHASER
74 PITCH SHIFT
74 PITCH SHIFT
80 CHORUS & REVERB
80 CHORUS & REVERB
82 FLANGER & REVERB
82 FLANGER & REVERB
84 PHASER & REVERB
84 PHASER & REVERB
86 PITCH & REVERB
86 PITCH & REVERB
88 DELAY & REVERB
88 DELAY & REVERB
90 DELAY & GATED
90 DELAY & GATED
91 DELAY & REVERSE
91 DELAY & REVERSE
92 DELAY & CHORUS
92 DELAY & CHORUS
94 DELAY & FLANGER
94 DELAY & FLANGER
96 DELAY & PHASER
96 DELAY & PHASER
98 DELAY & PITCH
98 DELAY & PITCH
24-BIT MULTI-FX PROCESSOR
24-BIT MULTI-FX PROCESSOR
ULTRALOW-NOISE DESIGN
14-INPUT 2/2-BUS MIC/LINE MIXER
14-INPUT 2/2-BUS MIC/LINE MIXER
WITH PREMIUM MIC PREAMPLIFIERS AND
WITH PREMIUM MIC PREAMPLIFIERS AND
DIGITAL 24-BIT MULTI-EFFECTS PROCESSOR
DIGITAL 24-BIT MULTI-EFFECTS PROCESSOR
USB AUDIO INTERFACE
USB AUDIO INTERFACE
3
4
7/8
PAM
X 2 .6 2
LAM
P
12V
12V
400
400
mA
USB
INTERFA
INTERFA
CE
LEFT
RIGHT
SUBWOOFER LEVEL
LEVEL
LEVEL
LINE OUT LINE IN
LINE IN LINE OUT
POWER
400 W 4 OHM
POWER
150 W 8 OHM
150 W 8 OHM
VOLTAGE SELECTION
ELECTRIC NET
WIRING
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