Ashly Protea 4.24D Operating Manual Download Page 14

Operating Manual - PROTEA SYSTEM II  4.24D  Distribution / System Processor

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A second application for delay is to time align discrete drivers within a

cabinet or cluster.  For example, a typical three way speaker cluster would have
low end, midrange, and high frequency drivers all located near one another.
The different drivers for each frequency band are not necessarily the same physi-
cal depth with respect to the front of the loudspeaker cluster, so there exists the
problem of the same signals (at the crossover points) arriving at the cluster
"wavefront" at different times, creating undesirable wave interaction such as
frequency peaks or cancellation.  The solution in this case, rather than fixing the
frequency anomalies with EQ, is to slightly delay the signal to the drivers clos-
est to the cluster front.

Using the location of the driver diaphragm farthest back as a reference

point, measure the distance to other drivers in the cluster, and set the output
delay for each accordingly, with the driver diaphragm closest to the front get-
ting the longest delay and the driver at the very back getting no delay at all.  The
minimum adjustment is 0.02 milliseconds, or about ¼ inch.  When appropriate,
always time align the loudspeakers before applying EQ to the outputs of the
4.24D.

7.4h  Limiter

A full function compressor/limiter is included on each output channel.  A limiter is

commonly used to prevent transient audio signal spikes from damaging loudspeakers, manage
analog and digital recording levels, optimize broadcast levels, or "thicken" the sound of an
audio source (compression).  The adjustable parameters include Limiter In/Out, Threshold,
Ratio, Attack Time, and Release Time.

The 4.24D limiter threshold range is from -20dBu to +20dBu, or -24VU to +16VU.

This setting determines the signal level above which gain reduction begins, and is indicated
by the amber LED (S/L) in the output meter section.  Increases in audio level above the
threshold will be reduced according to the ratio settings.

The ratio control determines the amount of gain reduction above limiter threshold.

Ratio ranges from a gentle 1.2:1 to a brick-wall INF:1.  To illustrate how the ratio control
works, imagine a commonly used loudspeaker protection ratio of 10:1, which means that for
every input signal increase of 10 dB above threshold, the output level will only increase by
1dB.  The higher the ratio, the more pronounced the audio effect, so use the lowest ratio
possible to sufficiently address the problem.

Attack and Release settings adjust the time it takes the limiter to engage and then disengage when the signal

increases above threshold and then subsequently falls back below threshold.  Attack time is adjustable from 0.5ms
through 50ms, while release time ranges from 10ms through 1s.  A very fast attack time can sound unnatural, while a
very long attack time can miss some of the initial transient.  Similarly, a very short release time can make the audio
sound uneven, while a very long release time can create "pumping", or "breathing" characteristics depending on the
kind of signal.  Experiment to find the best solution for a given application.

8. OTHER  SOFTWARE  FUNCTIONS

8.1  Channel Preset File Management

As discussed in section 7.2, there are 10 standard configurations which can be modified to create user defined

preset files.  These modified presets can then be saved to either disk or the 4.24D itself.  For disk files, the file
extension is <*.pdc>.  For files saved to the 4.24D, they must number from 1 to 30 and the filename must be no more
than 20 characters.  The 30 preset locations on the 4.24D are initially filled with the same 10 standard configurations,
repeating three times.

σ

High - No Delay

Midrange Delay

12 Inches = 0. 9mS

Low Delay

8 Inches = 0. 6mS

Example:   12 Inches

Example:   8 Inches

Short Time Delay

For Driver Alignment

Summary of Contents for Protea 4.24D

Page 1: ...O INC 847 Holt Road Webster NY 14580 9103 Phone 585 872 0010 Toll Free 800 828 6308 Fax 585 872 0739 w w w ashly c o m 4 24D 24 Bit Digital Distribution System Processor Operating Manual Digital Audio...

Page 2: ...3 RS 232 Dataport 6 5 4 Contact Closure Connector 7 5 5 Data In and Data Out Connection 7 5 6 AC Inlet and Power Switch 7 5 7 RS 232 Mode Switch 7 6 PROTEA SYSTEM SOFTWARE 8 6 1 How to Get Protea Syst...

Page 3: ...ng the device The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the product s enclosure tha...

Page 4: ...two piece terminal block connectors 2 UNPACKING As a part of our system of quality control every Ashly product is carefully inspected before leaving the factory to ensure flawless appearance After unp...

Page 5: ...top bar within the 4 24D section of Protea System Software MIDI channel 0 removes the device from any MIDI control while still allowing MIDI signal to pass through This display also indicates the foll...

Page 6: ...at signal levels above 20dBu 7 75Vrms which places the noise floor lower than 90dBu The optimum input signal level which should be fed into the Protea processor is 0dBu 775Vrms This input level will a...

Page 7: ...contact closure connector equals the number of the preset which will be recalled when that switch is closed Always use the 4 24D contact closure ground for contact closure switches Do not connect the...

Page 8: ...new Protea 4 24D can be downloaded from the Ashly web site or can be purchased directly from Ashly for a nominal handling fee 6 2 Installing Protea System Software The installation program is the same...

Page 9: ...are encompasses eight different Ashly Audio products After properly connecting the PC and 4 24D see section 6 3 enable Communications and then select 4 24D from the Devices pull down menu 7 2 Configur...

Page 10: ...dragging a filter Resets the filter position to its starting position c Cut Active Filter z Zero Active Filter Ctrl c Cut Master Gain Ctrl z Zero Master Gain 7 4b Mute The 4 24D allows the user to mut...

Page 11: ...l on either side of the frequency center is boost or cut whereas a larger wider bandwidth produces an audible change to the overall tone of a signal Para metric filters are best used to hunt down and...

Page 12: ...a high pass filter HPF and a low pass filter LPF along with the frequen cies and filter types used Each output s crossover sec tion is essentially a bandpass filter making it necessary for the user to...

Page 13: ...48dB oct Linkwitz Riley filters individually are always 6dB at the displayed crossover frequency however the 18dB oct Linkwitz filters individually are always 3dB at the displayed crossover frequency...

Page 14: ...ch gain reduction begins and is indicated by the amber LED S L in the output meter section Increases in audio level above the threshold will be reduced according to the ratio settings The ratio contro...

Page 15: ...d to the PC is also the one whose settings are to be copied forward to the next unit through the MIDI connection In other words using Trigger MIDI Dump From Protea always writes to the next Protea obj...

Page 16: ...t gain settings too high Check to see if an EQ filter has too much boost 5 Distorted sound but no Clip LED Check individual EQ filters to see if there is excessive boost 6 Muffled sound If expecting f...

Page 17: ...kHz Off Available Filter Types 12dB Oct Butterworth 12dB Oct Bessel 12dB Oct Linkwitz Riley 18dB Oct Bessel 18dB Oct Linkwitz Riley 24dB Oct Butterworth 24dB Oct Bessel 24dB Oct Linkwitz Riley 48dB Oc...

Page 18: ...n the warranty card that came with your product Fill out the information below for your records Model Number _____________ Serial Number ________________ Dealer __________________________ Date of Purc...

Page 19: ...ute 13 BLOCK DIAGRAM A D Input Mute Input EQ Input Meter LEDs Input Channels A D 40 to 12dB Input Gain 6 Bands of Parametric 1st Order LS 2nd Order LS 1st Order HS or 2nd Order HS Input Clip Indicator...

Page 20: ...ion System Processor ASHLY AUDIO INC 847 Holt Road Webster NY 14580 9103 Phone 585 872 0010 Fax 585 872 0739 Toll Free 800 828 6308 www ashly c o m 2003 by Ashly Audio Corporation All rights reserved...

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