Ashly 2.24GS Operating Manual Download Page 9

9

Operating Manual - PROTEA SYSTEM II Digital Audio Products

Ratio (RAT) is the degree of attenuation to the signal above the limiter threshold point.  As the ratio increases,

less signal is allowed to exceed the threshold.  For example, with the ratio set at 10:1, a 10dB increase in input level
results in just a 1dB increase in output level.  Thus a lower ratio is a more pleasant sounding effect, while a high ratio,
while accurately preventing signal increases, reduces the dynamic range to a point where the audio sounds unnatural.

Limiter  Attack (ATT) and Release (REL)  Time Controls display units in milliseconds (ms);  however, the

actual units are ms per dB.  For example, when the Release control is set at 100 ms, the limiter's attenuation will
release at the rate of 100 ms per dB, or viewed in another way, it would release 10dB over 1 second of time.  The attack
and release time action was designed this way to achieve a more natural attack and release behavior of a constant rate
rather than time.  It should be noted that fast attack and release times may distort the audio signal.  This occurs in any
limiter because a fast attack or release action changes the gain rapidly which will by definition, distort the waveshape
of long wavelength (low frequency) signals.  Therefore, it is recommended that longer attack and release times be used
for lower distortion.

10-segment meters on the LCD indicate amount of GAIN REDUCTION and OUTPUT LEVEL, including a

Peak LED on the output meter.  As with EQ and all other audio functions, the limiter is enabled by the In/Out key.

5.3.3  HPF/LPF

The HIGHPASS and LOWPASS filters of-

fer precise frequency adjustment of two 24dB/oc-
tave filters, creating accurate visual representation
of the pass band.  The frequency indicated for each
filter is the -3dB point.  Use the four softkeys to
shift the frequency for each filter.  To quickly shift
both filters "off" while in this menu, press the FLAT
key to the right of the display.

5.3.4  DELAY

The DELAY feature is used to time

align two or more loudspeaker sources so that
the acoustic energy created by different speakers
at different locations arrives simultaneously at
a given listening point.   Adjustments are made
u s i n g   C o u r s e ,   M e d i u m ,   a n d   F i n e   s o f t k e y s
d i s p l a y i n g   m i l l i s e c o n d s ,   f e e t ,   a n d   m e t e r s .
Maximum delay per channel is 1365ms.  Quickly
reset Delay Time to zero by simultaneously
pressing the up and down "Course" keys.

5.3.5  METERING

Press the MORE key to access the    sec-

ond menu screen.  Meters display  input and out-
put levels in dBu  or VU, selectable in the
UserPrefs menu.    0 dBu = 0.775Vrms, and
+4 dBu = 0 VU.  To maintain the highest signal
to noise ratio possible, each local channel's in-
put level should nominally be 0 dBu, or -4 VU,
allowing 20dB headroom before clipping.
  Each
of the four local channels also use a two-color
(green/red) LED to indicate signal present (-15
dBu) and clipping (+20dBu) for that channel.

More

Menu

Preset 01

dB Meters

UserPrefs

MIDI

Security

-9

-6

-3

0

+3

+6

+12

Pk

In

+9

-12

Out

-9

-6

-3

0

+3

+6

+12

Pk

In

+9

-12

Out

-9

-6

-3

0

+3

+6

+12

Pk

In

+9

-12

Out

-9

-6

-3

0

+3

+6

+12

Pk

In

+9

-12

Out

4

1

2

3

(VU)

1.2K

800

1K

1.6K

2K

2.5K

More

Menu

630

Preset 01

EQ

OUT

Cmp/Lim OUT

HPF/LPF

IN

DELAY

OUT

20

100

1K

10K 20K

HPF=99Hz

LPF=10.0KHz

1.2K

800

1K

1.6K

2K

2.5K

More

Menu

630

Preset 01

EQ

OUT

Cmp/Lim OUT

HPF/LPF

IN

DELAY

OUT

DELAY TIME:

0.00 ms

0.00 ft

0.00 m

Fine

Medium

Course

Summary of Contents for 2.24GS

Page 1: ...24G Four Channel Graphic Equalizer System Processor 4 24GS Four Channel Graphic Equalizer System Processor Slave 2 24GS Two Channel Graphic Equalizer System Processor Slave 4 24PS Four Channel Paramet...

Page 2: ...4 24RD Remote Control Unit 6 4 3 Multi Channel Protea System 6 4 4 Computer Control with Protea System Software 7 4 5 With Third Party MIDI System 7 5 KEYBOARD CONTROL FEATURES 7 5 1 Bank 7 5 2 Chann...

Page 3: ...T BE EARTHED The exclamation point within an eqilateral triangle is intended to alert the user to the presence of important operating and maintenance instructions in the literature accompanying the de...

Page 4: ...ucts Digital Audio Products PU SH 4 24RD Portable remote control for 4 24G Master or graphic EQ slave units TwoChannel 24 Bit Digital Graphic Equalizer SystemProcessorSlave Digital Audio Products Powe...

Page 5: ...rotea System Software The second type of interface uses Ashly PROTEA SYSTEM SOFTWARE for the Windows95 98 environment which allows complete PC control through a computer s RS 232 serial port Protea Sy...

Page 6: ...y includes five audio processors a remote control and Protea System Software Various Protea units can be combined to expand the capabilities of a system adding channels utilizing remote control or con...

Page 7: ...rent dominant channel Preset 01 EQ IN Cmp Lim OUT HPF LPF OUT DELAY OUT Sig Mute 1 2 3 4 More Menu Channel A B C D Bank Four Channel 24 Bit Digital Graphic Equalizer System Processor A B C D E F G H I...

Page 8: ...equalizer consists of 28 bands of Constant Q reciprocal filters on third octave frequencies with up down keys for each band Multiple bands can be adjusted at the same time and in dividual frequencies...

Page 9: ...PF The HIGHPASS and LOWPASS filters of fer precise frequency adjustment of two 24dB oc tave filters creating accurate visual representation of the pass band The frequency indicated for each filter is...

Page 10: ...ommunication is used to connect the PC to the first Protea unit in that system Master MIDI and RS232 switch menu settings for specific products in various applications can be found in the System Confi...

Page 11: ...up The user may view but not change the current settings of all local channels user preferences and MIDI Once the proper security level has been selected press the ENTER softkey or Esc to initiate Not...

Page 12: ...if applicable that you want to copy to then press COPY again to execute the copy or ESC to exit Note The new channel which was copied to becomes the current channel and although the new channel s pres...

Page 13: ...r on Caution doing this will erase all current presets To do a factory reset on a slave unit set back panel Switch A OUT and Switch B IN then power up unit A 10 second countdown occurs on the LED char...

Page 14: ...ections and software setups used in Pro tea applications see the SYSTEM CONFIGURATION chart on page 20 6 4 CONTACT CLOSURES and Remote Scene Recall Slaves Only Protea slaves store individual presets a...

Page 15: ...rotea system channels set to that MIDI channel will respond accordingly Note Simultaneous adjustments made on a 4 24G main unit and 4 24RD remote control will be treated as first come first served in...

Page 16: ...Slave Parametric slaves will only respond to commands from Protea System Software and while both types of slaves can be used together it is best to only use PC control for such hybrid systems To conf...

Page 17: ...require Protea System Software to initially set up the presets and scenes The software is flexible enough to set up as little as a two channel slave unit or as much as a full 16 channel stereo graphi...

Page 18: ...qualified service technician The Protea processors contain an inter nal coin cell battery used to store presets and user preference settings This battery will typically last 5 years or longer The batt...

Page 19: ...d Signal Present Clip 15dBu 20dBu Audio Sampling Rate 48KHz Propagation Delay 1 46mS Remote Distance 1000 ft AC Requirements 90 125VAC 50 60Hz 180VAC 250VAC 50 60Hz switchable Environmental 40 F 120 F...

Page 20: ...4 24G RS 232 In RS 232 Slaves XLR In Out PC 1 Slave RS 232 In Out PC Multiple RS 232 to 1st In In on 1st Slave Slaves XLR to others In Out on others PROTEA Rev 2 20 Printed in USA 12 99 PROTEA SYSTEM...

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