ARX UniMIX Specifications Download Page 2

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Our policy is one of continuous im-

provement, and therefore designs

may change without notice. How-

ever, unless otherwise stated, spec-

ifications will always equal or ex-

ceed those previously given.

The mixer shall be mounted into a standard 1 RU steel

chassis with extruded anodised aluminium front panel.
It shall have six input channels switchable to Mic or

Line, with one Level control per input. Each level con-

trol shall provide full attenuation through to +6dB of gain.

An associated Gain control shall have 10dB to 50 dB

Gain
There shall also be a stereo Line input channel, with

RCA type phone connectors. It shall have its own Lev-

el control, and an associated –10 to +10 dB Input Trim

control.
On the rear panel, all Mic/Line Inputs shall be electron-

ically balanced 3 pin female XLR  connectors.
There shall be a Master Level control with three way

EQ on the front panel, and the Master outputs shall be

electronically balanced 3 pin male XLR output connec-

tors. There shall also be a single transformer balanced

XLR Auxiliary Master output with associated front pan-

el Level control.

There shall also be a Recording Output Master con-

trol on the front panel, with associated Automatic Gain

Control. The outputs shall be transformer balanced

Tip Ring Sleeve balanced jacks.
48V DC Phantom Power shall be available on all

Mic Inputs  via a rear panel switch
Input Headroom shall be +24dB, and Maximum Out-

put Level shall be +24dB.
Output Signal/Noise @ unity gain shall be -90dB A

weighted, Master @ unity,
Frequency Response shall be 20Hz-20KHz ±1dB.
Distortion @ unity gain, shall be below .0035% 100Hz

to 10KHz.
AC power shall be switchable 100 to 120V or 220 to

240V AC, connected to the unit via a standard three

pin IEC connector, with built-in fuse and voltage

change switch.
The unit shall be the ARX UniMIX

•   6x Female XLR Balanced Inputs wired Pin 1

Audio Ground, Pin 2 +, Pin 3 –

•   RCA type Stereo Line Inputs
•   Left and Right Transformer isolated TRS

Balanced Recording Output jacks

•   Left and Right Male XLR Balanced Outputs,

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•   Individual Level controls for each  input channel

- infinity through 0db to +6dB

•   Individual Gain Controls for each Input channel,

10 to 50 dB

•   Stereo Line In Level and Trim control
•   Master Output 3 way EQ and Level control

•   System Status LEDs
•   Recording Master Level control and

Automatic Gain Control Threshold trim

•   Auxiliary Master Output control
•   Marker panel for labelling input channels

wired Pin 1 Audio Ground, Pin 2 +, Pin 3 –

•   Transformer isolated Auxiliary Master XLR

Output

•   Global Mic input Phantom Power switch
•   Removable IEC type AC input connector, with

inbuilt fuse

Input Impedance

Mic 4K Ohms Balanced

Line 22K Ohms Unbalanced

Input Gain

Microphone Variable 10 dB to

50 dB with rear trim control

Mic / Line switch -20dB

Output Level 

( Max)   +21dB

AGC Threshold

–30 to 0 dB

AGC Output Gain

–20 to +20 dB

Phantom Power:

+48VDC switchable on all

Microphone Inputs

Output Signal/Noise

(@ unity gain)

-90dB A weighted, all inputs

@ Unity, Master @ Unity

Dynamic Range  

   115dB

Master Output EQ

Low 100Hz 15dBCut/Boost

Mid 800HZ 15dB Cut/Boost

Bell, Broad Q

High 10KHz 15dBCut/Boost

System Master Outputs

Electronically Balanced Male

XLR 300 ohms, Amphenol

Male XLR: Pin 1 Ground, Pin

2 +, Pin 3 –

Auxiliary Output

Transformer Balanced Male

XLR 300 Ohms. Pin 1 N/C,

Pin 2 +, Pin 3 –

Recording Outputs

Transformer Balanced TRS

Balanced Jacks, 300 Ohms.

Tip +, Ring –, Sleeve N/C

Frequency Response

20Hz-20 KHz ± 1dB

Distortion (@ unity gain

Below  0 .0035%,

100 Hz to 10KHz

Input Connector Type

Mic/Line - Amphenol

Female XLR

Hi Z Input 7/8 Phono

(RCA type)

N/C: 

Not Connected

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