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Artcoustic SL EVOLVE 12-6, Owner'S Manual

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Artcoustic SL EVOLVE 12-6 Owner'S Manual Download Page 20

Optimized array 3.5m to 10m

Optimized array 2.5m to 6.5m

AT

M

O

S 

Re

fe

re

nc

e 

SP

L 

10

5d

B

20000
16000 
12500 
10000 
8000 
6300 
5000 
4000 
3150 
2500 
2000 
1600 
1250 
1000

20000
16000 
12500 
10000 
8000 
6300 
5000 
4000 
3150 
2500 
2000 
1600 
1250 
1000

SPL (dB)
115-120
110-115
105-110
100-105
95-100
90-95
85-90
80-85
75-80
70-75
65-70

on-axis SPL of the array at distances 0 - 12m

on-axis SPL of the array at distances 0 - 12m

Distance from the array along the central axis (between the two central tweeters) (m).

Distance from the array along the central axis (between the two central tweeters) (m).

VERTICAL ARRAY

VERTICAL ARRAY

TIME ALIGNED ARRAY VS. DISTANCE

SL EVOLVE 84 ARRAY

SL EVOLVE 126 ARRAY

Optimized array distance

ARTCOUSTIC LOUDSPEAKERS

AT

M

O

S 

Re

fe

re

nc

e 

SP

L 

10

5d

B

Fr

eq

ue

nc

y 

(H

z)

Fr

eq

ue

nc

y 

(H

z)

Optimized array distance

SPL (dB)
115-120
110-115
105-110
100-105
95-100
90-95
85-90
80-85
75-80
70-75
65-70

OWNER MANUAL – SL EVOLVE SERIES

Summary of Contents for SL EVOLVE 12-6

Page 1: ...SL EVOLVE SERIES Owners manual artcoustic com ...

Page 2: ...to produce exceptional sound pressure level normally only associat ed with typical professional audio products and has been designed to ensure the utmost aesthetic residential pleasing options all combined with literally thousands of cabinet and front screens colours The SL Evolve Series is a true all rounder whether you are looking for high end sound from two speakers in a stereo music setup or m...

Page 3: ...ve a near perfect response curve without compromising on any of the existing high end features including extreme sound pressure levels sensitivity extended frequency response controlled directivity exceptional speed and transient response All arranged within a well designed slimline cabinet with endless options to customise your speaker Choose from an unlimited range of colours matching screen cov...

Page 4: ...aphragm with highly linear suspension and low loss surrounds for high clarity and clean transient response Copper caps for better HF extension and lower distortion and wave guide center plug copper clad aluwire 6 dB octave low pass and 12 dB octave high pass filler COMPONENTS OVERVIEW ARTCOUSTIC LOUDSPEAKERS WOOFER HIGH FREQUENCY DRIVER CROSSOVER FEATURES OWNER MANUAL SL EVOLVE SERIES ...

Page 5: ...PL 90 Watt 102 dB Full Space 105 dB Half Space Short Term Damage SPL 220 watt 105 dB Full Space 108 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave SL EVOLVE 3 1 3 5kg 4 ohm Horizontal 80 Vertical 30 H 370 W 270 D 67mm 60 Hz 40 kHz 3dB 60 Hz Cabinet Black White RAL NCS Screen Black White RAL NCS Artcoustic Art Gallery LF MF 3 x 3 inch cone HF 1 x 1 inch Dual Ring Radiator FINISH WEI...

Page 6: ...adiator Symmetric Phase Aligned Operating Range 60 Hz 3dB to 40 kHz Nominal Beamwidth Horizontal 80 Vertical 40 Input Impedance Nominal 4 ohms Sensitivity 1 Watt 4 ohm 93 dB Full Space 96 dB Half Space Long Term SPL 90 Watt 108 dB Full Space 111 dB Half Space Short Term Damage SPL 90 watt 111 dB Full Space 114 dB Half Space Recommended high pass filter 100 Hz 24 dB Octave ARTCOUSTIC LOUDSPEAKERS CR...

Page 7: ...PL 180 Watt 113 dB Full Space 116 dB Half Space Short Term Damage SPL 220 watt 116 dB Full Space 119 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave 4 5kg 5 ohm Horizontal 80 Vertical 30 H 370 W 270 D 67mm LF MF 6 x 3 inch cone HF 3 x 1 inch Dual Ring Radiator 65 Hz 40 kHz 3dB 65 Hz Cabinet Black White RAL NCS Screen Black White RAL NCS Artcoustic Art Gallery CROSSOVER TRANSDUCER CO...

Page 8: ...ator Symmetric Phase Aligned Operating Range 70 Hz 3dB to 40 kHz Nominal Beamwidth Horizontal 80 Vertical 25 Input Impedance Nominal 3 5 ohms Sensitivity 1 Watt 3 5 ohm 96 dB Full Space 99 dB Half Space Long Term SPL 240 Watt 117 dB Full Space 120 dB Half Space Short Term Damage SPL 280 watt 120 dB Full Space 123 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave SL EVOLVE 8 4 CROSSOVE...

Page 9: ...diator Symmetric Phase Aligned Operating Range 65 Hz 3dB to 40 kHz Nominal Beamwidth Horizontal 80 Vertical 20 Input Impedance Nominal 7 ohms Sensitivity 1 Watt 7 ohm 98 dB Full Space 101 dB Half Space Long Term SPL 360 Watt 118 dB Full Space 121 dB Half Space Short Term Damage SPL 400 watt 121 dB Full Space 124 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave SL EVOLVE 12 6 CROSSOVE...

Page 10: ...SPL 480 Watt 120 dB Full Space 123 dB Half Space Short Term Damage SPL 520 watt 123 dB Full Space 126 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave 14kg 4 ohm Horizontal 80 Vertical 18 H 716 W 270 D 72mm 75 Hz 40 kHz 3dB 75 Hz Cabinet Black White RAL NCS Screen Black White RAL NCS Artcoustic Art Gallery LF MF 16 x 3 inch cone HF 8 x 1 inch Dual Ring Radiator CROSSOVER TRANSDUCER C...

Page 11: ...adiator Symmetric Phase Aligned Operating Range 75 Hz 3dB to 40 kHz Nominal Beamwidth Horizontal 80 Vertical 17 Input Impedance Nominal 5 ohms Sensitivity 1 Watt 5 ohm 104 dB Full Space 107 dB Half Space Long Term SPL 720 Watt 124 dB Full Space 127 dB Half Space Short Term Damage SPL 760 watt 127 dB Full Space 130 dB Half Space Recommended High Pass Filter 100 Hz 24 dB octave CROSSOVER TRANSDUCER ...

Page 12: ...370 35 150 150 132 50 SL Evolve 3 1 front view isometric view side view top view rear view dimension are in mm 270 81 72 35 100 6mm inserts for wall bracket SCHEMATICS ...

Page 13: ...SL Evolve 4 2 front view isometric view side view top view rear view dimension are in mm 370 35 150 150 132 50 SCHEMATICS 270 81 72 35 100 6mm inserts for wall bracket ...

Page 14: ...270 81 72 35 100 6mm inserts for wall bracket SL Evolve 6 3 front view isometric view side view top view rear view dimension are in mm 370 35 150 150 132 50 SCHEMATICS ...

Page 15: ...SL Evolve 8 4 front view isometric view side view top view rear view dimension are in mm 270 81 72 35 100 6mm inserts for wall bracket 370 35 150 150 132 50 SCHEMATICS ...

Page 16: ...SCHEMATICS SL Evolve 12 6 top view front view side view rear view isometric view dimension are in mm 550 35 240 240 75 270 87 72 100 100 ...

Page 17: ...SL Evolve 16 8 top view front view side view rear view isometric view dimension are in mm 716 35 323 323 158 270 87 72 100 100 SCHEMATICS ...

Page 18: ...SL Evolve 24 12 top view front view side view rear view isometric view dimension are in mm SCHEMATICS 1048 489 489 35 324 270 87 72 100 100 ...

Page 19: ...000 4000 3150 2500 2000 1600 1250 1000 SPL dB 115 120 110 115 105 110 100 105 95 100 90 95 85 90 80 85 75 80 70 75 65 70 SPL dB 115 120 110 115 105 110 100 105 95 100 90 95 85 90 80 85 75 80 70 75 65 70 on axis SPL of the array at distances 0 12m on axis SPL of the array at distances 0 12m VERTICAL ARRAY VERTICAL ARRAY TIME ALIGNED ARRAY VS DISTANCE ATMOS Reference SPL 105dB ATMOS Reference SPL 10...

Page 20: ...0 12m on axis SPL of the array at distances 0 12m Distance from the array along the central axis between the two central tweeters m Distance from the array along the central axis between the two central tweeters m VERTICAL ARRAY VERTICAL ARRAY TIME ALIGNED ARRAY VS DISTANCE SL EVOLVE 8 4 ARRAY SL EVOLVE 12 6 ARRAY Optimized array distance ARTCOUSTIC LOUDSPEAKERS ATMOS Reference SPL 105dB Frequency...

Page 21: ... tweeters m on axis SPL of the array at distances 0 12m on axis SPL of the array at distances 0 12m TIME ALIGNED ARRAY VS DISTANCE Optimized array 4m to 12m Optimized array 3 5m to 10 5m VERTICAL ARRAY VERTICAL ARRAY ARTCOUSTIC LOUDSPEAKERS Optimized array distance Optimized array distance Frequency Hz Frequency Hz SL EVOLVE 16 8 ARRAY SL EVOLVE 24 12 ARRAY SPL dB 115 120 110 115 105 110 100 105 9...

Page 22: ...ween the typical omnidirectional light bulb which in many ways is similar to the typical HI FI dome tweeter A more controlled light source with guided directivity from a lampshade illustrating the more professional audio oriented horn loaded design and finally the use of multiple light sources placed in a straight vertical line illustrating the different types of line array designs used by Artcoust...

Page 23: ...design solutions has advantages and disadvantages we have listed out some of the obvious advantages we find important using line array type of designs We have also managed to control the energy output on the vertical axis reducing floor and ceiling reflections resulting in a constant and highly predictable performance so basically with the Artcoustic array speakers every room will sound the same with...

Page 24: ...near water Clean rear panel with dry cloth only Do not block any ventilation opening Do not install near any heat sources If wall mounted ensure the use of matching screws and rawl plugs Do not place product filled with liquids such as vases on the product Do not open product There are no user serviceable parts inside To reduce the risk of fire and electric shock do not expose this product to rain o...

Page 25: ... any other costs nor any risk for removal transportation and installation of products is covered by this warranty The Artcoustic Team Will not be applicable in cases other than defects in materials and or workmanship at the time of purchase and will not be applicable For deterioration of component parts the nature of which is to become worn or depleted with use such as batteries For damages caused...

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