Setting up the M-One/USB in Windows XP
(with Service Pack 2 - other versions may vary slightly.)
Plug in microphone. The LED will light to indicate it is receiving USB power. WindowsXP will
recognize the USB audio device and automatically install the universal drivers
The M-One/USB is now recognized as a Windows audio device under the name USBMIC. To set
it as the default device and change computer-controlled gain, access control panel.
Access Sounds and Audio Devices through Control Panel.
Select M-OneUSB as Sound recording device in the Audio tab window. You may also have to
select the microphone in most pro audio programs where multiple devices must be set within the
program.
To set the microphone Gain, click the Volume button. The Wave In window sets the computer
controlled gain, pan and microphone mute.
Select M-OneUSB as the Output Device in the Audio Tab Window and set level.
Powering the M-One/USB
The M-One/USB is a condenser microphone, and like all condenser microphones, it has internal
electronics that require an active power supply. Traditional studio condensers are almost always powered
by a Phantom Power supply, from a mixing console or external pre-amp. The M-One/USB receives its
power from the USB bus. Simply connect the microphone to the computer’s USB port and the
microphone is ready to operate. The M-One/USB features a blue power LED, which will illuminate when
USB power is present.
Microphone Placement
A cardioid polar pattern like that used in the M-One/USB is generally the standard for most applications. A
cardioid pattern will deliver best results on most vocal recordings and on a wide range of solo
instruments. It offers full frequency response on the front of the microphone and the advantage of
proximity
effect (increased low frequency response when microphone is placed close to sound source*).
A cardioid pattern also provides excellent noise rejection from the sides and back, or 180-degree position
of the microphone, minimizing feedback and interference from other audio sources.
*Vocalists can use the proximity effect to their advantage, adding fullness and more 'bottom end' to the
voice as they move closer to the microphone. Experienced vocalists can easily incorporate it as part of
their overall microphone technique. Experimentation with mic placement during the recording process is
the key.
It may be advised that in some applications that a pop filter like the ART M-WS be employed to reduce
overly prominent “P” and “B” sounds.
Specifications:
Type:
Side
Address
Cardioid
Condenser
USB
Microphone
Capsule:
32mm Wide Diaphragm Gold Sputtered Capsule
Integrated Headphone Output:
1/8
th
-inch TRS Stereo Jack
Controls:
Headphone Level, Microphone/Playback Mix Level
Analog-to-Digital Conversion:
24-bit / 96 kHz sampling rate
Frequency Response:
20Hz to 20kHz
MAX SPL:
135dB
S/N Ratio:
78dB
Sensitivity:
-35dB
(+/-2dB)
Output:
USB Type 2.0 (3m cable included)
Included Accessories:
Leather zipped bag, Shockmount, 3m (10’) USB Cable
Dimensions:
37mm x 175mm / 1.5 inches x 6.9 inches
Weight
16oz
/
469g
