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ARRIFLEX 416 Quick Guide 05/2006, Page 19

Timecode Sensitivity Table

16 mm Kodak Film Stocks

Kodak   7201  

(Color Negative)  

TCS 7 

Kodak   7205  

(Color Negative)  

TCS 6 

Kodak   7212  

(Color Negative)  

TCS 6 

Kodak   7217  

(Color Negative)  

TCS 6 

Kodak   7218  

(Color Negative)  

TCS 5 

Kodak   7222  

(B/W Negative)  

TCS 8 

Kodak   7229  

(Color Negative)  

TCS 5 

Kodak   7231  

(B/W Negative)  

TCS 9 

Kodak   7236  

(Color Negative)  

TCS 6 

Kodak   7239  

(Color Reversal)  

TCS 5 

Kodak   7240  

(Color Reversal)  

TCS 6 

Kodak   7245  

(Color Negative)  

TCS 6 

Kodak   7246  

(Color Negative)  

TCS 6 

Kodak   7248  

(Color Negative)  

TCS 6 

Kodak   7250  

(Color Reversal)  

TCS 5 

Kodak   7251  

(Color Reversal)  

TCS 4 

Kodak   7274  

(Color Negative)  

TCS 6 

Kodak   7276  

(B/W Reversal)  

** 

Kodak   7277  

(Color Negative)  

TCS 5 

Kodak   7278  

(B/W Reversal)  

** 

Kodak   7279  

(Color Negative)  

TCS 4 

Kodak   7284  

(Color Negative)  

TCS 5 

Kodak   7287  

(Color Negative)  

TCS 6 

Kodak   7289  

(Color Negative)  

TCS 5 

Kodak   7293  

(Color Negative)  

TCS 5 

Kodak   7296  

(Color Negative)  

TCS 5 

Kodak   7297  

(Color Negative)  

TCS 6 

Kodak   7298  

(Color Negative)  

TCS 5 

Kodak   7620  

(Color Negative)  

TCS 6 

16 mm Fuji Film Stocks 

Fuji  

8428  

(Color Reversal)  

TCS 6 

Fuji  

8622  

(Color Negative)  

TCS 6

Fuji  

8632  

(Color Negative)  

TCS 6

Fuji  

8652  

(Color Negative)  

TCS 5

Fuji  

8653  

(Color Negative)  

TCS 6

Fuji  

8653  

(Color Negative)  

TCS 6

Fuji  

8662  

(Color Negative)  

TCS 4

Fuji  

8663  

(Color Negative)  

TCS 5

Fuji  

8672  

(Color Negative)  

TCS 4

Fuji  

8673  

(Color Negative)  

TCS 5

Fuji  

8682  

(Color Negative)  

TCS 6

Fuji  

8683  

(Color Negative)  

TCS 6

Fuji  

8692  

(Color Negative)  

TCS 4

** - Timecode exposure not possible.

Summary of Contents for ARRIFLEX 416

Page 1: ...mera RUN Inching Camera Display 7 Loading the Magazine 8 Mounting the Magazine 10 Changing fps Shutter Angle 11 Beeper Backlight RGB ARRIGLOW 12 On board Battery OBB 2 13 Integrated Video System 14 Ac...

Page 2: ...ARRIFLEX 416 Quick Guide 05 2006 Page 2 This page is left blank intentionally...

Page 3: ...he alignment and focus of the Integrated Video System 2 A 3 mm metric hex wrench is used to attach and remove camera components and most accessories 3 A 5 mm metric hex wrench is used to attach or rem...

Page 4: ...t Super 16 only Front 3 8 16 mounting point Heated Eyepiece outlet RGB ARRIGLOW brightness buttons PHASE button RUN button Image rotation knob Eyepiece focus ring 416 Standard Camera Handle Timecode s...

Page 5: ...on friction BNC connectors RS connectors RUN indicator Pitch adjust Attachment rosette CLM 2 motor connectors Lens motor direction switches Motor control LEDs Eyepiece swing over lock Integrated Video...

Page 6: ...ll down lm transport claw and one registration pin Sound Level Less than 20 dB A 24 fps Lens Mount 54 mm PL mount Super 16 only Flange Focal Distance 52 00 51 99 mm Temperature Range 20 C to 50 C 4 F...

Page 7: ...n while the camera runs at the set frame rate To stop the camera briefly press the RUN button again If the RUN indicator glows red while the camera is in Standby the camera is not ready and pressing t...

Page 8: ...he sides of the roller should overlap the film roll edges as shown in the picture below Push approximately 15 cm 6 of film into the slit at the top of the angled transfer roller Then thread the film a...

Page 9: ...see the sprockets rotate Now take hold of the film core again and rotate it counter clockwise This will pull the film from the throat into the take up chamber Thread the film around the rear guide ro...

Page 10: ...h down on the Shoulder Pad with your hand or the magazine before inserting the magazine Flip the silver Safety Catch on the Magazine Release Lever forward to prevent accidental release of the magazine...

Page 11: ...s that need to be changed Final confirmation of the set speed is not necessary Checking the Mirror Shutter Angle With the camera in Standby press and hold PHASE The camera will inch at approximately 1...

Page 12: ...to change which will flash Use the SET button to change the value of the flashing digit RGB ARRIGLOW The ARRIGLOW on the 416 gives the user a choice of frameglow colours Colours 1 8 are preset colours...

Page 13: ...n to the camera When an OBB 2 is connected display mode 3 can additionally show battery capacity or magazines left Note The new 416 power connector on the camera remains compatible with standard ARRI...

Page 14: ...ECK HIDE MENU switch all the way to the left This is useful to check the image while making adjustments in the on screen menu White balance Press the WB button to cycle through the ve white balance se...

Page 15: ...er the VIDEO TEXT ADJ sub menu to chose between VBS composite and Y C video signals to be output by the video out BNC connectors under the BNC OUT option VBS Left BNC composite video with on screen da...

Page 16: ...ARRIFLEX 416 Quick Guide 05 2006 Page 16 Accessories...

Page 17: ...ARRIFLEX 416 Quick Guide 05 2006 Page 17 Accessories...

Page 18: ...ra s Timecode clock will synchronize itself to the exact frequency of the motherclock leading to better accuracy and extended periods between jam syncing Userbit Input Userbits are automatically input...

Page 19: ...S 6 Kodak 7276 B W Reversal Kodak 7277 Color Negative TCS 5 Kodak 7278 B W Reversal Kodak 7279 Color Negative TCS 4 Kodak 7284 Color Negative TCS 5 Kodak 7287 Color Negative TCS 6 Kodak 7289 Color Neg...

Page 20: ...Voice phone 44 0 1895 457 100 FAX 44 0 1895 457 101 Email info arrimedia com ARRI Lighting Rental Lighting Rental 4 Highbridge Oxford Road Uxbridge Middlesex UB8 1LX England Voice phone 44 0 1895 457...

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