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ARRICAM Studio Quick Guide 01/2004, Page 8 of 20

Fps Range

                       1 to 60 fps forward, 1 to 32 fps reverse. Reverse running and 0.001 fps increments 

can be set by Speed Control Box, Wireless Remote Control or ARRIMOTION.

Mirror Shutter

                  0° to 180°, electronically adjustable in 0.1° increments (11.2° to 180° for ramps).

Movement

                       5-link movement with dual registration pins and transport claws.

Movements with 4 or 3 perforation pull down are available. 

Flange Focal Distance

      51.98 mm – 0.01

Temperature Range

         –10° to +40° Celsius /+14° to +104° Fahrenheit 

Power

           24 V BAT    Nominal 24 V dc in (Pin 1: GND, pin 2: 24 V) Input voltage range: 21- 35 V dc.

                              RS     (Camera & Power Bridgeplate) Pin 1: GND, pin 2: nominal 24 V dc out. The RS 

connectors on camera and Power Bridgeplate can supply a combined total of 5 A 
max. The RS connectors on the Power Bridgeplate have no remote run capability.

                          CAC    Pin 1: GND, pin 2: nominal 24 V dc out with 2.5 A max. continuously.

                Work Light/    Outer: GND, inner: nominal 24 V dc out. Work Light/Heated Eyecup connectors
            Heated Eyecup    together can supply 0.75 A max. continuously.

        On-board Monitor    12 V dc out. This connector (MINI MONITOR) can supply 1.2 A max.

                                 Note:

 

The combined load of all connectors must not exceed 7 A.

Contrast Filter

                 An ND 0.6 filter can be moved into the viewfinder image path.

Magazines                   

     Studio Magazine 120/400, Studio Magazine 300/1000, Top Load Adapter, Back 

Load Adapter, Dual Port Adapter, Lite Steadicam Magazine, Lite Shoulder 
Magazine, Lite Mag to Studio Camera Adapter. Use the Magazine Stabilization 
Bracket while shooting under increased g-force with Studio Magazine 300/1000.

Viewfinders

                     Studio Viewfinder, Studio Universal Viewfinder, Studio Medium Extension, Studio 

Zoom Extension, Studio Anamorphic Extension, Studio LCD Frameglow, Studio 
Mask Frameglow, Studio Eyepiece, Lite Universal Eyepiece, Heated Eyecup, Studio 
Readout, Integrated Video System, Studio 100% Video Top, 2” and 6.6” Video 
Monitors.

                                    

 

Note:

  

The Lite Viewfinders can also be used on the Studio camera, however the Lite

                                    

 

Integrated Video System can only be used when the Back Load Adapter is fitted.

Lens Data System

             Studio Lens Data Box, Studio LDB Adapter, Lens Data Displays (LDD & LDD-FP), Lens 

Data System (LDS) zooms and prime lenses. 

Electronic Accessories

       Speed Control Box, Manual Control Box, Timing Shift Box, MCB Cable Adapter, 

Pick-up Unit, Remote Control Station, In-camera Slate Box, Power Bridgeplate, 
Work Light, Lens Control System, Controlled Lens Motors (CLM-1, CLM-2, CFM-1), 
Wired Handgrip Attachment, Wireless Main Unit, Wireless Focus Unit, Wireless 
Zoom Unit, Wireless Remote Control, Focus/Iris Unit, Zoom Main Unit, Iris Control 
Unit, Remote Switch RS-4, CAC Distribution Box, Accessory Power Box. 

Other

                              ARRICAM Shoulder Set, Studio Camera Handle, Studio Centre Handle, 3/8“ 

Accessory Shoe, Accessory Shoe Expander, Viewfinder Levelling Rod, Universal Low 
Mode Set, Ground Glasses, Aperture Format Masks, PL mount lenses, Shift & Tilt 
system, Matte Boxes, Follow Focus systems, Right Camera Handgrip with RUN/
STOP button, batteries, power supplies, ARRI Dovetail system, Arrihead 2.

Quick Specs

Summary of Contents for Arricam System

Page 1: ...a Top and Base 6 Viewfinder Overview 7 Quick Specs 8 Messages Warnings 9 Basic Camera Operations 10 Magazine Overview 12 Magazine Configurations 13 Loading Studio Magazines 14 Threading 16 Integrated...

Page 2: ...ARRICAM Studio Quick Guide 01 2004 Page 2 of 20 This page is left blank intentionally...

Page 3: ...d to attach and remove most accessories 3 A 5 mm metric hex wrench is used to attach or remove the Camera Handle grips the 3 8 Accessory Shoe Adapter and the WHA 2 Rosette Bracket 4 A 8 10mm 5 16 flat...

Page 4: ...Glass Studio Magazine 120 400 Magazine door lock Tightening wheels Integrated Video System Magazine door lock safety Top Load Adapter RS connectors Remote RUN 24 V dc Beeper volume control DUST CHECK...

Page 5: ...iewfinder PRESET selector switches RAW STOCK display Power connector BAT Top Load Adapter Camera Accessory Connector CAC SHOW SET ASA button Studio Magazine 120 400 Tape hook Image rotation knob Eyepi...

Page 6: ...sory shoe Readout port cover Accessory shoe Top Load Adapter Viewfinder extension lock Image rotation knob Image rotation lock Cover for Power Bridgeplate contacts 3 8 16 mounting holes Hole for Shoul...

Page 7: ...e Studio Medium Extension Studio Zoom Extension Studio Anamorphic Extension Heated Eyecup Eyecup LCD N35 MINI MONITOR OPEN UNLOCK LOCK FIX Studio 100 Video Top Studio Integrated Video System IVS Studi...

Page 8: ...Shoulder Magazine Lite Mag to Studio Camera Adapter Use the Magazine Stabilization Bracket while shooting under increased g force with Studio Magazine 300 1000 Viewfinders Studio Viewfinder Studio Un...

Page 9: ...m The movement block is not fully locked in its forward shooting position The camera is not ready SCB The Speed Control Box controls fps SCB is shown when a reverse frame rate is set SW Minor software...

Page 10: ...removing or installing the Spacer Plate the movement should be in its rear position Handle with care Camera heating The camera and magazines are equiped with automatic heaters that switch on in very c...

Page 11: ...Extended Camera Control Panel it is necessary to press and hold the UNLOCK button while pressing the SET shutter angle button With either panel each pressing of the SET shutter angle button will cycle...

Page 12: ...04 Page 12 of 20 Studio Magazine 120 400 Lite Steadicam Magazine Lite Shoulder Magazine Top Load Adapter Dual Port Adapter Back Load Adapter ARRICAM Studio Studio Magazine 300 1000 Lite Mag to Studio...

Page 13: ...geared fluid head 2 Inclined at the rear with the Dual Port Adapter e g for shoulder operation or use with a geared fluid head 3 Vertically at the rear with the Back Load Adapter e g for handheld or S...

Page 14: ...the empty can placed to the left of the magazine Push the film head into the left slit on the magazine throat from the inside until it emerges on the outside Note When attaching a film core to a core...

Page 15: ...elector switches Press the SET RAW STOCK button until you see the number from the PRESET selector switches appear in the RAW STOCK display When using the In camera Slate system enter the ASA of the fi...

Page 16: ...the diagram above Position the film on the lower sprocket roller so the sprocket teeth engage the film perforations Close the lower film guide by pushing it towards the sprocket wheel Repeat for the u...

Page 17: ...running through the camera Using the same film stock that you will be using for the shoot turn the PITCH adjustment with a 3mm metric hex wrench while the camera is running at 24 or 25 fps until you h...

Page 18: ...rsion filter is used AUTO automatic white balance MAN manual white balance as defined in the WB GAIN sub menu Controlling image brightness It is recommended to set the video lens iris fully open to al...

Page 19: ...Top BNC C chrominance portion of the video signal with on screen data Bottom BNC Y luminance portion of the video with on screen data Y C Top BNC C chrominance portion of the video signal without on...

Page 20: ...Uxbridge Middlesex UB8 1LX England Voice phone 44 0 1895 457 200 FAX 44 0 1895 457 201 Email tross arrilightingrental com Italy ARRI Italia S r l Sales Service Milan Viale Edison 318 20099 Sesto San G...

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